Share to: share facebook share twitter share wa share telegram print page

We R Who We R

"We Are Who We Are (song)" redirects here. For song by Little Mix, see DNA (Little Mix album). For other uses, see We Are Who We Are (disambiguation).

"We R Who We R"
Single by Kesha
from the EP Cannibal
B-side"Sleazy"
ReleasedOctober 22, 2010 (2010-10-22)
Recorded2010
Genre
Length3:24
LabelRCA
Songwriter(s)
Producer(s)
  • Dr. Luke
  • Benny Blanco
  • Ammo
Kesha singles chronology
"Take It Off"
(2010) 		"We R Who We R"
(2010) 		"Blow"
(2011)
Music video
"We R Who We R" on YouTube

"We R Who We R" is a song by American singer Kesha from her first extended play (EP), Cannibal (2010). The song was released as the EP's lead single on October 22, 2010. It was written by Kesha, with Jacob Kasher Hindlin, Dr. Luke, Benny Blanco and Ammo. Production of the song was completed by Dr. Luke, Blanco, and Ammo. In the wake of news that bullying and harassment had led to multiple suicides of gay youth, Kesha wrote the song in hopes that it would become a pride anthem. The song is intended to inspire people to be themselves, and as a celebration of anyone deemed quirky or eccentric.

Musically, the song is a dance-pop song that incorporates elements of electropop; it uses a synth-infused beat as a backing with sounds interpreted as hand claps. Kesha's vocals have been described as a talk-singing style that use layered Auto-Tune in some parts and vocoders. The song has been compared to her debut single "Tik Tok" (2009), as it has a similar musical structure.

"We R Who We R" debuted at number one on the Billboard Hot 100, making it the 17th song in the chart's history to do so. The song also reached number one in the United Kingdom, Kesha's first number-one solo single there, and topped the charts in Australia for three weeks. It also attained top-five positions on the Canadian, Japanese, and New Zealand charts. The song became Kesha's fifth consecutive solo top-ten hit in the United States, Canada, and Australia. It is certified six-times Platinum by the Recording Industry Association of America (RIAA) in the United States and five-times Platinum in Australia.

The song's accompanying music video was directed by Hype Williams and was filmed in downtown Los Angeles. The video is presented as an underground party and has been described as showcasing a darker and sexier side of Kesha compared to previous videos. The song has been performed in North America at the 2010 American Music Awards, and on her worldwide Get Sleazy Tour.

Writing and inspiration

In late 2010, there was a sudden surge in suicide rates amongst gay teenagers in the United States. In September 2010, at least six adolescents took their lives due to factors related to gay bullying.[1] After reading about the surge of gay teen suicides, Kesha was inspired to write "We R Who We R",[2] along with Dr. Luke, Benny Blanco, Ammo, and Jacob Kasher Hindlin. Production of the song was completed by Luke alongside Blanco and Ammo. After being nominated for the 2011 Billboard Music Awards, Kesha elaborated on the song's initial inspiration. She stated that she was concerned with today's society, criticizing the fact that people have to hide themselves and pretend to be someone other than who they are. Regarding her music she said that it was not for everyone, claiming that she is a misfit in society and not everyone understands her or what she stands for.[3][4]

Kesha explained that she wanted the song to become a pride anthem; "I wanted to inspire people ... to be themselves. It's a celebration of any sort of quirks or eccentricities."[5] She elaborated, "I was really affected by the suicides that have been happening, having been subject to very public hatred [myself]. I have absolutely no idea how these kids felt. What I'm going through is nothing compared to what they had to go through. Just know things do get better and you need to celebrate who you are. Every weird thing about you is beautiful and makes life interesting. Hopefully the song really captures that emotion of celebrating who you are ... I just felt like people hate because they don't understand or they're jealous, It's all coming from a very negative place and I really feel like people don't need to pay attention to that."[2]

Composition

"We R Who We R" (2010)
"We R Who We R" is an upbeat dance-pop song that uses a synth-infused beat and makes use of auto-tune.
Problems playing this file? See media help.

