She remained popular after the war, appearing on radio and television in the United Kingdom and the United States, and recording such hits as "Auf Wiederseh'n, Sweetheart" and her UK number-one single "My Son, My Son". Her last single, "I Love This Land", was released to mark the end of the Falklands War. In 2009, at the age of 92, she became the oldest living artist to top the UK Albums Chart with the compilation album We'll Meet Again: The Very Best of Vera Lynn.[2] In 2014, she released the collection Vera Lynn: National Treasure and in 2017, she released Vera Lynn 100, a compilation album of hits to commemorate her centenary—it was a No. 3 hit, making her the first centenarian performer to have a Top 10 album in the charts.[3] By the time of her death in 2020, she had been active in the music industry for 96 years.
Lynn devoted much time and energy to charity work connected with ex-servicemen, disabled children and breast cancer. She was held in great affection by Second World War veterans and in 2000 was named the Briton who best exemplified the spirit of the 20th century.[4]
Early life
Vera Margaret Welch was born in East Ham, Essex, now part of the London Borough of Newham, on 20 March 1917.[5] She was the daughter of plumber[6][7] Bertram Samuel Welch (1883–1955) and wife dressmaker Anne "Annie" Martin (1889–1975), who had married in 1913.[8] In 1919, when Lynn was two years old, she fell ill with diphtheritic croup and nearly died. She was sent to an isolation unit and was discharged after three months there.[9] As a result of her hospitalisation, her mother was very protective of her and did not allow her to visit friends or play in the street for a long time afterwards. Lynn recalled that her mother was not as strict with her elder brother Roger as she was with her.[10]
Career
She began performing publicly at the age of seven and adopted her maternal grandmother Margaret's maiden name "Lynn" as her stage name when she was eleven.[11] Aged 11, she joined a juvenile troupe called Madame Harris's Kracker Kabaret Kids and early in 1933 she was spotted by Howard Baker who invited her to join his band. In turn, she was taken on by Billy Cotton and briefly toured with his band in 1934 before returning to Howard Baker.[12]
It was with Baker that she made her first record, on 17 February 1935, with a song called "It's Home".[13] Her first radio broadcast, with the Joe Loss Orchestra, was made on 21 August 1935.[14] At this point she appeared on records released by dance bands including those of Loss and of Charlie Kunz.[15] In 1936, her first solo record was released on the Crown label, "Up the Wooden Hill to Bedfordshire".[16] This label was absorbed by Decca Records in 1938.[17] She supported herself by working as an administrative assistant to the head of a shipping management company in London's East End.[18] After a short stint with Loss she stayed with Kunz for a year or so during which she recorded several standard musical pieces. She joined the Ambrose band in 1937,[19] and remained with him until 1940, when she went solo.
Wartime career
Lynn's wartime contribution began when she would sing to people who were using London's tube station platforms as air raid shelters. She would drive there in her Austin 10 car.[20] Between 1937 and 1940, she also toured with the aristocrat of British dance bands, Bert Ambrose[21] as part of the Ambrose Octet; the group appeared in broadcasts for the BBC and for Radio Luxembourg. She left Ambrose in 1940.[22]
During the Phoney War, the Daily Express asked British servicemen to name their favourite musical performers: Vera Lynn came out on top and as a result became known as "the Forces' Sweetheart". On 1 July 1940, Lynn made her first appearance as a "fully fledged solo act" at the New Hippodrome in Coventry.[23]
Vera Lynn appeared in the revue Applesauce! with Max Miller, which commenced on 22 August 1940 at the Holborn Empire and ran until 9 September 1940. Its run was curtailed due to a bomb destroying the theatre. The revue continued at the London Palladium from 5 March 1941 and ended on 29 November that year.[24] Lynn had to leave the show for a while in July 1941 to have her appendix removed.[25]
