Pratapaditya Pal is an Indian scholar of Southeast Asian and Himalayan art and culture, specializing particularly in the history of art of India, Nepal and Tibet. He has served as a curator of South Asian art at several prominent US museums including Boston's Museum of Fine Arts, the Los Angeles County Museum of Art, and the Art Institute of Chicago, where he has organized more than 22 major exhibitions and helped build the museums' collection . He has also written over 60 books and catalogs, and over 250 articles on the subject, taught at several universities, and served as the editor of the Indian art magazine, Marg.[1] In 2009 he was awarded Padma Shri by the Government of India for his contributions to the study of Indian art.[2]
Early life and education
Pal was born in Bengal, British India and received his early schooling in Shillong, Darjeeling and Calcutta.[3] Studying at the University of Calcutta, he hoped to specialize in anthropology, but the university didn't offer any courses in the area in 1957, and he instead obtained a Master of Arts degree in ancient Indian history and culture.[1] He continued at the university to earn a PhD in the history of Nepali architecture in 1962. He then won a scholarship to Cambridge University, where in 1965 he earned a second PhD in Nepali sculpture and painting. However he failed to get a teaching job in India, and moved to the US instead.[1]
Career
In 1967 Pal was appointed the curator of the Indian art collection at Boston Museum, a position that had previously been held by Ananda Coomaraswamy. In 1969, he moved to the Los Angeles County Museum of Art, which was then beginning to develop its own collection of Indian art. Pal joined as the head of department of Indian and Islamic art, and subsequently served as the museum's acting director (1979โ80) and as the senior curator of Indian and Southeast Asian art from 1981. Los Angeles Times art writer Suzanne Muchnic described his legacy as building the museum's collection from "a handful of items to about 4,000 pieces, giving LACMA one of the nation's preeminent holdings of Indian and Southeast Asian art."[1][4]