"We R Who We R" is an uptempo dance-pop and EDM song that uses a synth-heavy backing;[2][6] the song incorporates techno and electropop styles.[7][8] Opening with a synth-infused backing and sounds interpreted as hand claps, Kesha opens the song by proclaiming, "Hot and dangerous if you're one of us, then roll with us 'Cause we make the hipsters fall in love".[8][9] Vocally, the song follows in the footsteps of Kesha's previous singles, as Kesha uses her talk-singing vocal style throughout the song.[10] Kesha uses layered vocals that are enhanced in some parts with the use of Auto-Tune.[11] Musically, the song has been said to follow a musical structure similar to her debut single, "Tik Tok" (2009).[8][12]

According to sheet music published at Musicnotes.com by Sony/ATV Music Publishing, "We R Who We R" is written in the time signature of common time, with a moderate beat rate of 120 beats per minute. The song is written in the key of C minor; Kesha's vocal range spans from the note of E♭4 to the note of E♭5.[9] It has a basic sequence of Cm–Fm–E♭–A♭ as its chord progression.[9]

Critical reception

"We R Who We R" was compared to fellow pop singer Pink's (pictured) track "Raise Your Glass" for their similar inspiration.[10][13]

Robert Copsey from Digital Spy gave the single five out of five stars.[14] Copsey praised Kesha for not buckling under the harsh scrutiny she has been subject to over the length of her career, citing her boozy antics and processed vocals as areas that have been criticized. He wrote, "we've never disputed that she carries it all off in a fashion that's frank, fearless and unashamedly fun." The song's chorus was highlighted in the review, with Copsey calling it "her poppermost effort to date" that contained "bouncy Dr Luke beats and her usual bubblegum melodies".[14]

Jocelyn Vena from MTV News gave the song a positive review, writing "[Kesha] has found a chart-topping formula, combin[ing] killer beats with lyrics about super-fun parties and hot pants."[12] Vena commented that, although the song was not groundbreaking and did not stray too far away from previous singles "Tik Tok" or "Take It Off", that hardly matters as "it's another uber-fun tune about how awesome it is to dance the night away" with an "inspired [message about] the recent rash of suicides among gay youth."[12] Jason Lipshutz from Billboard gave the song a positive review; he praised Dr. Luke's production and the song's chorus.[8] Lipshutz commented on the song's similarity to "Tik Tok", writing, "Instead of straying from the 'TiK ToK' formula, 'We R Who We R,' ... smartly maximizes [Kesha's] most appealing qualities." The review concluded that the song "demonstrates that [Kesha] still has mileage left in her electro-pop sound as she gears up for her next album."[8] Leah Greenblatt of Entertainment Weekly called the song a "companion piece" to Pink's "Raise Your Glass" citing their similar subject matter and close releases.[10] Nitsuh Abebe from NY Magazine complimented the song's chorus and trance pop elements. Abebe wrote that the song embodied a "hollowed-out, free-of-yourself feeling", commenting that almost all electronic dance music imbues feelings "that are almost spiritual, that sense of being subsumed and out-of-body".[7] Melinda Newman of HitFix called the song "incredibly stupid, but it has the main ingredients to make it a global hit: an insistent beat and positive lyrics that promise to suspend time and keep us 'forever young,' or better yet, transport us back to a time when we felt like we were." Newman referred to herself as one of the singer's biggest detractors, but wrote, "I like one of her songs--or at least begrudgingly admire its crass charms."[15] In an album review of Cannibal, Newman referred to the song as a "great self-acceptance anthem.'[16]

Alex Hawgood from The New York Times wrote that at first listen the song came across as another generic dance hit. Hawgood however praised the song for its hidden subtext intended to be a response to gay suicides. Hawgood compared the song to the likes of Taylor Swift, Pink, Katy Perry and Lady Gaga, all of which "represent a new wave of young (and mostly straight) women who are providing the soundtrack for a generation of gay fans coming to terms with their identity in a time of turbulent and confusing cultural messages."[13] Sal Cinquemani of Slant Magazine called the track "infectious" and praised her honesty and sincerity on the track.[17] AllMusic's Stephen Thomas Erlewine chose "We R Who We R" as a highlight on Cannibal.[18] The Phoenix' Daniel Brockman felt that the song had a "lifting anthemic heft"[19] while Spin's Barry Walters said that with the song, "she sends out pride vibes to bullied gays."[20] Rolling Stone's Will Hermes called the song "awesome."[21] Steven Hyden from The A.V. Club, in the album review of Cannibal, wrote that her "let's get fucking fucked-up" attitude on the track was a positive calling her "a complete and utter genius."[22] Hyden reviewed the song alongside fellow editor Genevieve Koski in a separate publication, giving the song a B and a D+, respectively. Hyden reiterated his comments from the album review in his review of the song, but added that the song was sonically similar to her previous singles "Tik Tok" and "Take It Off", adding that on the song she "seems a little more self-aware, imploring each and every one of us to start 'dancing like we're dumb.'". On the opposite end up the spectrum, Koski was critical of the song, criticizing her vocals with his consensus being that "I want to give every Kesha song an 'F' on principle, but objectively speaking, I know there are far worse songs out there, so let's average out a subjective F and an objective C+ to a D+."[23]

