Alice Duer Miller (July 28, 1874 – August 22, 1942) was an American writer whose poetry actively influenced political opinion. Her feminist verses influenced political opinion during the American suffrage movement, and her verse novelThe White Cliffs influenced political thought during the U.S.'s entry into World War II.[1][2] She also wrote novels and screenplays.
Early life
Alice Duer Miller was born in Staten Island, New York, on July 28, 1874, into a wealthy and prominent family.[3][4] She grew up in Weehawken, New Jersey with her parents and two sisters.[3] She was the daughter of James Gore King Duer and Elizabeth Wilson Meads.[3][4][5] The family lost their fortune during the Baring Bank failure.[6]
Miller was also a descendant of Senator Rufus King, who was an American lawyer, politician, and diplomat. He was a delegate for Massachusetts to the Continental Congress. He also attended the Constitutional Convention and was one of the signatories of the United States Constitution on September 17, 1787.
Alice attended Barnard College in 1895, studying Mathematics and Astronomy and graduating Phi Beta Kappa.[3][5][9] She helped to pay for her studies by selling novels and short essays to Harper's and Scribner's magazines.[3] Alice excelled as a student with her award-winning thesis "Dedekind's Theory of the Irrational Number".[6] She and her sister Caroline jointly published a book of poems.[5] Miller remained connected to Barnard throughout her life; she was elected as a trustee of Barnard College in 1922.[6]
Alice Duer Miller in 1908 or 1909
Career
Alice wrote her entire life, but before she was a full-time writer, she taught at a girls school English composition and tutored Barnard College students in mathematics.[10] Miller became known as a campaigner for women's suffrage and was an active member of the Algonquin Round Table and Heterodoxy.[6] She published a series of satirical poems in the New York Tribune titled and later republished in the collection, Are Women People? These words became a catchphrase of the suffrage movement.[1][2] Part of one poem reads:
"FATHER, what is a Legislature?
A representative body elected by the people of the state.
Are women people?
No, my son, criminals, lunatics and women are not people.
Do legislators legislate for nothing?
Oh, no; they are paid a salary.
By whom?
By the people.
Are women people?
Of course, my son, just as much as men are."[1][11] She followed this collection with Women Are People! (1917).
As a novelist, she scored her first success with Come Out of the Kitchen in 1916. The story was made into a play and later the 1948 film Spring in Park Lane. She followed it with a series of other short novels, many of which were staged and (increasingly) made into films.[12]
Her novel in verse Forsaking All Others (1933) was about a tragic love affair; many consider it her greatest work. Miller was invited to write for Hollywood in 1921 by Samuel Goldwyn.[6] Many of her stories became motion pictures, such as Are Parents People? (1925), Roberta (1935), and Irene (1940). She also became involved in a number of motion picture screenplays, including Wife vs. Secretary (1936). Her name appears in the very first issue of The New Yorker as an advisory editor.[13] Throughout her life, she wrote successfully for a wide range of genres and produced forty-four books.[6]
Manslaughter by Alice Duer Miller
The White Cliffs
In 1940, she wrote the verse novel The White Cliffs, about an American girl who coming to London as a tourist, meets and marries a young upper-class Englishman in the period just before World War I. The war begins and he goes to the front. He is killed just before the end of the War, leaving her with a young son. Her son is the heir to the family estate. Despite the pull of her own country and the impoverished condition of the estate, she decides to stay and live the traditional life of a member of the English upper class. The story concludes as World War II commences, and she worries that her son, like his father, will be killed fighting for the country he loves. The poem ends with the lines:
...I am American bred
I have seen much to hate here – much to forgive,
But in a world in which England is finished and dead,
I do not wish to live.
The poem was spectacularly successful on both sides of the Atlantic, selling nearly one million copies – an unheard of number for a book of verse. It was broadcast and recorded by British-American actress Lynn Fontanne (with a symphonic accompaniment), and the story was made into the 1944 film The White Cliffs of Dover.[14]
Personal life
Once she graduated, she married Henry Wise Miller on October 5, 1899, at Grace Church Chapel in New York City.[5][15][16] Henry asked Alice to marry him three days after their first meeting.[10] He was a Harvard graduate,[3] born in 1877, the son of Lt. Commander Jacob Miller.[10]
Illustration for one of Miller's suffragist poems, as published in Puck in 1915, showing women's suffrage moving east from the states in the west that had first adopted it
They moved to Costa Rica, where Henry Miller was gambling on land speculation and rubber cultivation.[6][10] Henry and Alice had their first son Denning Duer Miller in this time period when they were moving back and forth between New York City and Costa Rica.[6] Their investment failed and the family moved back to New York City and struggled for years financially. Alice served as the primary breadwinner for the first decade of the marriage until Henry became a Wall Street stockbroker,[6] funded by his wife's money. The Millers lived somewhat separate lives, deliberately spending part of each year away from each other, and Powers comments that it is possible it was an open marriage. Henry Miller had a long affair with Daisy Bacon.[17] It is not known if Alice Miller was aware of her husband's infidelity, but she may have been. Powers suggests that her long poem Forsaking All Others (1931) is a veiled reference to her own marriage: the protagonist has an affair with a younger woman, but refuses to leave his wife for her.[18]
^Robert F. Jones, "The King of the Alley": William Duer; Politician, Entrepreneur, and Speculator, 1768–1799 (1992), p. 1; Jonathan J. Bean. "Duer, William"; American National Biography Online, February 2000. Older sources give Duer's year of birth as 1747.
^Morey, Anne (Fall 2010). "A New Eroticism or Merely a New Woman? Cecil B. DeMille's Adaptation of Alice Duer Miller's Manslaughter". Framework. 51 (2): 388–403. doi:10.1353/frm.2010.a402499. S2CID193210184.
^"Advisory editor". New Yorker. 1 (1): 1. February 21, 1925.
^Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine, pp. 25–30. Powers, Laurie. Jefferson, North Carolina: McFarland and Company, Inc. 2019
^Duer, Caroline King; Miller, Alice Duer (April 15, 1896). "Poems". New York, G. H. Richmond & co. Retrieved April 15, 2021 – via Internet Archive.
^Duer, Caroline; Miller, Alice Duer (April 15, 1896). "Poems". London, J. Lane; New York, G. H. Richmond. Retrieved April 15, 2021 – via Internet Archive.
^Duer, Caroline; Miller, Alice Duer (April 15, 1896). "Poems". New York, G. H. Richmond & co. Retrieved April 15, 2021 – via Internet Archive.
^"Less than kin". New York : Henry Holt and Company. April 15, 1909. Retrieved April 15, 2021 – via Internet Archive.
^Miller, Alice Duer (April 15, 1914). "Things". New York, C. Scribner's sons. Retrieved April 15, 2021 – via Internet Archive.
^Miller, Alice Duer; Milton, Robert (April 15, 1922). "The charm school; a comedy in three acts". New York, S. French; [etc., etc. Retrieved April 15, 2021 – via Internet Archive.
