The word avenir is French for 'future'. As the name suggests, the family takes inspiration from the geometric style of sans-serif typeface developed in the 1920s that took the circle as a basis, such as Erbar and Futura. Frutiger intended Avenir to be a more organic interpretation of the geometric style, more even in colour and suitable for extended text, with details recalling more traditional typefaces such as the two-storey 'a' and 't' with a curl at the bottom, and letters such as the 'o' that are not exact, perfect circles but optically corrected.[1]
Frutiger described Avenir as his finest work: "The quality of the draftsmanship – rather than the intellectual idea behind it – is my masterpiece. (...) It was the hardest typeface I have worked on in my life. Working on it, I always had human nature in mind. And what's crucial is that I developed the typeface alone, in peace and quiet – no drafting assistants, no-one was there. My personality is stamped upon it. I'm proud that I was able to create Avenir."[2]
Releases
Avenir was originally released in 1988 with three weights, each with a roman and an oblique version, and used Frutiger's two-digit weight and width convention for names: 45 (book), 46 (book oblique), 55 (text weight), 56 (text weight oblique), (75)85 (heavy), and (76)86 (heavy oblique). The typeface family was later expanded to six weights, each with a roman and an oblique version.
The original release of Avenir has weights grouped very close together, with the difference barely distinguishable. In his autobiography, Frutiger explains that this was a response to the effects of how people perceive colour. He intended the slightly bolder designs for white-on-black text, so they would look the same to a viewer as black-on-white.
Avenir Next
Between 2004 and 2007, together with Linotype's in-house type designer Akira Kobayashi, Frutiger reworked the Avenir family to expand the range of weights and features. The result was titled Avenir Next.[3][4][5]
The initial release of the typeface family was increased to 24 fonts: six weights, each with a roman and italic version, in two widths (normal and condensed). Frutiger's numbering system was abandoned in favor of more conventional weight names. The glyph set was expanded to include small caps, text figures, subscript and superscripts, and ligatures.
Two extra font weights (light and thin) were added to the font for the release of Avenir Next W1G, for a total of 32 fonts. This release also added Greek and Cyrillic glyphs in the regular width only.
The current set of weights is therefore ultra light, thin, light, regular, medium, demi bold, bold and heavy, in four styles each (two widths and italics for each width).
From 2012 onwards, Avenir achieved increased visibility through becoming bundled with iOS and macOS (from the Mountain Lion release onwards) as a system font in several weights of both Avenir and Avenir Next.[6][7][8]
Janna
Janna is an Arabic variant designed by Nadine Chahine, based on the original Avenir. Janna (Arabic: جنّة), which means "heaven" in Arabic, was first designed in 2004 as a signage face for the American University of Beirut. The Arabic glyphs are based on the previously released Frutiger Arabic, but were made more angular.
Two roman fonts, in regular and bold weights, were produced. The typeface supports ISO Adobe 2, Latin Extended, Arabic, Persian, and Urdu characters, and tabular numerals for the supported languages.
Avenir Next Rounded (2012)
Avenir Next Rounded is a version of Avenir Next with rounded terminals, designed by Akira Kobayashi and Sandra Winter.[9][10]
The family includes 8 fonts in 4 weights (regular, medium, demi, and bold) and 1 width (based on normal width), with complementary italics. OpenType features include numerator and denominator, fractions, standard ligatures, lining and old-style figures, localized forms, scientific inferiors, subscript and superscript, and small caps.
Avenir used in two different weights on a poster about French railway company SNCF's student transportation help program during exams.
An example page showing the Janna variant typeface.
Usage
The city of Amsterdam uses Avenir as the principal typeface in its visual identity. The font was chosen when design bureau Eden Design & Communication won a citywide competition. Eden contracted Thonik for the new design.[11]
Avenir was formerly used by the Eurovision Song Contest in all its brand communication materials and was used between 2014 and 2018 for the scoreboards of the Junior Eurovision Song Contest.[17]
A modified version of Avenir Next was created for Best Buy. This version, called "Avenir Next for Best Buy", is used in most Best Buy advertising and promotional material; the collection consists of 12 weights.[18]
Blackwell, Lewis. 20th Century Type. Yale University Press: 2004. ISBN0-300-10073-6.
Fiedl, Frederich, Nicholas Ott and Bernard Stein. Typography: An Encyclopedic Survey of Type Design and Techniques Through History. Black Dog & Leventhal: 1998. ISBN1-57912-023-7.
Macmillan, Neil. An A–Z of Type Designers. Yale University Press: 2006. ISBN0-300-11151-7.