Best known as Pooh-Bah in the Stratford Festival production of The Mikado (1982-1984).
Spouse
Anne Louise Bannon
(m. 1991)
Richard McMillan (also known as Richard MacMillan; 20 March 1951 – 19 February 2017) was a Canadian film, television and stage actor.
Early life
McMillan was born in Beaverton, Ontario, Canada on 20 March 1951 and, as an infant, was adopted by Frank and Mary McMillan. His parents ran the Beaverton Hotel, and provided McMillan and his younger brother, Frank ("Cooch"), a worthy home and surroundings in which to grow up as youngsters. Later in life, McMillan met his biological mother who refused to acknowledge him as her child, which was profoundly felt, and influenced his onstage performances, according to his actress/wife, Anne Louise Bannon. After high school, McMillan moved to Toronto, Ontario and studied theater at Ryerson University but did not graduate, and instead, soon afterwards, joined the Stratford Festival as a young actor.[1]
During this time, McMillan also performed in stage productions in and around Toronto,[5] which included a featured role in Inexpressible Island, a three-act dramatic play by David Young, in 1997.[6] In 2000, McMillan performed as Scar in the Canadian production of The Lion King, a duplicate of the Broadway version, at the Princess of Wales Theatre in Toronto. In addition, McMillan later played the wizard Saruman in a production of Lord of the Rings. Between performances, McMillan enjoyed painting, playing the piano, kayaking, and, having earned a private pilot's license, flying.[1]
Over the years, McMillan was awarded honors for his acting performances. These honors included several Dora Mavor Moore Awards, a Canadian Screen Award and a Toronto Theatre Critics Award.[1]
According to Richard Rose, artistic director of the Tarragon Theatre in Toronto, and a close personal friend of McMillan, "In the roles he took on, he was noted for presenting fiercely passionate characters that he illuminated with compassion and, conversely, he was a master of the clown — roles that were at once humorous and sad ... As an actor he understood the absurd and the contradictory. I don’t think I have ever seen anyone quite that sad on the stage, and for that the audiences just loved him. You couldn’t take your eyes off him.”[2][3]
^Staff (17 April 2020). "Inexpressible Island". Canadian Theatre Encyclopedia. Archived from the original on 28 February 2023. Retrieved 28 February 2023.