Excavations at Nola-Croce del Papa have uncovered extensive evidence of a small village quickly abandoned at the time of the Avellino Eruption in the 17th century BC. This powerful eruption from Mount Vesuvius caused the inhabitants to leave behind a wide range of pottery and other artefacts. The foundations of their buildings are also preserved in imprints among the mud left by the eruption.[citation needed]
Antiquity
Samnite soldiers from a tomb in Nola 4th century BCGreek vase showing Theseus & Prokroustes, from Nola 470–460 BC (Staatliche Antikensammlung, Munich)A 2nd-century bronze parade mask from a Roman tomb at Nola (British Museum)[3]
Nola was one of the oldest cities of Campania, with its most ancient coins bearing the name Nuvlana. It was later said to have been founded by the Ausones, who were certainly occupying the city by c. 560 BC. It once vied in luxury with Capua.[citation needed]
During the Roman invasion of Campania in the Samnite War in 328 BC, Nola was probably occupied by the Oscans in alliance with the Samnites. Nola sent 2000 troops to defend Naples against the Romans (Paleopolis/Neapolis) in 327 BC. The Romans took Nola in 313 BC after setting fire to buildings near the city walls.[4]
In 90 BC it fell by treason to the Samnites during the Social War. In 89 BC, Sulla routed the rebel army near Pompeii, chased them to Nola and there massacred 20,000 rebels at the Battle of Nola in front of the walls.[5]
It was stormed in 73-72 BC by Spartacus during his failed slave revolt.
The 1st c. BC saw a number of public buildings constructed including the amphitheatre. The emperorAugustus died nearby at his sumptuous villa[6] at Somma Vesuviana on 19 August AD 14, in allegedly the same room his father died in 72 years earlier.
Though a relative backwater, Nola retained its status as a municipium, its own institutions, and the use of the Oscan language. It was divided into pagi, the names of some of which are preserved: Pagus Agrifanus, Capriculanus, Lanitanus. The discoveries of the pavement of the ancient city have not been noted with sufficient care to recover most of the plan, but a large number of Grecian vases were made at Nola, using its fine yellow clay and a shining black glaze. They are decorated with red figures.
Following the rise of Christianity, it became a bishopric. One bishop, the Christian senatorPaulinus, is traditionally credited with the introduction of the use of bells to Christian worship.[9] His small handbells were subsequently known as nolas for his seat and the larger tower bells as campanas from the surrounding area.[9] Revered as a saint, Paulinus's relics turned the town into a site of Christian pilgrimage.
Middle Ages
Nola was sacked by Alaric in 410 and by the Vandals under Gaiseric in 453. It was sacked by Muslims in 806 and 904 and captured by Manfred of Sicily in the 13th century. Under Charles of Anjou, it was held by Guy de Montfort as the County of Nola. It was inherited by his eldest daughter's Orsini husband and then held by members of their family.
Modern age
The 1460 Battle of Nola is noteworthy for the clever stratagem by which John, duke of Calabria, defeated Ferdinand, king of Naples, who fled the field with only 20 followers. Ferdinand, however, was supported by Pope Pius II, the duke of Milan, and the Albanian lord Skanderbeg. With his wife Isabella successfully wooing John's major supporters away, the king recovered his domain over the next decade. Nola itself subsequently lost its importance after its repeated destruction by earthquakes in the 15th and 16th centuries. The nearby Cicala Castle was the birthplace of Giordano Bruno (b. 1548).
In 1820, General Pepe's revolution began in Nola. The sculptor Giovanni Merliano was a native of the city; and some of his works are preserved in the cathedral.
St Thomas's (Basilica di San Tommaso; built in the 3rd century, decorated with frescoes 9–11th century, later renovated)
Other Roman ruins, including a temple to Augustus, survived as long as the 16th century, they were then plundered for building material and few signs remain. A few tombs are preserved, and results from excavations are displayed at the Archaeological Museum. Other sites include:
The passion for gladiatorial combat was at its strongest in Campania among the locals and also the army veterans. So a permanent building for these was erected, as elsewhere, in the 1st c. BC, holding 20,000 spectators. The site was just inside the northern walls where existing buildings were demolished and one side of the arena took advantage of the wall embankment. The podium was faced with sheets of white marble elaborately carved with scenes and finished at the top with a balustrade with the same stone.
It was partially rebuilt and renovated over the centuries, maybe after earthquakes. By the end of the 5th century it was abandoned and used as a quarry. The eruption of Vesuvius in the early 6th century and the subsequent flood partially buried the building and saved some of it for posterity, including marble in the process of being carried away.
Notable people
Gaius Octavius (about 100 – 59 BC), politician and father of the Roman emperor Augustus
Two fairs are held in Nola: one on 14 June and another on 12 November. The Festival of the Lilies (Festa dei Gigli) is held on 22 June or the Sunday beforehand, honouring St Paulinus. It lasts seven days, until the next Sunday. Eight lilies and a boat are made of wood and covered with papier-mache from the city's art shops. On the last day of the festival, the huge lilies are carried through the town on residents' shoulders along a route that has been followed for more than a thousand years. Each represents one of the local guilds or corporations, coming in the following order:
Greengrocers (Ortolano)
Butchers of pigs (Salumiere)
Innkeepers (Bettoliere)
Bakers (Panettiere)
Boatmakers (Barca)
Butchers of other meats (Beccaio)
Shoemakers (Calzolaio)
Smiths (Fabbro)
Dressmakers (Sarto)
Each of the organizations is responsible for one day of the festivities. The 2010 festival—along with its fellows—was nominated as a UNESCOWorld Heritage Site. It is possible that the design of the gigli may have influenced the design of the Watts Towers.[14]
^Ceparano, Felice (June 15, 2014). "The Gigli of Nola during Rodia's Times". In Del Giudice, Luisa (ed.). Sabato Rodia's Towers in Watts: Art, Migrations, Development. Fordham University Press.
.jpg)
