Khan was instrumental in popularizing Indian classical music in the West, both as a performer and as a teacher. He first came to America in 1955 on the invitation of violinist Yehudi Menuhin and later settled in California.[2] He was a adjunct professor of music at the University of California, Santa Cruz.[3]
Ali Akbar Khan was born in the village of Shibpur, Brahmanbaria, in present-day Bangladesh, to musician and teacher, Allauddin Khan and Madina Begum.[5] Soon after his birth, Khan's family returned to Maihar (in present-day Madhya Pradesh, India) where his father was the primary court musician for the Maharaja of the princely state.[6]
From an early age Khan received training from his father in various instruments as well as vocal composition, but finally gravitated towards the sarod. Allauddin was a perfectionist and a strict taskmaster, and Khan's lessons started before dawn and often lasted 18 hours a day.[7] Khan also learned to play the tabla and the pakhavaj from his uncle, Aftabuddin Khan, who he visited at Shibpur.[8] During this period he met several prominent musicians, such as the sarodist Timir Baran and flautist Pannalal Ghosh, who came to study with his father; in later years he was joined in his lessons by his sister Annapurna Devi, who became an accomplished player of the surbahar, and fellow student Ravi Shankar. Shankar and Annapurna Devi were married in 1941.[6]
Of his training on the sarod, he wrote:
If you practice for ten years, you may begin to please yourself, after 20 years you may become a performer and please the audience, after 30 years you may please even your guru, but you must practice for many more years before you finally become a true artist—then you may please even God.[9]
Career
Khan on a 2014 stamp sheet of India
Khan, after years of rigorous training, gave his debut performance at a music conference in Allahabad in 1936, at the age of 13. Three years later, in December 1939, he accompanied Ravi Shankar on the sarod during the latter's debut performance at the same conference; this was the first of many jugalbandis (duets) between the two musicians. In 1938 Khan gave his first recital on All India Radio (AIR), Bombay (accompanied on the tabla by Alla Rakha), and starting in January 1940, he gave monthly performances on AIR, Lucknow. Finally in 1944, both Shankar and Khan left Maihar to start their professional careers as musicians; Shankar went to Bombay, while Khan became the youngest music director for AIR, Lucknow, and was responsible for solo performances and composing for the radio orchestra.[7]
In 1943, on his father's recommendation, Khan was appointed a court musician for the Maharaja of Jodhpur, Umaid Singh.[10] There, he taught and composed music besides giving recitals and was accorded the title of Ustad by the Maharaja. When the princely states were wound down with India's independence in 1947 and Maharaja Hanwant Singh died in a plane crash in 1952, Khan moved to Bombay.[7]
In Bombay, he won acclaim as a composer of several film scores, including Chetan Anand's Aandhiyan (1952). Lata Mangeshkar sang the title song, "Har Kahin Pe Shaadmani" and as a token of her respect to sarod maestro, did not charge any fee.[11] This was followed by Satyajit Ray's Devi (1960), Merchant-Ivory's The Householder, and Tapan Sinha's Khudito Pashan ("Hungry Stones", 1960), for which he won the "Best Musician of the Year" award. He also played sarod for a song in 1955 film Seema which had the music composed by Shankar Jaikishan. Later in 1993, he would score some of the music for Bernardo Bertolucci's Little Buddha.[12]
Beginning in 1945, Khan also started recording a series of 78 rpm disks (which could record about three minutes of music) at the HMV Studios in Bombay. For one such record he conceived a new composition Raga Chandranandan ("moonstruck"), based on four evening ragas, Malkauns, Chandrakauns, Nandakauns and Kaushi Kanada. This record was a huge success in India, and the raga found a worldwide audience, when a 22-minute rendition was re-recorded for the Master Musician of IndiaLP in 1965 − one of Khan's seminal recordings.[13]
He performed in India and traveled extensively in the West. In 1956, Khan founded the Ali Akbar College of Music in Calcutta, with the mission to teach and spread Indian classical music. He founded another school of the same name in Berkeley, California in 1967 and later moved it to San Rafael, California.[10][better source needed] Khan performed in Boston with Shankar Ghosh in 1969 for the Peabody Mason Concert series. In 1985 he founded another branch of the Ali Akbar College of Music in Basel, Switzerland. Khan was the first Indian musician to record an LP album of Indian classical music in the United States and to play sarod on American television.[14]
Khan was married three times and had at least 11 children, including sarod players Aashish Khan, Alam Khan, and Manik Khan.[16][17]
Khan was based in the United States for the last four decades of his life. He toured extensively until he was prevented from doing so by ill health. He had been a dialysis patient since 2004. He died from kidney failure at his home in San Anselmo, California on 18 June 2009, at age 87.[18]
^"Padma Awards". Ministry of Communications and Information Technology (India). Archived from the original on 7 April 2015. Retrieved 13 September 2019.
