This multi-day, multi-venue event hosts artists and audiences from throughout the world. The performing artists are not only those who use Moog instruments for their own works, but also those who create musical experiences that embody the essence of Bob Moog's visionary and creative spirit. The festival also offers interactive experiences, visual art exhibitions, installations, film screenings, panel discussions, question and answer sessions, and workshops.[1]
Festival history
Background and origins
[Robert Moog] brought electronic music to the masses and changed the way we hear music.
His invention is ubiquitous and has had as much if not more impact than the invention of the piano. He's probably one of the most important musical instrument makers in history.
With the Minimoog, he took the synthesizer out of the studio and put it into the concert hall.
For the first time you could go on [stage] and give the guitarist a run for his money ... a guitarist would say, 'Oh shoot, he's got a Minimoog', so they're looking for eleven on their volume control — it's the only way they can compete.
[It] absolutely changed the face of music.
Robert Moog, born on May 23, 1934, in New York City and died on August 21, 2005, in Asheville, North Carolina, developed his first commercial voltage-controlled analog synthesizer with American composer, inventor, and educatorHerbert Deutsch in 1964.[6] At the time, other synthesizers were already on the market, but Moog synthesizer began to gain wider attention in the music industry after it was demonstrated at the Monterey International Pop Festival in 1967. The Beatles, Mick Jagger and Sun Ra were among the first customers, but the commercial breakthrough of a Moog recording was made by Wendy Carlos in the 1968 record Switched-On Bach, which became one of the highest-selling classical music recordings of its era.[7]Keith Emerson first discovered the Moog when he heard Switched-On Bach,[8] and one year later in 1970, he wanted to take it on the road with him. Robert Moog replied that there was no chance because the machine was too fragile and required extensive training to operate properly, but Emerson finally convinced Moog and the Minimoog was released.[8]
They wanted to do it in New York, where Bob had grown up, around the time of his birthday. They had heard about work I had done with Les Paul. I put together a list of artists who were well known Moog users and was excited to get Keith Emerson and Rick Wakeman, who had never performed on the same stage before.
Carlini continued to cultivate Moogfest as a tribute to Bob Moog. He said that "[m]y vision was to work with musicians who defined the instrument and had a very tight relationship with Bob; most were actual friends who would call him on the phone. I wanted to keep it pure." The Moogfest 2006 at B.B. King on Thursday, June 22, saw Keith Emerson returning to headline,[9] together with Jan Hammer, Roger O'Donnell of The Cure, Jordan Rudess of Dream Theater, The Mahavishnu Project with Miles Davis' keyboardist Adam Holzman, The School of Rock, and DJ Logic.[15] Part of the event was filmed and then released in DVD format by MVD in June 2007.[16] Keith Emerson and Jan Hammer were the recipients of the first ever Bob Moog Legacy Award. Mike Adams, president of Moog Music announced the inception of the award and called on the stage Roger O'Donnell and Jordan Rudess to present them.[17][18] On the evening of Thursday September 20, 2007, Moogfest, in conjunction with the Bob Moog Foundation, presented the first annual Moogfest Symposium. Herbert Deutsch, Gershon Kingsley, Joel Chadabe, John Eaton, David Borden, and Trevor Pinch attended the symposium arranged by Bob's daughter Michelle at the Music Department of the Columbia University, an afternoon of lectures and talks to discuss how the Moog synthesizer has affected their own work.[9][15] The Moogfest 2007, once again at B.B. King on Saturday, September 22, included Thomas Dolby, after a 15-year hiatus from the music business, Jordan Rudess of Dream Theater, Miles Davis' keyboardist Adam Holzman, Spiraling, Frank Zappa's keyboardist Don Preston, Gershon Kingsley, Herbert Deutsch, and Erik Norlander, among others. Thereminist Shueh-li Ong with Xenovibes; reportedly the second thereminist who has performed at a Moogfest so far, opened. Herbert Deutsch and Gershon Kingsley were the recipients of the Bob Moog Legacy Award for their unique, lasting artistry as expressed through Moog instruments.[15][9][19] This was the last time that B.B. King held the festival.
This was the last time that Moogfest was held in New York City and there was no Moogfest in 2009.[9]
Moogfest in Asheville (2010–2012)
When we first proposed to move Moogfest, we did so because Asheville has a great history for us of supporting live music events. Plus, it was Bob Moog's adopted hometown and continues to be the headquarters of Moog Music, so it seemed like the perfect location.
