Blass was born in Fort Wayne, Indiana, the son of Ralph Aldrich Blass, a traveling hardware salesman, and his wife, Ethyl (Keyser) Blass.[3]
In his autobiography, Blass wrote that the margins in his school books were filled with sketches of Hollywood-inspired fashions instead of notes. At fifteen, he began sewing and selling evening gowns for $25 each to a New York manufacturer. At seventeen he had saved enough money to move to Manhattan and study fashion. At eighteen, he was the first male to win Mademoiselle's Design for Living award. He spent his salary of $30 a week on clothing, shoes and elegant meals.[citation needed]
After the war, Blass returned to New York, and was promptly hired as Anne Klein's assistant. However, he was soon fired; allegedly, Anne told him that while he had good manners, he had no talent.[5] He was a protégé of Baron Nicholas de Gunzburg.[6] In 1970, after two decades of success in menswear and womenswear, he bought Maurice Rentner Ltd., which he had joined in 1959, and renamed it Bill Blass Limited.[1][2]
Over the next 30 years he expanded his line to include swimwear, furs, luggage, perfume, and chocolate. In 1967, he was the first American couture fashion designer to start a menswear line. That part of his business grew to offer everything from ties, socks and belts to suits and evening clothes. It was made by 18 licensees.[3]
Like many designers, his women's-couture collections lost money but served to promote other parts of his business. By the mid-1990s, his ready-to-wear business grossed about $9 million annually and his 97 licensing agreements had retail sales of more than $700 million a year.[3]
Blass is largely credited with creating the relaxed, elegant look that American fashion favored in the late 20th century. In a time period where international attention was solely focused on French fashion, Blass was able to create designs that would eventually shift the focus onto American fashion as well. Inspired by European fashion designers like Coco Chanel, Blass modernized womenswear by allowing them comfort while still maintaining a sense of glamour; he would create designs typical of sportswear, but create them using luxurious fabrics. His signature style consisted of feminine ruffles, luxury materials such as mink or cashmere, and sharply-cut, simple silhouettes.[7]
Blass's looks would incorporate Golden Age Hollywood's glamour with sportswear, taking sportswear silhouettes, and creating them with luxurious materials such as mink, silk, and cashmere, or blending pieces traditionally found in sportswear with dramatic ball skirts. Blass was the first American to incorporate fabrics traditionally only found in menswear, such as pinstripes and houndstooth, into womenswear. His clothing was always very wearable, a characteristic that set him apart from his contemporaries, as most of them were focused on creating fantastical clothes.[5]
Advertisements
Blass was one of the first designers bold enough and recognizable enough to star in his own advertisements. In one such campaign launched during the 1960's, Blass was pictured alongside two models wielding machine guns. Text proclaiming "They can't knock off Bill Blass" was emblazoned across the image. Employing witty slogans such as ''Positively Blassphemous", Bill Blass became a celebrity in his own right.[5]
During November 1973, at the Palace of Versailles, five American fashion designers, one of whom was Bill Blass, faced off against five French designers who were at the time considered to be the best of the best – Hubert de Givenchy, Yves Saint Laurent, Emanuel Ungaro, Pierre Cardin, and Marc Bohan of Christian Dior – in a battle of fashion shows. The event is often credited as the event that put American fashion in the international spotlight.[5]
The Bill Blass Edition Continental Mark series
Beginning in 1975, and continuing until 1992, Blass lent his talents to the Ford Motor Company for an edition of their Continental Mark series of automobiles. In 1976, he shared model configurations with Emilio Pucci, Hubert de Givenchy, and Cartier. Each year, as goes true fashion, the interior and exterior color combinations would be updated. One of the most popular was the 1979 edition honoring a nautical theme, as did the Blass logo of the time. Small anchors were incorporated into the exterior accent striping and interior accents within the Blass "back-to-back B" design theme. The 1979 through 1983 Mark series Blass models were available with a "carriage roof" giving a convertible top look to the cars. After 1983, the Bill Blass edition became a color option with rear quarter window model designations and a few features that were options on the standard model.
In 1999, Blass sold Bill Blass Limited for $50 million to Michael Groveman and retired to his home in New Preston, Connecticut. Blass, longtime a heavy smoker, was diagnosed with oral/tongue cancer in 2000,[9] not long after he began writing his memoir.[10] His cancer later developed into throat cancer, resulting in his death on June 12, 2002, ten days away from his 80th birthday.[2][9]
Blass collected art and was a connoisseur of antiquities and in his will bequeathed half of his $52 million estate, as well as several important ancient sculptures, to the Metropolitan Museum of Art.[11][12]
Quotes
"The beauty of being able to draw, or paint, from an early age is that you never feel trapped, least of all by your immediate circumstances."[9]
"The secret of living is not staying too long. I have learned when to leave the party."[13]
“Fashion can be bought by anybody; style takes discernment, it has to do with individuality.”[14]
“Sometimes the eye gets so accustomed that if you don't have a change, you're bored. It's the same with fashion, you know. And that, I suppose, is what style is about.”[14]
^Dupont Ronald J Jr. (1991). "Baron Nicolas de Gunzburg". The Vernon Stories of Jacobus Van Brug. Archived from the original on July 19, 2006. Retrieved July 9, 2006.
American Ingenuity: Sportswear 1930s-1970s, an exhibition catalog from The Metropolitan Museum of Art Libraries (fully available online as PDF), which contains material on Bill Blass (see index)
