Annie Thérèse Blanche Ernaux (French:[ɛʁno]; néeDuchesne[dyʃɛn]; born 1 September 1940) is a French writer who was awarded the 2022 Nobel Prize in Literature "for the courage and clinical acuity with which she uncovers the roots, estrangements and collective restraints of personal memory".[1][2] Her literary work, mostly autobiographical, maintains close links with sociology.[3]
Early life and education
Ernaux was born in Lillebonne in Normandy, France, and grew up in nearby Yvetot,[4] where her parents, Blanche (Dumenil) and Alphonse Duchesne,[5] ran a café and grocery in a working-class part of town.[6][7] In 1960, she travelled to London, England, where she worked as an au pair, an experience she would later relate in 2016's Mémoire de fille (A Girl's Story).[7] Upon returning to France, she studied at the universities of Rouen and then Bordeaux, qualified as a schoolteacher, and earned a higher degree in modern literature in 1971. She worked for a time on a thesis project, unfinished, on Pierre de Marivaux.[8]
Ernaux started her literary career in 1974 with Les Armoires vides (Cleaned Out), an autobiographical novel. In 1984, she won the Renaudot Prize for another of her works La Place (A Man's Place), an autobiographical narrative focusing on her relationship with her father and her experiences growing up in a small town in France, and her subsequent process of moving into adulthood and away from her parents' place and her class of origin.[12][13]
Early in her career, Ernaux turned from fiction to focus on autobiography.[14] Her work combines historic and individual experiences. She charts her parents' social progression (La Place, La Honte),[15] her teenage years (Ce qu'ils disent ou rien), her marriage (La Femme gelée),[16] her passionate affair with an Eastern European man (Passion simple),[17] her abortion (L'Événement),[18]Alzheimer's disease (Je ne suis pas sortie de ma nuit),[19] the death of her mother (Une femme), and breast cancer (L'usage de la photo).[20] Ernaux also wrote L'écriture comme un couteau (Writing as Sharp as a Knife) with Frédéric-Yves Jeannet.[20]
Ernaux's 2008 historical memoir Les Années (The Years), well received by French critics, is considered by many to be her magnum opus.[25] In this book, Ernaux writes about herself in the third person ('elle', or 'she' in English) for the first time, providing a vivid look at French society just after the Second World War until the early 2000s.[26] It is the story of a woman and of the evolving society she lived in. The Years won the 2008 Prix François-Mauriac de la région Aquitaine [fr],[27] the 2008 Marguerite Duras Prize,[28] the 2008 Prix de la langue française, the 2009 Télégramme Readers Prize, and the 2016 Strega European Prize. Translated by Alison L. Strayer, The Years was a finalist for the 31st Annual French-American Foundation Translation Prize, was nominated for the International Booker Prize in 2019,[29] and won the 2019 Warwick Prize for Women in Translation.[11][30] Her popularity in anglophone countries increased sharply after The Years was shortlisted for the International Booker.[31]
On 6 October 2022, it was announced that Ernaux would be awarded the 2022 Nobel Prize in Literature[32][33] "for the courage and clinical acuity with which she uncovers the roots, estrangements and collective restraints of personal memory".[1] Ernaux is the 16th French writer, and the first Frenchwoman, to receive the literature prize.[32] In congratulating her, the president of France, Emmanuel Macron, said that she was the voice "of the freedom of women and of the forgotten".[32]
Many of Ernaux's works have been translated into English and published by Fitzcarraldo Editions and Seven Stories Press. Ernaux is one of the seven founding authors from whom the latter Press takes its name.[31]
Ernaux has repeatedly indicated her support for the BDS movement, a Palestinian-led campaign promoting boycott, divestment and sanctions against Israel.[36] In 2018, the author signed a letter alongside about 80 other artists that opposed the holding of the Israel–France cross-cultural season by the Israeli and French governments. In 2019, Ernaux signed a letter calling on a French state-owned broadcasting network not to air the Eurovision Song Contest, which was held in Israel that year.[37] In 2021, after the Operation Guardian of the Walls, she signed another letter that called Israel an apartheid state, claiming that "To frame this as a war between two equal sides is false and misleading. Israel is the colonizing power. Palestine is colonized."[36] In October 2024, Ernaux signed an open letter alongside several thousand authors pledging to boycott Israeli cultural institutions.[38][39]
Ernaux signed a letter that supported the release of Georges Abdallah, who was sentenced to life imprisonment in 1982 for the assassination of an American military attaché, Lt. Col. Charles R. Ray, and an Israeli diplomat, Yacov Barsimantov. According to the letter, the victims were "active Mossad and CIA agents, while Abdallah fought for the Palestinian people and against colonization".[36]
Following the announcement of the award of the Nobel Prize, Ernaux showed solidarity with people's uprising in Iran against their government. The protests that followed the death of a young woman in the custody of Guidance Patrol (Morality Police) initially started against compulsory hijab law in Iran but soon took a broader focus on liberty. Ernaux said in an interview she was "absolutely in favour of women revolting against this absolute constraint".[40][41]
Personal life
Ernaux was previously married to Philippe Ernaux, with whom she has two sons, Éric (born in 1964) and David (born in 1968).[42] The couple divorced in 1981.[43]
^Ulin, David L. (21 January 2018). "Unorthodox snapshots of life". Los Angeles Times. p. F10. Archived from the original on 6 October 2022. Retrieved 5 October 2022 – via Newspapers.com.