Lynn is best known for the popular song "We'll Meet Again", written by Ross Parker and Hughie Charles.[26] She first recorded it in 1939 with Arthur Young on Novachord, and later again in 1953 accompanied by servicemen from the British Armed Forces.[27] The nostalgic lyrics ("We'll meet again, don't know where, don't know when, but I know we'll meet again some sunny day") were very popular during the war and made the song one of its emblematic hits.[28] Amongst her other well-known wartime hits was "The White Cliffs of Dover", with words by Nat Burton, music by Walter Kent.[29]
Her continuing popularity was ensured by the success of her weekly 30-minute radio programme Sincerely Yours, which began airing at 9:30 p.m. on 9 November 1941, with messages to British troops serving abroad.[22][15] Described as "to the men of the forces – a letter in words and Music", she was accompanied by Fred Hartley and his music.[30] Lynn and her quartet performed songs most requested by the soldiers. Lynn also visited hospitals to interview new mothers and send personal messages to their husbands overseas.[31] However, in the aftermath of the fall of Singapore in February 1942 the programme was taken off air after the broadcast on 22 March 1942[32] for 18 months out of fear that the sentimental nature of her songs would undermine the "virile" nature of British soldiers. Instead, "more traditionally martial classical music" was promoted.[33] Lynn returned with a regular show called "It's Time for Vera Lynn" on the BBC's Forces programme on 31 October 1943, when she was accompanied by Peter Yorke and His Orchestra. The show was broadcast at 8 p.m. on Sunday nights and ran for twenty minutes.[34]
Between 1942 and 1944, she appeared in three movies with wartime themes.[22] Firstly, she starred in a film called We'll Meet Again, in 1943 which was based on her own life story, that of a dancer who becomes a radio star. She went on to make two more films during the war, Rhythm Serenade (1943)[38] and One Exciting Night (1944).[1] In Rhythm Serenade she played a school teacher. After her school is closed, she tries to join up. However, she is persuaded to organise a nursery for a munitions factory. One Exciting Night (also known as You Can't Do Without Love) was a dramatic musical comedy in which she helps thwart a gang of art thieves.
Postwar career
Lynn's daughter and her only child, Virginia Penelope Ann Lewis, was born on 10 March 1946.[1] After the war, Lynn had wanted to concentrate on being a mother and wife. However, her unfulfilled contract with Decca Records and financial pressures meant that she was lured back into showbusiness in 1947. She started a new radio show called Vera Lynn Sings on the BBC's Light Programme on 16 February 1947.[39] This was broadcast on Sunday evenings from 9:30-10:00 p.m. with Robert Farnon leading the musical accompaniment. Her husband became her manager. Her record label, Decca, astutely promoted her records in the U.S. during the musicians' strike of 1948 and she had a U.S. Top Ten hit with "You Can't Be True, Dear". In 1949, the BBC dropped her radio show because it claimed that there was no demand for her "sob stuff"; they wanted her to sing in a more lively style, so she made shows for Radio Luxembourg instead.[40]
Lynn kept touring and recording, and in 1952 Lynn's British recording of a German song, "Auf Wiederseh'n, Sweetheart", became her best selling record. It became the first record by a British performer to top the charts in the United States,[41] remaining there for nine weeks. In Britain, the song was the best-selling record of the year.[42] She also appeared regularly for a time on Tallulah Bankhead's US radio programme The Big Show.[43] "Auf Wiederseh'n, Sweetheart", along with "The Homing Waltz" and "Forget-Me-Not", gave Lynn three entries on the first UK Singles Chart in November 1952.[44]
In 1956, Lynn began her first television series for Associated-Rediffusion. During the same year, she signed an exclusive contract with the BBC for two years of radio and television work.[22]
In 1960, she left Decca Records (after nearly 25 years) and joined EMI.[48] She recorded for EMI's Columbia, MGM and HMV labels. She also recorded Lionel Bart's song "The Day After Tomorrow" for the 1962 musical Blitz!; she did not appear onstage in the play, but the characters in the play hear the song on the radio while they shelter from the bombs.[49] In 1967, she recorded "It Hurts To Say Goodbye",[50] a song which hit the top 10 on the Billboard Easy Listening chart.[51]