In a separate publishing from The New York Times, David Browne criticized the song's overuse of processed vocals, writing that: "As heard on her current single 'We R Who We R' from her new mini-album, 'Cannibal,' Kesha has a thin, often computer-manipulated voice that recalls '80s new-wave pop acts. It's often hard to tell when her singing voice ends and the Vocoder processing kicks in."[24] Rolling Stone gave the song two and a half stars out of five, referring to the combination of Kesha's style and the song's themes as an "awkward fit".[25] However, Rolling Stone later placed the song at number 50 in its Best 50 Singles of 2010 list.[26]

Chart performance

In the United States, "We R Who We R" debuted at number one on the Billboard Hot 100, selling over 280,000 digital copies.[27] The song was the 17th song in the history of the chart to debut at number one and became Kesha's fifth straight top-ten hit in the United States, and her second number one.[27] In the same week the song ranked at number one on Billboard's Digital Songs chart. On the Mainstream Top 40 airplay chart the song rose 124% in airplay, when compared to the previous week, and jumped from 36 to 23 on that week's chart.[27] The following week, the song dropped from number one to position five, as it sold another 220,000 copies.[28] After being present on the charts for five weeks, the song reached one million paid downloads, the fastest-selling song to reach the one million download mark since "Love the Way You Lie" by Rihanna and Eminem had done so earlier in 2010.[29] During the song's ninth week on the chart it sold 319,000 copies; the following week it sold 411,000 copies and surpassed the two million paid downloads mark. With this feat, the song became one of only ten songs to sell more than 300,000 copies in a single week more than once.[30][31] On Billboard's Hot Dance Club Songs and Pop chart, the song reached peaks of 27 and two, respectively.[32][33] The song reached its 4 million sales mark in the United States in January 2014, her second song to reach that level.[34] As of March 2016, the song has sold 4.1 million copies in the US.[35] In 2024, the song has received a 6× platinum certification by the Recording Industry Association of America(RIAA) for accumulating sales of 6 million equivalent units in the United States.[36]

On the Canadian Hot 100, the song debuted and peaked at number two, selling 21,000 digital downloads.[37] In Australia, "We R Who We R" debuted at number one on the chart on the issue date entitled November 17, 2010.[38] The song remained atop the charts for two weeks before dropping to the number two position.[38] The following week, the single regained the number one position and held it for one week, giving the single a total of three weeks atop the chart.[38] It has since been certified quadruple Platinum by the Australian Recording Industry Association (ARIA) for sales of 280,000 units.[39] In New Zealand, the song entered and peaked at number four in its first week on the chart.[40] The song has since been certified Platinum by the Recording Industry Association of New Zealand (RIANZ) for sales of 15,000 units.[41] In Sweden, "We R Who We R" debuted on the chart at position 22, which was its peak.[42] The song has since been certified gold for sales of 10,000 units by the Swedish Recording Industry Association (GLF).[43] In the United Kingdom, "We R Who We R" entered the UK Singles Chart at position 95 on the issue dated January 8, 2011, and dropped off the chart the following week. After the release of the single on January 23, 2011, the song re-entered the chart at number one, selling in excess of 90,000 copies and becoming Kesha's first solo number one in the UK and second overall.[44] As of December 2011, the single has sold 326,000 copies in the United Kingdom.[45]

Music video

An overview image of Downtown Los Angeles, where the video was initially filmed over a 48-hour period