^"Annie Ernaux". Auteurs contemporains. Archived from the original on 6 October 2022. Retrieved 6 October 2022.
^Schwartz, Christine (24 May 1992). "The Prodigal Daughter". Newsday. Long Island, N.Y. p. 35. Archived from the original on 6 October 2022. Retrieved 6 October 2022 – via Newspapers.com.
^Spafford, Roz (13 July 1992). "Finding the World Between Two Parents". San Francisco Examiner. p. 5 – Review. Archived from the original on 6 October 2022. Retrieved 6 October 2022 – via Newspapers.com.
^Castro, Jan Garden (27 August 1995). "Pitfalls, Trials Of Womanhood". St. Louis Post-Dispatch. p. 5C. Archived from the original on 6 October 2022. Retrieved 6 October 2022 – via Newspapers.com.
^Reynolds, Susan Salter (30 September 2001). "Discoveries". Los Angeles Times. p. 11-Book Review. Archived from the original on 6 October 2022. Retrieved 6 October 2022 – via Newspapers.com.
^Bernstein, Richard (28 November 1999). "'Darkness' a look at final illness". Tallahassee Democrat. p. 2D. Archived from the original on 7 October 2022. Retrieved 7 October 2022 – via Newspapers.com.
^Peras, Delphine (11 February 2010). "Les Années par Annie Ernaux". L'EXPRESS (in French). Archived from the original on 29 October 2010. Retrieved 31 October 2010.
^"Albo d'oro". premiohemingway.it. Secretariat of the Award at the Municipality of Lignano Sabbiadoro. Archived from the original on 8 October 2022. Retrieved 7 October 2022.
Loraine Day, Writing Shame and Desire: The Work of Annie Ernaux, Peter Lang, 2007
Alison Fell, Ernaux: La Place and La Honte; Grant and Cutler, Critical Guides to French Studies, 2006.
Alison Fell and Edward Welch, "Annie Ernaux: Socio-Ethnographer of Contemporary France", Nottingham French Studies, June 2009.
Pierre-Louis Fort (ed.), Annie Ernaux, L'Herne, 2022.
Elise Hugueny-Léger, Annie Ernaux, une poétique de la transgression, Peter Lang, 2009.
Siobhán McIlvanney, Annie Ernaux, The Return to Origins, Liverpool University Press, 2001.
Lyn Thomas, Annie Ernaux: An Introduction to the Writer and her Audience, Berg, 1999.
Lyn Thomas, Annie Ernaux, à la première personne, Stock, 2005.
Lyn Thomas, "Voix blanche? Annie Ernaux, French feminisms and the challenge of intersectionality", in M. Atack, A. Fell, D.Holmes and I. Long (eds) Making Waves: French Feminisms and their Legacies 1975–2015.; Liverpool University Press, 2019, p. 201–214.
S. J. McIlvanney, "Gendering mimesis. Realism and feminism in the works of Annie Ernaux and Claire Etcherelli". Graduate thesis, University of Oxford 1994 EThOSuk.bl.ethos.601153
Georges Gaillard, "Traumatisme, solitude et auto-engendrement. Annie Ernaux: L'événement". Filigrane, écoutes psychothérapiques, 15, 1. Montréal, Spring 2006 ISSN1192-1412 en ligne; ISSN1911-4656doi:10.7202/013530AR p. 67–86.