She hosted her own variety series on BBC1 in the late 1960s and early 1970s[52] and was a frequent guest on other variety shows such as the 1972 Morecambe & Wise Christmas Show. In 1972, she was a key performer in the BBC anniversary programme Fifty Years of Music. In 1976, she hosted the BBC's A Jubilee of Music, celebrating the pop music hits of the period 1952–1976 to commemorate the start of Queen Elizabeth II's Silver Jubilee year. For ITV, she presented a 1977 TV special to launch her album Vera Lynn in Nashville, which included pop songs of the 1960s and country songs.[53]
The Royal Variety Performance included appearances by Vera Lynn on seven occasions: 1951,[54] 1952,[55] 1957,[56] 1960, 1975, 1986 and 1990.[57][58] Lynn was also interviewed about her role in entertaining the troops in the India-Burma Theatre, for The World at War series in 1974. Lynn is also notable for being the only artist to have a chart span on the British single and album charts reaching from the chart's inception to the 21st century – in 1952 having three singles in the first ever singles chart, compiled by New Musical Express,[59] and later having a No. 1 album with We'll Meet Again – The Very Best of Vera Lynn.[60]
Recording career
Vera Lynn made her solo recording debut with the song "The General's Fast Asleep" on 3 October 1935, accompanied by the Rhythm Rascals (a pseudonym for Jay Wilbur's orchestra). The 9" 78 rpm single was issued on the Crown Records label,[61] which went on to release a total of 8 singles recorded by Vera Lynn and Charles Smart on organ. Early recordings include "I'm in the Mood for Love"[62] and "Red Sails in the Sunset".[63]
In 1938, the Decca label took over control of the British Crown label and the UK-based Rex label; they had also issued early singles from Lynn in 1937, including "Harbour Lights". In late September 1939, Vera Lynn first recorded a song that continues to be associated with her: "We'll Meet Again" was originally recorded with Arthur Young on the Novachord.[26]
Throughout the 1940s and 1950s the Decca label issued all of Lynn's records, including several recorded with Mantovani and His Orchestra in 1942, and with Robert Farnon from the late 1940s. These were only available as 78 rpm singles, which contained only two songs as an A and a B-side. In the mid-1950s, Decca issued several EP singles, which comprised between two and four recordings per side, such as Vera Lynn's Party Sing Song from 1954. Lynn was the first British artist to have a number one in U.S. charts, achieved with "Auf Wiederseh'n Sweetheart", which stayed at the top for nine weeks in 1952. Singles were now issued on two formats: the known 78 rpm 10" shellac discs, and the recently introduced 45 rpm 7" vinyl single. In the late 1950s, Lynn recorded four albums at Decca, the first; Vera Lynn Concert remains her only live recording ever issued on vinyl.[64][65][66][67][68]
In 1960, after more than 20 years at Decca Records, Lynn signed to the US based MGM Records.[1] In the UK, her recordings were distributed by the His Master's Voice label, later EMI Records. Several albums and stand-alone singles were recorded with Geoff Love and His Orchestra. Norman Newell also took over as Lynn's producer in this period and remained with her until her 1976 album Christmas with Vera Lynn. Recording at EMI Records up until 1977, Lynn released thirteen albums with material as diverse as traditional hymns, pop and country songs, as well as re-recording many of her known songs from the 1940s for the albums Hits of the Blitz (1962), More Hits of the Blitz and Vera Lynn Remembers – The World at War (1974). In the 1980s, two albums of contemporary pop songs were recorded at the Pye Records label, both including covers of songs previously recorded by artists such as ABBA and Barry Manilow.[69][68][70][71][72]
In 1982, Lynn released the stand-alone single "I Love This Land", written by André Previn, to mark the end of the Falklands War. Lynn's last recordings before her retirement were issued in 1991 via the News of the World newspaper, with proceeds in aid of the Gulf Trust.[73]
The United Kingdom's VE Day ceremonies in 2005 included a concert in Trafalgar Square, London, in which Lynn made a surprise appearance. She made a speech praising the veterans and calling upon the younger generation always to remember their sacrifice, and joined in with a few bars of "We'll Meet Again". This would be Lynn's final vocal performance at a VE Day anniversary event.[22]
