The Jheri curl (often spelled Jerry curl or Jeri Curl) is a permanent wavehairstyle that was popular among Black Americans during the 1980s and early 1990s. Invented by the hairdresser Jheri Redding,[1] the Jheri curl gives the wearer a glossy, loosely curled look. It was touted as a "wash and wear" style that was easier to care for than the other popular chemical treatment of the day, the relaxer.
Application and maintenance
A Jheri curl requires a two-part application that consists of a softener (often called a "rearranging cream") to loosen the hair, and a solution to set the curls. The rearranging cream uses pungent chemicals, causing the naturally tight curls to loosen. The looser curls are then set on perm rods and a chemical solution is then added to the hair to permanently curl it.
"Perming" is time and labor-intensive, and expensive to maintain. The chemicals required for the process often cause the wearer's natural hair to become brittle and dry.
To maintain the look of the Jheri curl, wearers are required to apply a curl activator spray and moisturizers daily, and sleep with a plastic cap over the hair to prevent it from drying out. These products are expensive; a typical bottle of activator was small, retailed from $3 to $6, and was quickly depleted. The activator in particular has the undesirable side effect of being very greasy, and often stains clothing and furniture.
Washing the hair cleanses it of the styling products and also shows the damage done to the hair by the chemical process. As the hair grows out, the wearer is required to touch up the new hair growth, further adding to the overall expense.
To resolve the problems associated with the cost of the look, Comer Cottrell invented a cheap kit (which he called the "Curly Kit") that could be used at home, thereby enabling lower-income people to copy the style of their idols.[2]
In media
Music
Edmund Sylvers was the first African-American artist to have the Jheri curl on an album cover, on his 1980 Casblanca release Have You Heard.[3]
The Jheri curl was worn by Michael Jackson on the cover of his hit album Thriller, which was released in 1982. Jackson also grew out his Jheri curl in 1986, which is shown on the cover of his 1987 album Bad. He also wore wigs.
Singer and songwriter India Arie referenced Jheri curls in her song "I Am Not My Hair", released in 2005.[4]R&B singer Jorja Smith mentioned Jheri curls in her feature on the song "Peng Black Girls", by Enny, released in 2020.[5]
The 1988 comedy Coming to America features Eriq La Salle as Darryl Jenks, heir to the dynasty of a fictional product named "SoulGlo", which gave the wearer a style reminiscent of a Jheri curl while leaving the infamous greasy residue on soft furnishings.
In Samuel L. Jackson's opening monologue in the 1989 film Do the Right Thing, his character (DJ) explains that there is a "Jheri Curl alert" in effect for the day: "If you have a Jheri Curl, stay in the house or you'll end up with a permanent plastic helmet on your head forever."[6]
One of Wayans' recurring characters on In Living Color, Frenchy, also sported a Jheri curl. When attending an Alcoholics Anonymous meeting and hearing others testify to how much they used to drink, Frenchy claimed he was previously "up to three and a half bottles of TCB Lite a day; I switched over to Afro Sheen, and I'm never dry!"[7]
In Living Color also featured a clip called Great Moments in Black History with a spoof of how the Jheri curl was invented. It showed an auto repair shop in July 1979 where a black mechanic with afro named Jerome Johnson was working under a car on a lift. Oil leaked out of the car onto his hair which created Jheri curls, making him famous for inventing it by accident. It then showed a lineup of black men with afros waiting to go under the car to have oil poured on their hair so they could get Jheri curls too.[8]
The character Jules Winnfield (played by Samuel L. Jackson) wears a Jheri curl in the 1994 drama Pulp Fiction.