The music video for the song was directed by Hype Williams and was filmed in downtown Los Angeles. Filming of the video involved a partial closure of the 2nd Street Tunnel and part of downtown Los Angeles spread out over a 48-hour period.[46] Kesha explained the idea behind the video as well as the experience during an interview with MTV News; she said that the video was different from her other videos, noting that it was going to show a sexier side of herself.[47]

2nd Street Tunnel, as seen in the music video for "We R Who We R"

The music video for "We R Who We R" is presented as an underground party.[48] The video starts off with futuristic flashing lights. Kesha, seen in a ponytail wearing gray and black makeup, chains, ripped stockings, and a sparkly one-piece leotard made of shards of broken glass, walks through the 2nd Street Tunnel with fellow partygoers.[49][50] The scene features drag races and explosions in the background.[46][48] Close-up shots of Kesha show her wearing studs in her eyebrows and her glittery eye makeup. As cars zoom by, the video transitions to a new location at a different party. Midway through the party Kesha changes outfits to an American-flag top and pink hot pants. As the song's hook kicks in, Kesha is seen standing on the edge of a building; the music stops and Kesha stage jumps backwards off of the building's rooftop.[48] She is caught by the partygoers beneath her and the music resumes. The final scenes show Kesha dancing among fellow partygoers on a rooftop and smiling while singing "We R Who We R".[48] Jocelyn Vena from MTV News noted that the video makes a departure from Kesha's previous music videos, in which humor is usually present; she wrote the video shows a "darker and sexier" side of the singer.[48] Tanner Stransky from Entertainment Weekly was positive in his review of the video.[51] Stransky commented on the song's lyrical inspiration, noting the video does not follow the same message, saying "it doesn't so much inspire self esteem as much as it inspires just a plain ol', trashy, [Kesha]-ed out good time. Code word: party!".[51] The video was uploaded to her Vevo account on December 1, 2010.

Live performances

"We R Who We R" was performed for the first time on the second season of The X Factor Australia on November 14, 2010.[52] Prior to the performance a minor controversy was sparked when Kesha's male background dancers were seen wearing red armbands that had been supplied locally. Kesha was concerned they could be mistaken for a swastika symbol, so the armbands were removed.[52] "We R Who We R" was performed live for the first time in North America on November 21, 2010, at the 2010 American Music Awards.[53] The performance started off with Kesha opening with her previous single, "Take It Off", while playing on the keyboard; she soon transitioned into "We R Who We R". For the performance she wore a mirrored body suit and a black leather jacket.[53] Male background dancers surrounded the stage throughout the performance. Confetti fell from the ceiling during the song's synth-filled finale and as the performance ended, Kesha played riffs on a guitar. She then turned the guitar around, revealing the word "hate" in black writing with a slash through it.[53] She then smashed the guitar into pieces, ending the performance.[53] In 2011, Kesha embarked on her first headlining tour, the Get Sleazy Tour, where she performed "We R Who We R" alongside a cover of Beastie Boys track "(You Gotta) Fight for Your Right (To Party!)", as a part of the concert's encore.[54] At the 2013 Kids' Choice Awards, Kesha performed a segment of "We R Who We R" and "C'Mon".[55]

Cultural impact

In 2010, "We R Who We R" gained widespread support from the gay community. Dan Savage, the original creator of the "It Gets Better" campaign, which Kesha participated in, stated that she and other music artists that wrote songs addressed to the gay community were vital in helping fans come to terms with their sexualities and identities. "These songs are countering a hateful message that a peer, family member, politician or a bully might be saying, I get frustrated with gay politicos who discount or undermine the importance of pop stars, They're a huge part of this fight."[13] Singers Josh Erdman and Ben Klute began posting cover versions of various songs on YouTube, later adding a logo to their videos originally titled "Legalize Gay". They later stumbled upon Kesha's song and upon doing so they changed their logo to "Legalize Gay 'Cause We Are Who We Are". The duo changed the logo to represent the song stating, "The lyrics obviously spoke to us, What these artists are doing means the world to the gay community."[56] In October 2011, Kesha teamed up with the Human Rights Campaign and designed a unisex T-shirt embroidered with purple zebra print – intended to represent "spirit" in the LGBT's pride flag. The shirt's design was titled with the writing "We R Who We R" and was made for that year's National Coming Out Day.[57] Describing the song as "the spirit of 'School's Out in the body of techno", Simon Reynolds has hailed "We R Who We R" as "the greatest rave anthem of the twenty-first century – regardless of whether it's ever been played at a rave, which it probably hasn't."[58]

