Boa Island (from IrishBadhbha)[1][2] is an island near the north shore of Lower Lough Erne in County Fermanagh, Northern Ireland.[3] It is 16 miles (26 km) from Enniskillen town.[4] It is the largest island in Lough Erne,[5] approximately 5 miles (8.0 km) long,[6] and relatively narrow. The A47 road goes through the length of the island and joins each end of the island to the mainland by bridges leading west toward Castle Caldwell and east toward Kesh.[7]
Boa Island features a counterscarprath (grid ref: H0744 6250) as well as carved stones, graveyard and enclosure (grid ref: H0852 6197), all in Dreenan townland and all Scheduled Historic Monuments.[8]
The Lustymore stone figure was moved here in 1939 from the nearby island of the same name. The oldest stone monument on the island is a denuded cairn at Inishkeeragh Bridge near the southern tip of the island.[4]
Stone figures
The Caldragh graveyard on Boa Island contains two anthropomorphic carved stone statues known as the Dreenan figure and the Lustymore figure.[4] The graveyard dates from the Irish early Christian period (400–800 AD).[3] Both figures were badly damaged when they were first found. They have been placed beside each other on unrelated pillars in the graveyard, which is the original location of the Boa figure.[9] A canopy was placed over them to protect them from the weather, however this has since been removed. Both of the stone figures are generally accepted to be the likeness of pagan deities.[3]
The Janus (two headed) figure is the Boa largest of the Boa sculptures, and is regarded as one of Ireland's most enigmatic and remarkable stone figures.[4][10] It is thought to represent a Celtic deity and could represent a Celtic goddess as readily as a god, especially given the name of the island. In Celtic mythology, heads were given great importance as they were thought to contain a person's spirit, and severed heads were sometimes taken in triumph after battles.[3]
The Boa Island bilateral figure is 73 cm (29 in) high, 45 cm (18 in) wide on its two broader surfaces, and 30 cm (12 in) wide on its two narrow surfaces.[9] Each side of the figure has a face and torso. On the sides of the stone where the two carved figures are joined, is an interlace design that may represent hair. The faces are large and ovals, with big eyes, straight noses, and half-open mouths with protruding tongues above pointed chins.[citation needed]
The figure has no neck, with its head resting directly on its torso. The torso is a square block with hunched shoulders, crossed arms, and a belt.[3][4] The figure ends just below its waist.[9] The lower section of the figure—two hands with elongated fingers carved in relief—was broken away from the top part at an unknown time in the past. This base was recently discovered half-buried in the ground close to the figure.[4]
A deep indentation of unknown purpose is carved at the top of the bilateral figure; tourists often place small mementoes in it for good luck. Fears of damage from freeze-thaw erosion have motivated authorities to provide a canopy over the statue.[citation needed]
The Nobel Prize winning poet Seamus Heaney celebrated the enigmatic Boa Island bilateral figure's similarity to the Roman deity Janus in his poem "January God".[7][11] The Enniskillen-born poet Francis Harvey published a collection of poems called The Boa Island Janus in 1996.[12]
Similar statues appear outside the cave of Crom Cruach in The Secret of Kells.
The Lustymore Idol was discovered in an early Christian graveyard on Lustymore Island,[3][9] located due south of Boa Island in Lower Lough Erne. It was brought to the Caldragh graveyard on Boa Island in 1939.[7] It is placed with its back to the indigenous bilateral figure. Lacking details of the facial features, it is less impressive visually,[4] and is approximately 70 cm (28 in) in height.[9] It is, however, thought to be older than the bilateral 'Janus' figure – which is less worn than the Lustymore figure. Irish archaeologist Eileen Murphy states in Warrior Women (2002) that the Lustymore Idol is thought by some Irish scholars to be the precursor to Sheela na gigs: her arms lie across the torso and point toward the inverted V that represents the top of the vulva (page 204). A Sheela-na-gig is a female figure with enlarged genitals held open by her hands. Note the current offerings to the statue in the photograph above.
The reasons for creating these stone sculptures and the dates of their creation are not certain. They may have been part of pre-Christian religious sites, or they may have been made by early Christians who included older pagan beliefs in their grave sites.[3]
These comparisons suggest that the figure date to the Iron Age. However early Christian sites around Lough Erne are rich in these types of figures.[3] An example is the White Island collection of figures found 3 miles (4.8 km) south-east of Boa Island,[4] which are primitive looking, but date from the early Christian period.[14]
One side of the Janus figure, created c.400–800 AD (a portion of a protective canopy is shown)
The other side of the Janus figure, with its protruding tongue
^ abcdefghHalpin, Andy; Conor Newman (2006). Ireland: An Oxford Archaeological Guide to Sites from Earliest Times to AD 1600. Oxford University Press. p. 157. ISBN0-19-288057-8.
Lowry-Corry, Dorothy. "The Stones Carved with Human Effigies on Boa Island and on Lustymore Island, in Lower Lough Erne". Proceedings of the Royal Irish Academy: Archaeology, Culture, History, Literature, volume 41, 1932. JSTOR25515968
Ó Hogain, Dáithí. "Patronage & Devotion in Ancient Irish Religion". History Ireland, volume 8, no. 4, winter 2000. JSTOR27724824