In 2010, Moog Music partnered with AC Entertainment, a music promotion company that co-produces the Bonnaroo Music & Arts Festival, moved Moogfest from New York City to Asheville in North Carolina, and expanded it from a one evening event to a three-day, multi-venue festival during the last weekend of October.[9][24] The sixth Moogfest, but first in Asheville, took place in five stages at places in downtown Asheville that ranged from clubs to arenas, and drew 7,000 to 7,500 people a day. The festival, from Friday October 29 through to Sunday October 31, 2010, featured more than 60 acts that ranged from rock to hip-hop to electronica, including Massive Attack, Sleigh Bells, Caribou, MGMT, Thievery Corporation, Hot Chip, Disco Biscuits, Big Boi, El-P, Four Tet, Pretty Lights, Bonobo, Jon Hopkins, and Dan Deacon.[25]Devo were the recipient of the Moog Innovator Award, but the band could not perform, because its guitarist, Bob Mothersbaugh, injured his hand.[26][27] Though Moog instruments, such as the Voyager, Moogerfooger, Etherwave Theremin, and Little Phatty were highly used by the performers participating in the event, the bands requested to play were not chosen by their involvement with Moog, but rather by their overall creativity and likeliness to Bob Moog's creative entity.[1]
The seventh edition, second for both Asheville and AC Entertainment, of the Moogfest was held on October 28–30, 2011, on Halloween weekend with a line-up of popular artists from varied genres, including The Flaming Lips, Terry and Gyan Riley, Moby, Passion Pit, Sound Tribe Sector 9, Tangerine Dream, and TV on the Radio. The 2011 festival also featured "SYNTH: A Group Art Show Inspired by Bob Moog", which is a showcase of handmade limited-edition screen prints by some of the top concert poster artists and graphic designers working today, and 77 Million Paintings, an art exhibit and talk by electronic music pioneer Brian Eno, and moreover panel discussions, question and answer sessions, art exhibitions and installations, film screenings, and workshops.[9][28][29][30] Minimalist composer, Terry Riley, performed a set lasting for almost two straight hours.[31] In 2011, Moogfest updated its festival technologies by releasing a Moogfest iPhone app. The app contained a festival map and schedule, and also sent users real-time updates about festival news and unannounced secret shows.[32]
After the festival weekend, Asheville's local newspaper released that over 30 arrests were made during Moogfest 2011. Most of these were drug- or alcohol-related charges.[33]
After the 2012 Moogfest it was announced that AC Entertainment was not renewed and for 2013 the corresponding event was called the "Mountain Oasis Electronic Music Summit". There was no "Moogfest" in 2013. In 2013 it was announced that there would be a Moogfest in 2014.
There was no Moogfest in 2015, as the organizers considered it a biennial event. For 2016, the festival was moved from Asheville to Durham. Festival organizers took the opportunity to publicly denounce the controversial North Carolina Public Facilities Privacy & Security Act, commonly referred to as "House Bill 2". In response, the festival partnered with activist groups for a campaign called "Synthesize Love", raising funds to fight HB2 through T-shirt sales. They also held an anti-HB2 forum and "Open Mic," and provided gender-neutral bathrooms at most venues.[34]
However, the festival and parent company Moog Music Inc. has been the subject of several lawsuits, for complaints including breach of contract, non-payment, and fraud, including a 2019 lawsuit filed by Q Level LLC and another lawsuit filed in 2021 by Moogfest LLC and UG Strategies LLC, as well as a 2020 sexual discrimination lawsuit filed by former employee Hannah Green.[36]
Locations
New York (2004–2008)
New York City was the home of the festival for its first five editions, from 2004 to 2008.
The Hammerstein Ballroom, located within the Manhattan Center Studios on 311 West 34th Street in Manhattan (40°45′09″N73°59′38″W / 40.752486°N 73.993836°W / 40.752486; -73.993836), is a two-tiered, 12,000 square feet (1,100 m2) ballroom known for its elegant appearance and excellent acoustical design. The ballroom seats 2,500 people for theatrical productions and musical performances, the two main balconies seat a total of 1,200, and the floor slants down to the stage area to enable those in the back rows to see easily. The Hammerstein Ballroom was home of the fifth edition of Moogfest in 2008.
Asheville (2010–2014)
The Moogfest's primary venues are all located on the north side of Asheville's downtown.