Track listing

  • Digital download[59]
  1. "We R Who We R" – 3:24
  1. "We R Who We R" – 3:24
  2. "Animal" (Dave Audé remix) – 4:37
  • Digital download (extended play)[61]
  1. "We R Who We R" – 3:24
  2. "Sleazy" – 3:25
  3. "Animal" (Dave Audé remix) – 4:37
  4. "Animal" (Billboard remix) – 4:15
  • Digital download (Fred Falke radio mix)[62]
  1. "We R Who We R" (Fred Falke radio mix) – 4:33

Credits and personnel

Credits adapted from the liner notes of Cannibal, Dynamite Cop Music/Where Da Kasz at BMI.[63]

Charts

Certifications

Certifications for "We R Who We R"
Region Certification Certified units/sales
Australia (ARIA)[102] 5× Platinum 350,000‡
Germany (BVMI)[103] Gold 150,000‡
Italy (FIMI)[104] Gold 15,000*
Mexico (AMPROFON)[105] Gold 30,000*
New Zealand (RMNZ)[41] Platinum 15,000*
South Korea — 269,601[106]
Sweden (GLF)[43] Platinum 40,000‡
United Kingdom (BPI)[107] Platinum 600,000‡
United States (RIAA)[36] 6× Platinum 6,000,000‡

* Sales figures based on certification alone.
‡ Sales+streaming figures based on certification alone.

Release history

Release dates for "We R Who We R"
Region Date Format Label Ref.
Australia October 22, 2010 Digital download RCA [108]
Austria [109]
Belgium [110]
Canada [111]
Germany [112]
Ireland [113]
Italy [114]
Netherlands [115]
New Zealand [116]
Sweden [117]
Switzerland [118]
United States [119]
October 25, 2010 Rhythmic contemporary radio [120]
South Korea October 26, 2010 Digital download Sony [121]
United States Contemporary hit radio RCA [122]
Germany January 7, 2011 CD [60]
United Kingdom January 16, 2011 Digital download [61]

