Brute Force (1947 film)

Brute Force
Brute Force
	Theatrical release lobby card
Directed by	Jules Dassin
Screenplay by	Richard Brooks
Story by	Robert Patterson
Produced by	Mark Hellinger
Starring	Burt Lancaster; Hume Cronyn; Charles Bickford
Cinematography	William H. Daniels
Edited by	Edward Curtiss
Music by	Miklós Rózsa
Production; company	Mark Hellinger Productions
Distributed by	Universal Pictures; Distributors Corporation of America; (1956 re-release)
Release date	August 1947;
Running time	98 minutes
Country	United States
Language	English
Box office	$2.2 million (US rentals)

Brute Force (aka Zelle R 17) is a 1947 American crime film noir directed by Jules Dassin, from a screenplay by Richard Brooks with cinematography by William H. Daniels. It stars Burt Lancaster, Hume Cronyn, Charles Bickford and Yvonne De Carlo.^[2]

This was among several noir films made by Dassin during the postwar period. The others were Thieves' Highway, Night and the City and The Naked City.

Plot

On a dark, rainy morning at Westgate Prison, prisoners cram into a small cell to watch through the window as Joe Collins returns from his term in solitary confinement. Joe is angry and talks about escape. The beleaguered warden is under pressure to improve discipline. His chief of security, Capt. Munsey, is a sadist who manipulates prisoners to inform on one another and create trouble so he can inflict punishment. The often drunk prison doctor warns that the prison is a powder keg and will explode if they are not careful. He denounces Munsey's approach and complains that the public and government officials fail to understand the need for rehabilitation.

Joe's attorney visits and tells Joe his wife Ruth is not willing to have an operation for cancer unless Joe can be there with her. He takes his revenge on fellow inmate Wilson, who at Munsey's instigation had planted a weapon on Joe that earned him a stay in solitary. Joe has organized a fatal attack on Wilson in the prison machine shop but provides himself with an alibi by talking with the doctor in his office while the murder occurs.

Joe presses another inmate, Gallagher, to help him escape but Gallagher has a good job at the prison newspaper and Munsey has promised him parole soon. Munsey then instigates a prisoner's suicide, giving higher authorities the opportunity to revoke all prisoner privileges and cancel parole hearings. Gallagher feels betrayed and decides to join Joe's escape plan. Joe and Gallagher plan an assault on the guard tower where they can get access to the lever that lowers a bridge that controls access to the prison.

While the escape plan is taking shape, each of the inmates in cell R17 tells their story, and in every case, their love for a woman is what landed them in trouble with the law. Munsey learns the details of the escape plan from an informer, "Freshman" Stack, one of the men in cell R17, and the break goes badly. The normally subdued prison yard turns into a violent and bloody riot, killing Munsey, Gallagher, and the remainder of the inmates in cell R17, including Joe. The doctor breaks the fourth wall by commenting on the pain, futility and impossibility of escaping the system that imprisons all of them.

Cast

Burt Lancaster as Joe Collins
Hume Cronyn as Capt. Munsey
Charles Bickford as Gallagher
Yvonne De Carlo as Gina Ferrara
Ann Blyth as Ruth
Ella Raines as Cora Lister
Anita Colby as Flossie
Sam Levene as Louie Miller #7033
Jeff Corey as "Freshman" Stack
John Hoyt as Spencer
Jack Overman as Kid Coy
Roman Bohnen as Warden A.J. Barnes
Sir Lancelot as Calypso
Vince Barnett as Muggsy
Jay C. Flippen as Hodges - Guard
Richard Gaines as McCollum
Frank Puglia as Ferrara
James Bell as Crenshaw - Convict in Print Shop
Howard Duff as Robert "Soldier" Becker (as Howard Duff - Radio's 'Sam Spade')
Art Smith as Dr. Walters
Whit Bissell as Tom Lister

Production notes

The direct inspiration for the unremitting desperate violence was the recent "Battle of Alcatraz" (May 2–4, 1946) in which prisoners fought a hopeless two-day battle rather than surrender in the aftermath of a failed escape attempt.^[3]

The film has a number of brutal scenes including the crushing of a stool pigeon prisoner under a stamping machine and the beating of a prisoner bound to a chair by straps to the accompaniment of Wagner's Tannhäuser overture. Film writer Eddie Muller wrote that "the climax of Brute Force displayed the most harrowing violence ever seen in movie theaters."^[4]

Reception

Upon release

The staff at Variety magazine gave the film a positive review, writing, "A closeup on prison life and prison methods, Brute Force is a showmanly mixture of gangster melodramatics, sociological exposition, and sex...The s.a. elements are plausible and realistic, well within the bounds, but always pointing up the femme fatale. Thus Yvonne De Carlo, Ann Blyth, Ella Raines and Anita Colby are the women on the 'outside' whose machinations, wiles or charms accounted for their men being on the 'inside'...Bristling, biting dialog by Richard Brooks paints broad cameos as each character takes shape under existing prison life. Bickford is the wise and patient prison paper editor whose trusty (Levene), has greater freedom in getting 'stories' for the sheet. Cronyn is diligently hateful as the arrogant, brutal captain, with his system of stoolpigeons and bludgeoning methods."^[5]

Film critic Bosley Crowther wrote, "Not having intimate knowledge of prisons or prisoners, we wouldn't know whether the average American convict is so cruelly victimized as are the principal prison inmates in Brute Force, which came to Loew's Criterion yesterday. But to judge by this 'big house' melodrama, the poor chaps who languish in our jails are miserably and viciously mistreated and their jailers are either weaklings or brutes...Brute Force is faithful to its title—even to taking law and order into its own hands. The moral is: don't go to prison; you meet such vile authorities there. And, as the doctor observes sadly, 'Nobody ever escapes.'"^[6]

In 2004

More recently, critic Dennis Schwartz wrote, "Jules Dassin (Rififi and Naked City) directs this hard-hitting but outdated crime drama concerned about prison conditions... The point hammered home is that the prison system reflects the values of society, as Dassin castigates society for creating and then turning a blind eye toward the brutality and insensitivity of a prison system that offers no chance for rehabilitation."^[7]

References

^ "Top Grossers of 1947". Variety. January 7, 1948. p. 63.
^ Brute Force at the AFI Catalog of Feature Films.
^ "Brute Force". Archived from the original on May 28, 2013. Retrieved July 18, 2013.
^ Muller, Eddie. The Art of Noir, 271 pages; Overlook Hardcover, 2002. ISBN 1-58567-073-1.
^ Variety. Staff film review, December 31, 1946. Last accessed: September 2, 2024.
^ Crowthr, Bosley. The New York Times, film review, July 17, 1947. Last accessed: March 30, 2008.
^ Schwartz, Dennis Archived 2008-10-07 at the Wayback Machine. Ozus' World Movie Reviews, film review, October 23, 2004. Last accessed: March 30, 2008.