Following that year's Royal British LegionFestival of Remembrance Lynn encouraged the Welsh singer Katherine Jenkins to assume the mantle of "Forces' Sweetheart".[74][75][76] In her speech Lynn said: "These boys gave their lives and some came home badly injured, and for some families life would never be the same. We should always remember, we should never forget, and we should teach the children to remember".[77]
In September 2008, Lynn helped launch a new social history recording website, "The Times of My Life", at the Cabinet War Rooms in London.[78] Lynn published her autobiography, Some Sunny Day, in 2009. She had written two previous memoirs: Vocal Refrain (1975) and We'll Meet Again (1989).[79]
In February 2009, it was reported that Lynn was suing the British National Party (BNP) for using "The White Cliffs of Dover" on an anti-immigration album without her permission. Her lawyer claimed the album seemed to link Lynn, who did not align with any political party, to the party's views by association.[80]
In September 2009, at the age of 92, Lynn became the oldest living artist to make it to No. 1 in the British album chart.[81] Her compilation album We'll Meet Again: The Very Best of Vera Lynn entered the chart at number 20 on 30 August, and then climbed to No. 2 the following week before reaching the top position, outselling both the Arctic Monkeys and the Beatles.[82][83] With this achievement, she surpassed Bob Dylan as the oldest artist to have a number one album in the UK.[83]
Three days before her 100th birthday on 17 March 2017, a new LP entitled Vera Lynn 100 was released through Decca Records.[86] The album, setting Lynn's original vocals to new re-orchestrated versions of her songs, also involves several duet partners including Alfie Boe, Alexander Armstrong, Aled Jones and the RAF Squadronaires.[87]Parlophone, which owns Lynn's later recordings from the 1960s and 1970s, released a collection of her songs recorded at Abbey Road Studios entitled Her Greatest from Abbey Road on 10 March 2017, including five previously unreleased original recordings.[88] By October 2017, she was the best-selling female artist of the year in the UK, having sold more albums than contemporary artists like Dua Lipa and Lana Del Rey.[89]
Lynn received two nominations at the 2018 Classic Brit Awards for Female Artist of the Year and Album of the Year and was also the recipient of the Lifetime Achievement Award.[90]
In January 2020, a new painted portrait of Lynn was given as a gift from London Mint Office to the Royal Albert Hall in connection with the 75th anniversary of the peace in 1945.[91] The portrait is painted by Ross Kolby and was unveiled by Lynn's daughter Virginia Lewis-Jones and Britain's Got Talent winner Colin Thackery.[92][93]
On 5 April 2020 the song "We'll Meet Again" was echoed by Queen Elizabeth II in a television address she delivered addressing the COVID-19 pandemic.[94] For the 75th anniversary of VE Day, Lynn and Katherine Jenkins duetted virtually (Jenkins singing next to a hologram) at the Royal Albert Hall, which was empty due to the COVID-19 pandemic.[95]
She was the subject of This Is Your Life on two occasions, in October 1957 when she was surprised by Eamonn Andrews at the BBC Television Theatre,[citation needed] and again in December 1978, for an episode which was broadcast on 1 January 1979, when Andrews surprised her at the Café Royal, London.[citation needed]
In 2018, Lynn received the Outstanding Contribution to Music award at the Classic Brit Awards.[102] In January 2019, it was reported that The London Mint Office had commissioned acclaimed Norwegian artist Ross Kolby to paint a portrait of Dame Vera. The painting was unveiled on 13 January 2020 and hangs in the Royal Albert Hall in London where Dame Vera performed on 52 occasions.[103]
Lynn's visit to the Burma front during the Second World War was included in the British television documentary series The World at War in 1974 and narrated by Laurence Olivier. A short interview made for the documentary is included in Episode 14, "It's A Lovely Day Tomorrow: Burma 1942–1944".[104]
On Gary Numan's 1982 album I, Assassin, the song "War Songs" has the chorus: "Old men love war songs / Love Vera Lynn / Old men love war songs / Now I'm Vera Lynn".