See also

References

  1. ^ Burford, Michelle (October 12, 2010). "The Surge in Gay Teen Suicide". AOL Health. AOL Inc. Archived from the original on March 22, 2013. Retrieved May 12, 2011.
  2. ^ a b c Doyle, Patrick (October 15, 2010). "Kesha Says New Single Addresses Teen Suicides". Rolling Stone. Wenner Media LLC. Archived from the original on October 17, 2010. Retrieved October 15, 2010.
  3. ^ "Top New Artist Finalists: Ke$ha". Billboard. Prometheus Global Media. Archived from the original on November 25, 2012. Retrieved May 12, 2011.
  4. ^ Wilton, Lisa (September 3, 2011). "Ke$ha: 'I'm an animal'". Calgary Sun. Retrieved September 6, 2011.
  5. ^ Stransky, Tanner (October 14, 2010). "Kesha talks to EW about upcoming album 'Cannibal': 'It's fun as s--!'". Music Mix. Entertainment Weekly. Retrieved October 14, 2010.
  6. ^ Molanphy, Chris (November 27, 2019). "Rolling in God's Royal Uptown Road Edition". Hit Parade | Music History and Music Trivia (Podcast). Slate. Retrieved October 15, 2023.
  7. ^ a b Abebe, Nitsuh (December 3, 2010). "Party Down: Katy Perry on America's Glorious Past, Kesha on Our Postapocalyptic Future". NY Mag. New York Media. Retrieved December 20, 2010.
  8. ^ a b c d e Lipshutz, Jason (November 15, 2010). "Kesha, "We R Who We R"". Billboard. Prometheus Global Media. Archived from the original on November 18, 2012. Retrieved December 20, 2010.
  9. ^ a b c "Kesha, 'We R Who We R'– Composition Sheet Music". Musicnotes.com. Sony/ATV Music Publishing. November 12, 2010.
  10. ^ a b c Greenblatt, Leah (October 15, 2010). "Kesha's raucous new single, 'We R Who We R':Listen here". Music Mix. Entertainment Weekly. Retrieved October 15, 2010.
  11. ^ Brockington,Ryan (November 12, 2010). "Kesha 'Blows'". New York Post. NYP Holdings, Inc. Archived from the original on January 29, 2012. Retrieved November 17, 2010.
  12. ^ a b c Vena, Jocelyn (October 15, 2010). "Kesha Goes 'Hard' On New Single, 'We R Who We R' Singer keeps the party going with first single from Cannibal". MTV News. MTV Networks (Viacom). Archived from the original on October 18, 2010. Retrieved October 13, 2010.
  13. ^ a b c Hawgood, Alex (May 11, 2010). "For Gays, New Songs of Survival". New York Times. p. 1. Retrieved May 24, 2011.
  14. ^ a b Copsey, Robert (November 15, 2010). "Kesha: 'We R Who We R'". Digital Spy. Hachette Filipacchi UK. Retrieved November 15, 2010.
  15. ^ Newman, Melinda (October 15, 2010). "Listen: Ke$ha's new song 'We R Who We R' from 'Cannibal'". HitFix. Retrieved May 13, 2012.
  16. ^ Newman, Melinda (November 22, 2010). "Album Review: Ke$ha's 'Cannibal'". HitFix. Retrieved May 13, 2012.
  17. ^ Cinquemani, Sal (November 17, 2010). "Ke$ha Cannibal". Slant Magazine. Retrieved May 24, 2011.
  18. ^ Erlewine Thomas, Stephen. "Cannibal > Overview". AllMusic. Rovi Corporation. Retrieved December 25, 2011.
  19. ^ Brockman, Daniel (December 7, 2010). "Kesha - Cannibal". The Phoenix. The Phoenix Media/Communications Group. Retrieved December 25, 2011.
  20. ^ Walters, Barry (November 22, 2010). "Kesha, 'Cannibal' (RCA)". Spin. (Spin Media LLC). Retrieved December 25, 2011.
  21. ^ Hermes, Will (November 22, 2010). "Kesha Cannibal". Rolling Stone. Archived from the original on November 27, 2010. Retrieved November 22, 2010.
  22. ^ Hyden, Steven (November 23, 2010). "Cannibal". The A.V. Club. Onion Inc. Retrieved May 24, 2011.
  23. ^ Hyden, Steven; Koski, Genevieve (November 12, 2010). "This Was Pop: Week of Nov. 13, 2010". The A.V. Club. The Onion, Inc. Retrieved April 17, 2012.
  24. ^ Browne, David (December 24, 2010). "Trilling Songbirds Clip Their Wings". The New York Times. Retrieved December 25, 2011.
  25. ^ Dolan, Jon (November 3, 2010). "Kesha "We R Who We R" review". Rolling Stone. Wenner Media LLC. Archived from the original on November 29, 2010. Retrieved December 10, 2010.