The Animoog Playground is an all ages outdoor, open air space filled with interactive art installations located in the heart of downtown Asheville at the Renaissance Asheville Hotel at number 31 of Woodfin Street (35°35′51″N82°33′00″W / 35.597609°N 82.550041°W / 35.597609; -82.550041). The Animoog Playground since the 2011 edition of the festival hosts performances beginning in the late afternoon of each day and continuing into the evening.[37] The Animoog playground hosted some of the largest events at the 2011 Moogfest, such as performances by Chromeo, Crystal Castles, The Flaming Lips, and Passion Pit.[37]
The Moogaplex, located at the Haywood Park Hotel complex at number 1 of Battery Park Avenue (35°35′43″N82°33′18″W / 35.595316°N 82.554885°W / 35.595316; -82.554885), is an all ages venue that hosts the Moog Workshops & Panels with a capacity of 250 people, and the Synth Art Show and DJ's sets with a capacity of 400 people.[37]
Asheville Music Hall
The Asheville Music Hall is an 18+ venue with a capacity of 400 people located at number 31 of Patton Avenue (35°35′41″N82°33′11″W / 35.59485°N 82.553041°W / 35.59485; -82.553041) and hosts live events.[37] The Asheville Music Hall had previously been known as Stella Blue, but the name was changed just prior to the 2011 festival. In the 2010 edition of the festival, Stella Blue hosted some national and regional emerging acts. In 2011, Stella Blue was renamed as the Asheville Music Hall, though it served the same purpose as it did the year before.[37]
The YMI Cultural Center is located at number 39 of S Market Street # B (35°35′38″N82°33′00″W / 35.593818°N 82.550041°W / 35.593818; -82.550041) and hosts small live events.[37] In 2011, Brian Eno's 77 Million Paintings installation was displayed at the YMI Cultural center. It started Moogfest weekend, but then became open to the public and continued to run from November 2 through November 30.[39]
Moog Music factory
The Moog Music factory is located at number 160 of Broadway Street (35°36′01″N82°33′16″W / 35.600165°N 82.554559°W / 35.600165; -82.554559) and holds some events as part of the festival.[37] In addition to their own on-stage performances at the 2011 Moogfest, Alan Palomo of Neon Indian, and Dan Deacon held a live in-store collaboration performed on Moog instruments. The Moog Music Factory also doubles as a shop selling Moog products such as Mooger Foogers, Moog Voyagers, Moog Theremins.[40]
The third Moogfest was held at B.B. King on Thursday, June 22.[9][15] It was filmed and published in a documentary entitled, Moogfest 2006: Live.[16][18]
The fifth edition of Moogfest was held at the Hammerstein Ballroom in Manhattan Center on Monday, October 13. The event had a very poor turnout, and this was the last time that Moogfest was held in New York City and there was no Moogfest in 2009.[9][15][21][22][23]
The sixth edition of Moogfest was the first held in Asheville, and it was expanded to a three-day, multi-venue festival.[9][24] It took place in five stages at places in downtown Asheville. The 2010 edition attracted 7,000 to 7,500 people a day. Devo were scheduled for Friday night at the Thomas Wolfe Auditorium, but the band could not perform because its guitarist, Bob Mothersbaugh, was injured.[26] 2010 was the first year the festival hosted films, panels, discussions, and workshops.[43]
Films and Workshops at Moogaplex and Fine Arts Theatre
Moogaplex
Fine Arts Theatre
Saturday, October 30
Sunday, October 31
Saturday, October 30
Sunday, October 31
Synth History Panel: Birth of the Mini Moog Tara Busch Performance Tech Panel: Moog Engineers Theremin Performance and Lesson with Kevin Kissinger Synth History Panel: Exploration of Bob Moog Archives Moog Guitar Workshop: Sound Sculpting with Saul Zonana
Modern Day Sound Sculpting Richard Devine: Abominatron Synth History Panel: Examining the Legacy of Mini Synths Theremin Performance and Lesson with Dorit Chrysler The Power of Modular Synthesis
The seventh edition of Moogfest was held on Halloween weekend. Brian Eno played a major role at Moogfest 2011, with his 77 Million Paintings exhibit and Illustrated Talk being the two most talked about events at the festival. Those who attended Eno's talk claimed that the discussion was "unexpectedly funny".[48] Though still listed on the lineup, neither Glasser nor Little Dragon nor Yacht were able to perform at the 2011 festival, due to traveling issues.[49]
Handmade Synth and Pedal Salon Control Voltage - Modular Connectivity with the Moog Engineers Convergence: Software and Hardware Integration in the 21st Century Richard Devine hosts Animoog iPad Giveaway
Sound Design Ableton + Moog = Platinum Record Dan Deacon & Tara Busch's Moogerfooger Mayhem Remembering Walter Sear's Pivotal Role in Moog Legacy
Pioneering Moog in Live Performance Journey to the center of the Theremin with Neon Indian, Dorit Chrysler, and Albert Glinsky Sun Ra and Beyond: Exploring Rare Recordings from Bob's Archives Pioneering Moog from the Tech Perspective
"Creative Expression Through Interface" "Shaping Hits Through Moog Synths" "The Bob Moog Google Doodle: How A Pioneering Legacy Inspired Modern Innovation" Julia Holter Andy Stott Tim Hecker & Daniel Lopatin Harold Budd with Keith Lowe
2014
Moogfest 2014 was expanded to five days, and was held in Asheville from Wednesday, April 23 to Sunday, April 27.
