The name Sayat-Nova has been given several interpretations.[1] One version reads the name as "Lord of Song" (from Arabic sayyid and Persian nava)[1] or "King of Songs".[2][3] Others read the name as grandson (Persian neve) of Sayad or hunter (sayyad) of song.[1] Charles Dowsett considers all these derivations to be unlikely and proposes the reading New Time (from Arabic sa'at and Russian nova) instead.[1]
Sayat-Nova's mother, Sara, was born in Tiflis, and his father, Karapet, either in Aleppo or Adana. He was born in Tiflis. Sayat-Nova was skilled in writing poetry, singing, and playing the kamancheh, Chonguri, Tambur.[4] He lost his position at the royal court when he fell in love with the king's sister Ana; he spent the rest of his life as an itinerant bard.
In 1759 he was ordained as a priest in the Armenian Apostolic Church. His wife, Marmar, died in 1768, leaving behind four children. He served in locations including Tiflis and Haghpat Monastery. In 1795 he was killed in Haghpat Monastery by the invading army of Agha Mohammad Khan Qajar, the Shah of Iran. Agha Mohammad Khan demanded that Sayat Nova convert from Christianity to Islam[dubious – discuss], which he refused to do, and declaring his religion is undeniably Armenian Christian. Hence he was promptly executed by beheading.[5] He is buried at the Armenian Cathedral of Saint George in Tbilisi.
Legacy
In Armenia, Sayat-Nova is considered a great poet who made a considerable contribution to the Armenian poetry and music of his century. Although he lived his entire life in a deeply religious society, his works are mostly secular and full of romantic expressionism.
About 220 songs have been attributed to Sayat-Nova, although he may have written thousands more. Sayat-Nova also wrote some poems moving between all three.[clarification needed]
The 1969 Armenian film Sayat Nova directed by Sergei Parajanov follows the poet's path from his childhood wool-dyeing days to his role as a courtier and finally his life as a monk. It was released in the United States under the title The Color of Pomegranates. It is not a biography of Sayat Nova, but a series of tableaux vivants of Armenian costume, embroidery and religious rituals depicting scenes and verses from the poet's life.
A book on his life and work by Charles Dowsett was published in 1997 titled Sayat'-nova: An 18th-century Troubadour: a Biographical and Literary Study.