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Orsini bomb

Orsini bomb, 1858.

The Orsini bomb was a terrorist improvised explosive device built by and named after Felice Orsini and used as a hand grenade on 14 January 1858 in an unsuccessful attack on Napoleon III.[1] The weapons were somewhat commonly used during a wave of militant anarchist violence in the latter half of the 19th century in Europe, and surplus bombs were also used by the Confederacy during the American Civil War. The design is reminiscent of modern impact fused grenades, such as the Soviet RGO hand grenades. Orsini bombs were designed to remove “the uncertainty of slow burning fused weapons".[2]

Unexploded Orsini bomb from 1893 on display at MUHBA.

Development

The bomb had a unique design for its time, and instead of having a fuse or timer, the bomb had numerous pins around it. The pins were filled with mercury fulminate and when the pins sensed contact on any angle with an object, it would immediately trigger the detonation. The bomb was designed by Felice Orsini,[3] an Italian exile living in England,[4] while the casing of the bomb was made by English gunmaker Joseph Taylor.[5] The bomb was designed and created in Birmingham, England[6] but was tested by Taylor in Sheffield and Devon.

Historic use

Assassination Attempt on Napoleon III

Main article: Orsini affair
An engraving depicting the assassination attempt on Napoleon III

After thorough testing, Taylor provided the bomb to Orsini and smuggled them into France disguised as “gas machinery.” Taylor later claimed that he thought the device was a genuine piece of explosive ordnance of a novel design. The bomb was originally created in an attempt to kill Napoleon III in 1858. This act and the design of the bombs may have been inspired by a previous attempt to kill Napoleon I in 1800 with an improvised explosive.

Orsini created 12 bombs for the plot. The plan was that he and three other accomplices would throw four bombs at the Emperor when he emerged from his carriage, but they all missed their targets. However, they did still manage to kill 10 and wound 157. A description of the plot written by a participant was found and said: “My grenade contained 4 pounds of powder. All the conspirators had their respective posts previously assigned to them. Four hand-grenades were to be thrown by Gomez, myself, Orsini, and Pieri, respectively. … throwing my grenade right under the fore part of the carriage, and dropping myself among some dead horses and struggling men, I watched the effects of the explosion. The horses and the driver were instantly killed[.]”

Front page of Le Petit Journal, 25 Nov 1893, depicting the attack on the Liceu Theater by the anarchist Santiago Salvador.

Liceu bombing

Main article: Liceu bombing

The Orsini bomb was later used in several plots by anarchists, when they could not obtain dynamite.[7] It was also the bomb used in an attack during Gioachino Rossini's William Tell opera at the Liceu Theater in Barcelona in 1893 by anarchist Santiago Salvador; resulting in the death of 20 people and wounding 30, though only one of the bombs detonated.[8] One of the unexploded bombs was preserved at the Barcelona City History Museum (MUHBA) and later leant to the Van Gogh Museum in 2007 for an exhibit on late 19th century Barcelona. (Coincidentally, the Emperor Napoleon III and his wife were on their way to see the same opera when Orsini had made the attempt on their lives over 35 years earlier.)

References

  1. ^ Randall D. Law (27 March 2015). The Routledge History of Terrorism. Routledge. pp. 451–. ISBN 978-1-317-51487-9.
  2. ^ James Revill (15 July 2016). Improvised Explosive Devices: The Paradigmatic Weapon of New Wars. Springer International Publishing. pp. 7–. ISBN 978-3-319-33834-7.
  3. ^ Marc Sageman (5 May 2017). Turning to Political Violence: The Emergence of Terrorism. University of Pennsylvania Press, Incorporated. pp. 136–. ISBN 978-0-8122-9382-1.
  4. ^ Harry Hearder (22 July 2014). Italy in the Age of the Risorgimento 1790 - 1870. Routledge. pp. 222–. ISBN 978-1-317-87206-1.
  5. ^ David H. Cropley; Arthur J. Cropley (25 July 2013). Creativity and Crime: A Psychological Analysis. Cambridge University Press. pp. 183–. ISBN 978-1-107-02485-4.
  6. ^ Stanley Morison (1951). The History of the Times: The tradition established, 1841-1884. The Times.
  7. ^ Brett Bowden; Michael T. Davis (2008). Terror: From Tyrannicide to Terrorism. Univ. of Queensland Press. pp. 139–. ISBN 978-0-7022-3599-3.
  8. ^ William H. Robinson; Jordi Falgàs; Carmen Belen Lord; Josefina Alix Trueba; Josefina Alix (2006). Barcelona and Modernity: Picasso, Gaudí, Miró, Dalí. Yale University Press. pp. 122–. ISBN 0-300-12106-7.

Sources
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