It is the home of the Fiennes (in full Twisleton-Wykeham-Fiennes) family, Barons Saye and Sele. The castle sits on an artificial island in pastureland and is surrounded by a wide moat. Across the small bridge lies the parish church of St Mary the Virgin, surrounded by its historic cemetery. A Grade I listed building,[1] it opens to the public during the summer.
History
Romano-British period
In 2021, Time Team excavated a Roman villa on the site, recently discovered by metal detectorist and amateur archaeologist, Keith Westcott. Previously, a lead-lined sarcophagus containing the burial of a wealthy Romano-British woman was discovered and partly investigated in the 1960s.
Geophysical surveys indicated a large winged or courtyard villa rustica comparable with that nearby at North Leigh. Limited excavations by Time Team showed at least two wings existed. The villa was occupied and developed from the 1st to the 4th c. AD. Large adjoining terraced ponds were used to manage water flows.
Found material, including mosaic tesserae and hypocaust flue tiles, as well as the sarcophagus, suggested a villa of high status on this site.[2]
14th century to present
The castle was built as a manor house by Sir John de Broughton in 1300 at a location where the confluence of three streams created a natural site for a moated manor. The house was sold in 1377 to William of Wykeham, Bishop of Winchester, and has remained in the same family since that time. The original house was crenellated in 1406 by Sir Thomas Wykeham. In 1451, it passed by inheritance to the Fiennes family, Barons Saye and Sele. Beginning in 1550, Richard Fiennes transformed the medieval manor into a house in the Tudor style, significantly expanding the building.[3]James I stayed at Broughton Castle on several occasions.
In the 17th century, The 1st Viscount Saye and Sele, known as "Old Subtlety", was one of the leading activists against Charles I. As a result, the castle was used by Parliamentarian sympathisers,[4] such as John Pym and John Hampden, as a meeting place in the decade leading up to the Civil War. The 1st Viscount raised troops to fight against the king at the inconclusive Battle of Edgehill in 1642. In the following days, Royalist troops besieged the castle, quickly overcoming the defenders and occupying the castle for a time. Following the end of hostilities, reconstruction work needed to be undertaken to repair damage inflicted by Royalist cannon. Lord Saye and Sele had evaded signing Charles I's Death Warrant and was able to make his peace with the Crown after the English Restoration.
The gatehouse is from 1406, and the block to its left, now the shop and cafe, has Gothic windows facing the moat. The main facade is medieval to the left, but in Elizabethan prodigy house style at the centre and right. The chapel is 14th-century Decorated Gothic, the other main rooms that are opened mainly Elizabethan. The great hall runs along the facade. Upstairs there is a long gallery overlooking the gardens at the rear.[6] The building also had a Solar, but this was later converted into a kitchen wing.[7]
The best bedrooms have two very elaborate chimneypieces, in the Queen's Bedroom (used by Anne of Denmark) a stone one heavily decorated with ornament in a style "proclaiming the Renaissance but simultaneously revealing a still very imperfect comprehension of what it was all about". This was presumably the result of a local carver with access to an ornament pattern book such as those by Hans Vredeman de Vries; the two human heads still look distinctly medieval. The other chimneypiece, in the bedroom James I used, is at another stylistic extreme; a very polished and spacious stucco piece in a style comparable to that of the First School of Fontainebleau, and probably not made by English artists. The central medallion, with a mythological scene, was designed by Rosso Fiorentino, and also appears in the Palace of Fontainebleau. This is flanked by two large nude boys. The Italian artists of the Tudor courtHenry VIII used at Nonsuch Palace have been suggested; the pieces were almost certainly made elsewhere and taken to Broughton.[8]
There are several fine plasterwork ceilings, the most spectacular in the Great Parlour on the first floor, and the Oak Room below it. There is 18th-century painted Chinese wallpaper of different tree, bird and flower designs in three bedrooms, in very good condition. At roof level there is a room believed to be that "with no ears", where the 1st viscount plotted with Parliamentary leaders in the years before the Civil War.[9] The gardens have long herbaceous borders, at their best in summer.
Published in April 2009, The Music Room is a memoir by William Fiennes, youngest son of the 21st Baron Saye and Sele, about growing up with an older brother who had suffered brain damage due to epilepsy. The book describes their home, Broughton Castle, without ever naming it. It has been described as "a beautiful poem of a tribute to his family, his parents, the magical, moated castle that was his home".[12]
^Allen, Nicholas (2010). "Appendix III". Broughton Castle and the Fiennes Family. Adderbury, Oxfordshire: Wykeham Press. pp. 62–63. ISBN978-0-9566059-0-0.
^Humphries, Patrick (1982). Meet on the Ledge - a history of Fairport Convention. London: Eel Pie. p. 103. ISBN0-906008-46-8.