  26. ^ "Best Singles of 2010". Rolling Stone. Wenner Media LLC. Archived from the original on December 10, 2010. Retrieved December 15, 2010.
  27. ^ a b c Pietroluongo, Silvio (November 3, 2010). "Ke$ha To Crash Hot 100 At No. 1". Billboard. Prometheus Global Media. Archived from the original on November 30, 2012. Retrieved February 17, 2012.
  28. ^ Grein, Paul (November 10, 2010). "Week Ending Nov. 7, 2010: Rihanna Ties Rihanna". Chart Watch. Yahoo! Inc. Retrieved December 30, 2010.
  29. ^ Grein, Paul (December 1, 2010). "Week Ending Nov. 28, 2010: The King And Queen Of Hip-Hop". Chart Watch. Yahoo! Inc. Retrieved December 30, 2010.
  30. ^ Grein, Paul (December 29, 2010). "Week Ending Dec. 26, 2009: What Santa Brought". Chart Watch. Yahoo! Inc. Retrieved December 30, 2010.
  31. ^ Grein, Paul (January 5, 2011). "Week Ending Jan. 2, 2011: This Is No Bomb". Chart Watch. Yahoo! Inc. Retrieved January 7, 2011.
  32. ^ a b "Kesha Chart History (Dance Club Songs)". Billboard. Retrieved July 23, 2022.
  33. ^ a b "Kesha Chart History (Pop Songs)". Billboard. Retrieved July 23, 2022.
  34. ^ Paul Grein (January 15, 2014). "Chart Watch: Katy Perry's Even Dozen". Yahoo Chart Watch.
  35. ^ Trust, Gary (March 6, 2016). "Ask Billboard: Rihanna's Record Streak of Seven Studio Albums With Hot 100 No. 1s". Billboard. Retrieved March 6, 2016.
  36. ^ a b "American single certifications – Kesha – We R Who We R". Recording Industry Association of America. Retrieved September 17, 2024.
  37. ^ "Nielsen Music: Canadian Update (November 5, 2010)" (PDF). Nielsen Business Media, Inc. Archived (PDF) from the original on April 9, 2011. Retrieved November 4, 2010.
  38. ^ a b c d "Ke$ha – We R Who We R". ARIA Top 50 Singles. Retrieved 2010-11-07.
  39. ^ a b "ARIA Charts – End Of Year Charts – Top 100 Singles 2010". Australian Recording Industry Association. Retrieved January 14, 2011.
  40. ^ a b "Ke$ha – We R Who We R". Top 40 Singles. Retrieved 2010-10-03.
  41. ^ a b "Latest Gold / Platinum Singles". Radioscope. August 21, 2011. Archived from the original on August 31, 2011. Retrieved July 20, 2017.
  42. ^ a b "Ke$ha – We R Who We R". Singles Top 100. Retrieved 2010-11-03.
  43. ^ a b "Guld- och Platinacertifikat − År 2011" (PDF) (in Swedish). IFPI Sweden. Archived from the original (PDF) on September 24, 2015. Retrieved July 20, 2017.
  44. ^ "Adele wins place in chart history". The Official UK Charts Company. Archived from the original on February 17, 2011. Retrieved January 29, 2011.
  45. ^ "The Official Charts Advent Calendar: Day 3". The Official UK Charts Company. Archived from the original on May 25, 2024. Retrieved December 3, 2011.
  46. ^ a b Spitznagel, Eric (February 11, 2011). "Ke$ha Spends More on Glitter Every Month Than Most People Spend on Rent". Vanity Fair. Condé Nast Digital. Archived from the original on February 11, 2011. Retrieved February 11, 2011.
  47. ^ Montgomery, James (November 15, 2010). "Kesha 'Blows Some Stuff Up' For 'We R Who We R' Video Good-time girl says video for her first Cannibal single is 'a little bit sexy time.'". MTV News. MTV Networks (Viacom). Archived from the original on November 17, 2010. Retrieved November 15, 2010.
  48. ^ a b c d e Vena, Jocelyn (December 2, 2010). "Kesha's 'We R Who We R' Video Is Hot And Dangerous, Cannibal singer throws sexy, dark dance party in just-released clip". MTV News. MTV Networks (Viacom). Archived from the original on December 5, 2010. Retrieved December 2, 2010.
  49. ^ Goldner, Jonathan (November 2, 2010). "Kesha's 'We R Who We R' Video: Check Out An On-Set Photo! Hype Williams helmed the clip for the first Cannibal single". MTV News. MTV Networks (Viacom). Archived from the original on June 29, 2011. Retrieved February 16, 2011.
