The "Anvil Chorus" is the English name for the Coro di Zingari[1] (Italian for "Gypsy chorus"), a chorus from act 2, scene 1 of Giuseppe Verdi's 1853 operaIl trovatore. It depicts Spanish Gypsies striking their anvils at dawn – hence its English name – and singing the praises of hard work, good wine, and Gypsy women. The piece is also commonly known by its opening words, "Vedi! Le fosche".
Italian libretto and poetic English adaptation
Zingari e zingare: —Vedi! Le fosche notturne spoglie —De' cieli sveste l'immensa volta; —Sembra una vedova che alfin si toglie —i bruni panni ond'era involta.
—All'opra! all'opra! —Dàgli, martella.
—Chi del gitano i giorni abbella? —La zingarella!
Uomini: —Versami un tratto; lena e coraggio —Il corpo e l'anima traggon dal bere.
Tutti: —Oh guarda, guarda! del sole un raggio —Brilla più vivido nel mio [tuo] bicchiere! —All'opra, all'opra!
—Chi del gitano i giorni abbella? —La zingarella![2]
Gypsy men and women: —See how the clouds melt away —from the face of the sky when the sun shines, its brightness beaming; —just as a widow, discarding her black robes, —shows all her beauty in brilliance gleaming.
—So, to work now! —Lift up your hammers!
—Who turns the Gypsy's day from gloom to brightest sunshine? —His lovely Gypsy maid!
Men: —Fill up the goblets! New strength and courage —flow from lusty wine to soul and body.
All: —See how the rays of the sun play and sparkle —and give to our wine gay new splendor. —So, to work now!
—Who turns the Gypsy's day from gloom to brightest sunshine? —His lovely Gypsy maid!
Thomas Baker wrote Il Trovatore Quadrille (1855) for piano, which includes a movement based on this chorus.[3] Similarly, pianist/composer Charles Grobe wrote variations on the Anvil Chorus for piano in 1857.[4]
The melodic theme also served as the inspiration for "Rockin' the Anvil" for swing jazz ensemble and accordion on John Serry Sr.'s 1956 album Squeeze Play. [7][8]
^Richard Taruskin (14 August 2006). "12". Music in the Nineteenth Century: The Oxford History of Western Music. Oxford University Press. pp. 596–597. ISBN978-0-19-979602-1. Retrieved 23 October 2018.
