You can help expand this article with text translated from the corresponding article in German. (January 2024) Click [show] for important translation instructions.
Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia.
Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing German Wikipedia article at [[:de:Angelika Hurwicz]]; see its history for attribution.
You may also add the template {{Translated|de|Angelika Hurwicz}} to the talk page.
Hurwicz was the daughter of writer Elias Hurwicz and was of Jewish descent, which made her unable to attend drama school under the Nuremberg Laws. Instead, she trained privately with state actress Lucie Höflich.[1]
Hurwicz acted in a number of Brecht's plays, including the career-transforming Mother Courage and Her Children, in which she had the role of Kattrin.[2] The success of the play paved the way for the establishment of the Berliner Ensemble.
At the time, Hurwicz's casting in lead role was remarked on by theatre critics such as Kenneth Tynan because of her physical appearance that, on the London stage, would have relegated her to comedic relief. In his review of The Caucasian Chalk Circle, Tynan wrote that, "Angelika Hurwicz is a lumpy girl with a face as round as an apple: our theatre would cast her, if at all, as a fat comic maid. Brecht makes her the heroine."[3]
Hurwicz was a lesbian and lived with her long-term partner, the photographer Gerda Goedhart; at one point, she commented on Brecht's inability to deal openly with homosexuality.[4][5] Hurwicz and Goedhart wrote a book together about the intricacies of producing Brecht's work in 1964.[6]