The ending of Stanley Kubrick's black comedy film about the triggering of World War III (and the nuclear annihilation of civilisation), Dr. Strangelove, shows several minutes of nuclear explosions, with a musical accompaniment of the 1953 version of We'll Meet Again with Vera Lynn and an armed services chorus.
On his 2018 album Would You Still Be in Love, Anthony Green released a song titled "Vera Lynn" that referenced her songs "We'll Meet Again" and "A Nightingale Sang in Berkeley Square".[110]
In 1953, Lynn formed the cerebral palsy charity SOS (The Stars Organisation for Spastics) and became its chairperson.[117][118] The Vera Lynn Charity Breast Cancer Research Trust was founded in 1976, with Lynn its chairperson and later its president.[119]
In 2002, Lynn became president of the cerebral palsy charity The Dame Vera Lynn Trust for Children with Cerebral Palsy, and hosted a celebrity concert on its behalf at Queen Elizabeth Hall in London.[121] In 2008, Lynn became patron of the charitable Forces Literary Organisation Worldwide for ALL.[122]
She became the patron of the Dover War Memorial Project in 2010;[123] the same year she became patron of the British charity Projects to Support Refugees from Burma/Help 4 Forgotten Allies.[124] In 2013 she joined a PETA campaign against pigeon racing, stating that the sport is "utterly cruel".[125] When PETA bought three of the King's racing pigeons at auction in 2024, they renamed one 'Vera' in recognition of Lynn's campaigning work.[126]
Personal life
During the Second World War, Lynn lived with her parents in a house she had bought in 1938 at 24 Upney Lane, Barking.
[127] In 1941, Lynn married Harry Lewis, a clarinetist, saxophonist and fellow member of Ambrose's orchestra[128] whom she had met two years earlier. They rented another house in Upney Lane, near her parents' house.[127] Lewis became Lynn's manager prior to 1950, after leaving his own career behind.[22]
After the Second World War, Lynn and Lewis moved to Finchley, north London. The couple lived in Ditchling, East Sussex, from the early 1960s onwards, living next door to their daughter.[129]
The couple had one child in March 1946, Virginia Lewis (now Lewis-Jones). Harry Lewis died in 1998.[130]
Lynn was given a military funeral, which was held on 10 July 2020 in East Sussex. The procession made its way from her home in Ditchling to the Woodvale Crematorium in Brighton;[135] it was widely attended by the public. Ditchling was decorated with poppies, a symbol of military remembrance. Ahead of the funeral, the White Cliffs of Dover had images of Lynn projected onto them, as "We'll Meet Again" was being played across the English Channel. Her cortege was accompanied by members of the Royal Air Force, the British Army, the Royal Navy, and the Royal British Legion, as well as the Battle of BritainSpitfireflypast, which followed the cortege and passed over Ditchling three times (10 July 2020 was the 80th anniversary of the start of the Battle of Britain). Her coffin was draped in a Union Flag with a wreath. At the family service at the Woodvale Crematorium chapel, she was serenaded by a Royal Marine bugler. Her family have said a public memorial service will be organised for some time in the future.[135][136] On 21 March 2022, a thanksgiving service for Lynn was held at Westminster Abbey.[137]
Following Lynn's death, Jenkins began campaigning to erect a statue of her by the White Cliffs of Dover, a reference to one of her signature songs "(There'll Be Bluebirds Over) The White Cliffs of Dover".[138] Jenkins and Lynn's death established the Dame Vera Lynn Memorial Trust and selected sculptor Paul Day to design the memorial. In July 2022, the Dover District Council announced that Lynn's family had decided to place the memorial elsewhere, as they found the location offered "'insufficient' to honour [Lynn's] legacy".[139] The memorial subsequently evolved into The Forces' Sweetheart And Wartime Entertainers' Memorial, honouring Lynn and "all those unsung heroes who entertain in times of conflict".[140] The memorial is planned for the National Memorial Arboretum in Staffordshire.
^Southall, Brian (2011). Abbey Road: The Story of the World's Most Famous Recording Studios. Vince, Peter; Rouse, Allan. London: Omnibus. ISBN978-0-85712-676-4. OCLC830001182.
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