Dalam notasi musik, sebuah nilai not mengindikasikan durasi sebuah not, menggunakan tekstur atau bentuk kepala not, ada atau tidak adanya tangkai, dan ada atau tidak adanya bendera. Nilai not tanpa modifikasi adalah pangkat pecahan dua (contohnya, satu, setengah, seperempat, seperdelapan, dan seterusnya).
Istirahat mengindikasikan hening dengan durasi yang setara.
Secara teknis, singkatnya not bisa ad infinitum dengan menambah bendera.
Referensi
^William Smythe, Babcock Mathews, and Emil Liebling, "Large", Pronouncing and Defining Dictionary of Music (Cincinnati, New York, London: J. Church and Company, 1896).
^ abTheodore Baker, A Dictionary of Musical Terms: Containing Upwards of 9,000 English, French, German, Italian, Latin, and Greek Words and Phrases, third edition, revised and enlarged (New York: G. Schirmer, 1897): 131.
^William Smythe, Babcock Mathews, and Emil Liebling, "Double Note", Pronouncing and Defining Dictionary of Music (Cincinnati, New York, London: J. Church and Company, 1896).
^John Freckleton Burrowes, Burrowes' Piano-forte Primer: Containing the Rudiments of Music Adapted for Either Private Tuition Or Teaching in Classes Together with a Guide to Practice, new edition, revised and modernized, with important additions,m by L.H. Southard (Boston and New York: Oliver Ditson, 1874): 41. Hendrik Van der Werf,.. The Oldest Extant Part Music and the Origin of Western Polyphony, 2 vols (Rochester, New York: H. van der Werf, 1993:. 1:97.
^Lowell Mason, Manual of the Boston Academy of Music (Boston, 1843): 67.
^Robert J. Miller (2015). Contemporary Orchestration: A Practical Guide to Instruments, Ensembles, and Musicians. London: Routledge. hlm. 38. ISBN978-0-415-74190-3.
^David Haas (2011). "Shostakovich's Second Piano Sonata: A Composition Recital in Three Styles". Dalam Pauline Fairclough; David Fanning. The Cambridge Companion to Shostakovich. Cambridge Companions to Music. Cambridge and New York: Cambridge University Press. hlm. 95–114. doi:10.1017/CCOL9780521842204.006. ISBN978-1-139-00195-3. The listener is right to suspect a Baroque reference when a double-dotted rhythmic gesture and semihemidemisemiquaver triplets appear to ornament the theme.(p. 112)