Minghella was born in Ryde on the Isle of Wight. His family are well known on the island, where they ran a café in Ryde until the 1980s and have run an eponymous business making and selling Italian-styleice cream since the 1950s.[1] His parents were Edoardo Minghella (an Italian immigrant) and Leeds-born Gloria Alberta (née Arcari).[2][3] His mother's ancestors originally came from Valvori, a small village in southern Lazio, Italy.[4][5] He was one of five children, his sisters Gioia Minghella-Giddens, Edana Minghella and Loretta Minghella, and a brother Dominic Minghella who also became a screenwriter and producer.
Minghella attended St. Mary's Catholic Primary School, Ryde, Sandown Grammar School, and St John's College, Portsmouth. Early interests suggested a possible career as a musician,[6] with Minghella playing keyboards with local bands Earthlight and Dancer. The latter recorded an album titled Tales of the Riverbank in 1972, although it was not released until 2001.
He attended the University of Hull, studying drama.[7] As an undergraduate he had arrived at university with an EMI contract for the band, in which he sang and played keyboards; while at university he wrote words and music for an adaptation of Gabriel Josipovici's Mobius the Stripper (1975) .[8]
Minghella graduated after three years and stayed on to pursue a PhD. He also taught at the university for several years, on Samuel Beckett and on the medieval theatre. Ultimately, he abandoned his pursuit of a PhD to work for the BBC.[9]
Career
Minghella's debut work was a stage adaptation of Gabriel Josipovici's Mobius the Stripper (1975) and it was his Whale Music (1985) that brought him notice.[10] His double bill of Samuel Beckett's Play and Happy Days was his directorial debut and debut feature film as a director was A Little Like Drowning (1978). During the 1980s, he worked in television, starting as a runner on Magpie before moving into script editing the children's drama series Grange Hill for the BBC and later writing The StoryTeller series for Jim Henson. He wrote several episodes of the ITV detective drama Inspector Morse and an episode of long-running ITV drama Boon. Made in Bangkok (1986) found mainstream success in the West End.
Radio success followed with a Giles Cooper Award for the radio drama Cigarettes and Chocolate[11] first broadcast on BBC Radio 4 in 1988. It was revived on 3 May 2008 as a tribute to its author director following his death. His production starred Juliet Stevenson, Bill Nighy and Jenny Howe. His first radio play Hang Up, starring Anton Lesser and Juliet Stevenson, was revived on 10 May 2008 as part of the BBC Radio 4 Minghella season.[12]
Truly, Madly, Deeply (1990), a feature drama written and directed for the BBC's Screen Two anthology strand, bypassed TV broadcast and instead had a cinema release. He turned down an offer to direct another Inspector Morse to do the project, even though he believed that the Morse episode would have been a much higher-profile ll assignment. The English Patient (1996) brought him two Academy Awards nominations, Best Director (which he won) and Adapted Screenplay. He also received an Adapted Screenplay nomination for The Talented Mr. Ripley (1999).
The No. 1 Ladies' Detective Agency, a pilot episode television adaptation which he co-wrote and directed, was broadcast posthumously on BBC One (23 March 2008); watched by 6.3 million viewers. He vocally supported I Know I'm Not Alone, a film of musician Michael Franti's peacemaking excursions into Iraq, Palestine and Israel. He directed a party election broadcast for the Labour Party in 2005. The short film depicted Tony Blair and Gordon Brown working together and was criticised for being insincere: "The Anthony Minghella party political broadcast last year was full of body language fibs", said Peter Collett, a psychologist at the University of Oxford. "When you are talking to me, I'll give you my full attention only if I think you are very high status or if I love you. On that party political broadcast, they are staring at each other like lovers. It is completely false."[13]
With Samuel Beckett's 100th birthday celebrations, he returned to radio on BBC Radio 3 with Eyes Down Looking (2006), with: Jude Law, Juliet Stevenson and David Threlfall.[14] An operatic directorial debut came with Puccini's Madama Butterfly. Premiered at the English National Opera (London, 2005), then at the Lithuanian National Opera and Ballet Theatre (Vilnius, March 2006) and at the Metropolitan Opera (New York City, September 2006). The latter was transmitted live into cinemas worldwide (7 March 2009) as part of the Met's HD series and is now available on DVD. The ENO work was to have led to other operatic projects, directing again at English National Opera and collaborating with Osvaldo Golijov on a new opera for the Met and ENO, writing the libretto and directing the production.[8]
He was honoured with the naming of The Anthony Minghella Theatre at the Quay Arts Centre (Isle of Wight). He made an appearance in the 2007 film Atonement as a television host interviewing the novelist central to the story.
Minghella met his first wife, Yvonne Miller, when they were students.[15] They had one daughter, Hannah.[16] Minghella and Miller eventually divorced. In 1985 Minghella married Hong Kong–born choreographer and dancer Carolyn Jane Choa.[5] They had one son, Max.
Minghella was a fan of Portsmouth F.C., and appeared in the Channel 4 documentary, Hallowed Be Thy Game. His home had two double bedrooms dedicated to the display of Portsmouth memorabilia dating back to the club's founding in 1898.[18][19]
^Mario Falsetto, ed. (2013). Anthony Minghella: Interviews. Jackson: University Press of Mississippi. pp. 135ff. ISBN9781617038211., from Minghella on Minghella
^Set in 1392, the play by Anthony Minghella hilariously recounts the citizens of York staging a medieval production of the Mystery Plays, ready for King Richard II and Queen Anne's visit to the city. Suddenly the entire community of York explodes in a fever of affectation, expense and comical posturing, as rival guilds battle it out to impress the royal party with their wagon plays.
