Degenerate music (German: Entartete Musik, German pronunciation:[ɛntˈaʁtɛtəmuˈziːk]) was a label applied in the 1930s by the government of Nazi Germany to certain forms of music that it considered harmful or decadent. The Nazi government's concerns about degenerate music were a part of its larger and better-known campaign against degenerate art (German: Entartete Kunst). In both cases, the government attempted to isolate, discredit, discourage, or ban the works.
Racial emphasis
Jewish composers such as Felix Mendelssohn and Gustav Mahler were disparaged and condemned by the Nazis.[1] In Leipzig, a bronze statue of Mendelssohn was removed. The regime commissioned music to replace his incidental music to A Midsummer Night's Dream.[2]
The Nazis also regulated jazz, including the banning of solos and drum breaks, scat, "Negroid excesses in tempo" and "Jewishly gloomy lyrics".[3]
Like degenerate art, examples of degenerate music were displayed in public exhibits in Germany beginning in 1938. One of the first of these was organized in Düsseldorf by Hans Severus Ziegler, at the time superintendent of the Deutsches Nationaltheater Weimar, who explained in an opening speech that the decay of music was "due to the influence of Judaism and capitalism".
Ziegler's exhibit was organized into seven sections, devoted to:[4]
From the mid-1990s the Decca Record Company released a series of recordings under the title "Entartete Musik: Music Suppressed by the Third Reich", covering lesser-known works by several of the above-named composers.[5]
Dümling, Albrecht. 2002. "The Target of Racial Purity: The 'Degenerate Music' Exhibition in Düsseldorf, 1938". In Art, Culture, and Media Under the Third Reich, edited by Richard A. Etlin, 43–72. Chicago Series in Law and Society. Chicago: University of Chicago Press. ISBN978-0-226-22086-4.
Potter, Pamela M. 2006. "Music in the Third Reich: The Complex Task of 'Germanization'". In The Arts in Nazi Germany: Continuity, Conformity, Change, edited by Jonathan Huener and Francis R. Nicosia, 85–110. New York and Oxford: Berghan Books. ISBN1845452097.