John Patrick Byrne (6 January 1940 – 30 November 2023) was a Scottish playwright, screenwriter, artist and designer. He wrote The Slab Boys Trilogy, plays which explore working-class life in Scotland, and the TV dramas Tutti Frutti and Your Cheatin' Heart. Byrne was also a painter, printmaker and scenic designer.
Early life and education
John Patrick Byrne was born into a family of Irish Catholic descent in Paisley, Renfrewshire, and he grew up in the Ferguslie Park housing scheme. His mother, Alice McShane, was married to Patrick Byrne when he was born. He was, however, conceived from an incestuous affair between his mother and her father, Patrick McShane.[1] He did not know the truth about his parentage until he was informed by his cousin in 2002. He was initially angered by the revelation, but eventually reconciled with the truth of his lineage, saying: "I think he gave me that wonderful mixture of genes with his own daughter, the eldest of the family. I presume it's what they do in unlettered places and lettered places. It's traditional, and nobody speaks about it."[1][2] His mother was diagnosed with schizophrenia, which Byrne attributed to the incestuous relationship. She was hospitalized several times throughout her life before dying in Dykebar Hospital at the age of 74.[3]
Byrne was educated at St Mirin's Academy, Paisley and then attended Glasgow School of Art, from which he graduated in 1963.[4] Prior to art school, he worked as a "slab boy" at Stoddard's carpet factory in Elderslie near Paisley, where he mixed paint used in the manufacture of carpets. He later returned as a designer following his graduation from art school.[5] His time there inspired his The Slab Boys Trilogy plays.[4]
Career
Art
Much of Byrne's art was portraits, in a wide variety of styles ranging from fairly conventional oils to what are effectively caricatures. The full stylistic range was applied to his many self-portraits; the 2022 retrospective included 42 of these, and many are among his best known works. Other recurring themes include music; he painted several guitars for musician friends.[6]
At the start of his career, in an attempt to break in to the London art world, he sent one of his works to the Portal Gallery, claiming it was by his father Patrick Byrne, simply signed "Patrick". A cover letter detailed his father's hard, lonely life, and claimed that there were another 50 works by him at his small house in Dunoon.[7] The hoax was found out, but the exhibition attracted some attention – in particular from the Beatles, who approached him to design the cover of the White Album. They decided against using his work, but it was subsequently used for the 1980 compilation The Beatles Ballads. Up until his death, he frequently signed his works with the name Patrick, most notably, "The American Boy", completed in 1971.[8]
He started work in the theatre in 1972, working on Billy Connolly's The Great Northern Welly Boot Show and then as a house designer for the 7:84 Scotland theatre company.[9]
From 1964 until 1966 Byrne designed jackets for Penguin Books. Having had his work rejected by various galleries, Byrne had success following an exhibition of works at London's Portal Gallery in 1967. Painting under the pseudonym of "Patrick", Byrne claimed the dream-like paintings were created by his father, an alleged self-taught painter of faux-naïf images.[10] Byrne's career as a professional painter started in 1968, when he left Stoddard's.[11]
As well as designing the scenery for his own plays Byrne, in collaboration with director Robin Lefevre, also designed the settings for Snoo Wilson's The Number of the Beast (Bush 1982) and Clifford Odets' The Country Girl (Apollo Theatre 1983).[12]
Byrne had an unsuccessful exhibition of his artistic work in 1975 and subsequently kept his work from public view. He began exhibiting again in 1991, with several subsequent exhibitions. He became a member of the Royal Scottish Academy in 2007.[9]
In the 1970s Byrne started writing his own work; Writer's Cramp was a success at the Edinburgh Fringe Festival in 1977 before transferring to London.[9]
The following year he wrote The Slab Boys, the first part of a trilogy of plays which premiered between 1978 and 1982 at the Traverse Theatre Club, Edinburgh.[9] A fourth part was added in 2008. The main characters in the first part, The Slab Boys, generally the most popular, are working-class Glaswegian teenagers, and the play launched the careers of several young actors: Robbie Coltrane in Edinburgh, and in the 1983 Broadway production, Kevin Bacon, Sean Penn, Val Kilmer and Jackie Earle Haley.[15]
His writing found much success in the 1987 BBC television series Tutti Frutti, starring Robbie Coltrane, Emma Thompson and Maurice Roeves, which chronicled the final days of a failing rock 'n' roll band. The series received much critical acclaim, including winning six BAFTA awards,[16] the one for Graphic design naming Byrne himself.[17]
Byrne was married to Alice Simpson, whom he met in art school, from 1964 until their divorce in 2014. They had a son and a daughter together.[24] During the filming of Your Cheatin' Heart, Byrne began a relationship with Tilda Swinton. They lived together in London and later in Nairn, northern Scotland. Swinton gave birth to twins, a boy and girl, in 1997. They separated in 2004.[9] He began a relationship with the theatre lighting designer Jeanine Davies in 2006,[9] marrying her in 2014.[4]
Death
Byrne died on 30 November 2023, at the age of 83.[25]
Ross, Raymond J. (1983), Directed Irony, which includes a review of The Slab Boys, in Hearn, Sheila G. (ed.), Cencrastus No. 11, New Year 1983, pp. 45 & 46, ISSN0264-0856