Moogfest 2014 lineup (in alphabetical order by day)[58][59]
"The Art of the Video Game Soundtrack" discussion w/ Ghostdad and Patrick McDermott
"The Future is Unmanned" discussion w/ Claire Evans
"Radical Radio" discussion w/ Shani Aviram, Justin Grotelueschen, Anna Friz, Jeff Kolar, and Kaitlin Prest
"Creating Music Tech with Kickstarter" discussion w/ Nick Yulman
"Mastery is Dead" discussion w/ Mike Butera
"Hacking Music: Rethinking Composition, Production & Experience Design" discussion w/ Jacob Gordon, Dave Rife & Gabe Liberti, Julia Kaganskiy, Kamil Nawratil, and Luisa Pereira
"Spatial Sound & Subhistories" discussion w/ AUDINT, Kristen Gallerneaux, and Dave Tompkins
"Conductive Ink and Instruments" discussion w/ Kate Stone
"Exploring Creativity with IDEO" discussion w/ Peter Hyer and Mike Butera
The Armory
Thursday, May 19
Friday, May 20
Saturday, May 21
Sunday, May 22
"Live Processing and Ghost Dancing" performance by Martin Brooke and Thomas F. DeFrantz of Duke University
Moogfest 2016 VIP Opening Party w/ Laurel Halo (DJ set)
"Reggae Sound Systems and Dub Production" discussion w/ Angus Taylor, David Katz, Laurent "Tippy" Alfred, Mad Professor, Lister Hewan-Lowe, and Ras Kush
Moogfest 2018 was held on May 17 to 20 in Durham, North Carolina. The lineup stressed "female, non-binary, and transgender artists", and included an appearance by Chelsea Manning.[66] This generated some controversy, with Caroline Polachek choosing to pull out of the lineup.[67]
Engineering Workshop
Beginning in 2014, Engineer VIP Pass holders participated in Engineering Workshops (also advertised as Synth-Building Workshops). Participants received a kit for an unreleased Moog product and constructed it under the guidance of Moog engineers over the course of the festival. Some of these products went on to retail release, while others remain Moogfest exclusives.
The Moog Innovation Award, introduced since the third edition of the festival in 2006, celebrates "pioneering artists whose genre-defying work exemplifies the bold, innovative spirit of Bob Moog".
Holmes, Thom (2002). Electronic and Experimental Music: Pioneers in Technology and Composition. New York; London: Routledge. ISBN0-415-93643-8. OCLC49786143.
Films and documentaries
Fjellestad, Hans (Director); Robert Moog, Charlie Clouser, Herbert Deutsch, Keith Emerson, Rick Wakeman, Bernie Worrell, Woody Jackson, Edd Kalehoff, Gershon Kingsley, Pamelia Kurstin, DJ Logic, Money Mark, Mix Master Mike, Jean-Jacques Perrey, Walter E. Sear, DJ Spooky, Luke Vibert (2004). Moog (Motion picture, DVD). ZU33; Plexi Film. OCLC654748937.
Jordan Rudess, Roger O'Donnell, Bernie Worrell, DJ Logic. Jan Hammer, Keith Emerson (June 5, 2007). Moogfest 2006: Live(MP4) (DVD). Oaks, PA: MVD Visual. OCLC173259968. Retrieved November 10, 2001.
Moog, Robert A. (July 1965). "Voltage-Controlled Electronic Music Modules". Journal of the Audio Engineering Society. 13 (3). New York, New York: Audio Engineering Society: 200–206.
Altman, Roger C. (2009) [January/February]. "The Great Crash". Foreign Affairs. Archived from the original on February 23, 2009. Retrieved November 10, 2011.