Mary Morrissy (born 25 January 1957) is an Irish novelist and short story writer. She writes on art, fiction, and history. Morrissy is an elected member of Aosdána, Ireland's academy of artists and writers.
On the publication of her first collection of short stories, A Lazy Eye, (1993) Candice Rodd wrote in The Independent: "Morrissy is no glib psychoanalyst; more a cool but gifted pathologist under whose microscope tiny slivers of unremarkable human tissue are shown to be teeming with microbial life and mysterious, mutant energy."[2]The New York Times described this collection as an "elegantly written and grimly perceptive collection of stories".[3]
Morrissy was a fellow at the New York Public Library in 2005–6, where she researched the life of Sean O'Casey's Sister, Bella, which was subsequently published as The Rising of Bella Casey in 2013.[4][5] Alfred Hickling reviewed the novel in The Guardian: "Morrissy reconstructs Bella's story with a telling eye for incongruous detail. An upright piano abandoned in the street during the Easter rising opens a portal to more affluent times; while her fortitude against poverty and the influence of feckless and abusive men sets a template for the heroines of her younger brother's plays: 'Characters already born and ready-made, roaming their foetid rooms in search of a writer'."[6]
In 2015, Morrissy was appointed as Lecturer in Creative Writing at University College Cork.[8]
Morrissy published "an exploded novel"[9]—a linked collection of short stories—in 2016.[10] Reviewing the book in The Guardian, Claire Kilroy wrote: "Prosperity Drive is a book about sex and death. The protagonists – that 'roll call of the damaged and the lost' – encounter both but are unable to handle either. The compassion, immediacy, humour and delicacy with which Morrissy depicts their predicaments result in moments of profundity."[9]
Morrissy published Penelope Unbound in 2023, a novel which imagined a different outcome to the life of James Joyce and his wife Nora Barnacle after their arrival in Trieste in 1904. Reviewing the book in The Guardian, John Banville wrote: "The result is a novel of great brilliance and inventiveness, a remarkably – and mysteriously – moving story of what might have been. It is a stylistic tour de force that Joyce himself would surely have admired: Nora’s voice is earthy, funny, by turns knockabout and melancholy, plain and lyrical, accepting and bitterly regretful."[11]
Morrissy currently works as a writing coach, offering one-to-one creative mentoring, editing and appraisal services to writers.[1]