  50. ^ Sun, Feifei (November 4, 2010). "First Look: Kesha's 'We R Who We R' Music Video (PHOTOS)". MTV Style. MTV Networks (Viacom). Archived from the original on November 11, 2010. Retrieved February 16, 2011.
  51. ^ a b Stransky, Tanner (December 2, 2010). "Kesha's 'We R Who We R' music video: Hot and Dangerous, indeed". Music Mix. Entertainment Weekly. Retrieved December 2, 2010.
  52. ^ a b Christie, Joel (November 17, 2010). "Ke$ha calls halt to 'Nazi' dancewear". The Daily Telegraph. Sydney: News Limited. Retrieved November 22, 2010.
  53. ^ a b c d Vena, Jocelyn (November 21, 2010). "Kesha Proclaims 'We R Who We R' At AMAs Kesha destroys hate with her American Music Awards performance". MTV News. MTV Networks (Viacom). Archived from the original on September 3, 2012. Retrieved November 22, 2010.
  54. ^ Murnane, Jamie (May 24, 2011). "Ke$sha delivers the sleaze on Chicago tour stop". Sun-Times. Sun-Times Media. Archived from the original on October 10, 2012. Retrieved May 24, 2011.
  55. ^ Deitch, Maud. "Ke$ha Rocks Fur And Creepers At The 2013 Kids' Choice Awards". MTV. Viacom. Archived from the original on March 30, 2013. Retrieved March 24, 2013.
  56. ^ Hawgood, Alex (May 11, 2010). "For Gays, New Songs of Survival". New York Times. p. 2. Retrieved May 24, 2011.
  57. ^ Bustos, Kristina (October 10, 2011). "Ke$ha teams up with Human Rights Campaign to design T-shirt". Digital Spy. Hachette Filipacchi UK. Retrieved October 10, 2011.
  58. ^ Reynolds, Simon (2016). Shock and Awe: Glam Rock and Its Legacy. London: Faber & Faber. p. 630. ISBN 978-0-571-30171-3.
  59. ^ "We R Who We R – Single (United States)". iTunes Store. Apple Inc. Retrieved October 24, 2010.
  60. ^ a b "We R Who We R – Single" (in German). German Amazon. Retrieved January 10, 2011.
  61. ^ a b "We R Who We R – Single (United Kingdom)". iTunes Store. Apple Inc. Archived from the original on December 22, 2010. Retrieved December 7, 2010.
  62. ^ Kesha (October 22, 2010). "We R Who We R (Fred Falke Radio Mix) - Single by Kesha on Apple Music". music.apple.com. Archived from the original on April 14, 2022. Retrieved July 25, 2022.
  63. ^ We R Who We R (liner notes). Kesha. RCA Records. 2011.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  64. ^ "Ke$ha – We R Who We R" (in German). Ö3 Austria Top 40. Retrieved 2011-01-16.
  65. ^ "Ke$ha – We R Who We R" (in Dutch). Ultratop 50. Retrieved 2011-01-15.
  66. ^ "Ke$ha – We R Who We R" (in French). Ultratop 50. Retrieved 2011-01-15.
  67. ^ "Ke$ha Chart History (Canadian Hot 100)". Billboard. Retrieved 2010-11-11.
  68. ^ Ke$ha — We R Who We R. TopHit. Retrieved 2021-01-04.
  69. ^ "ČNS IFPI" (in Czech). Hitparáda – Radio Top 100 Oficiální. IFPI Czech Republic. Note: Select 47. týden 2010 in the date selector. Retrieved 2010-12-03.
  70. ^ "Ke$ha – We R Who We R". Tracklisten. Retrieved 2011-01-30.
  71. ^ "Ke$ha – We R Who We R" (in French). Les classement single. Retrieved 2011-02-14.
  72. ^ "Kesha – We R Who We R" (in German). GfK Entertainment charts. Retrieved 2011-01-16.
  73. ^ "The Irish Charts – Search Results – We R Who We R". Irish Singles Chart. Retrieved January 29, 2020.
  74. ^ "Ke$ha on the FIMI charts" (in Italian). Federazione Industria Musicale Italiana. Retrieved April 13, 2018.
  75. ^ "Ke$ha Chart History (Japan Hot 100)". Billboard. Retrieved 2010-12-16.
  76. ^ "Top 20 Anglo de México del 24 al 30 de enero, 2011" (in Spanish). Monitor Latino. February 1, 2011. Retrieved June 10, 2019.
  77. ^ "Tipparade-lijst van week 1, 2011" (in Dutch). Dutch Top 40. Retrieved March 19, 2023.
  78. ^ "Ke$ha – We R Who We R" (in Dutch). Single Top 100. Retrieved 2010-10-07.
  79. ^ "Ke$ha – We R Who We R". VG-lista. Retrieved 2010-11-06.
  80. ^ "Listy bestsellerów, wyróżnienia :: Związek Producentów Audio-Video". Polish Airplay New. Retrieved August 18, 2020.
  81. ^ "Official Scottish Singles Sales Chart Top 100". Official Charts Company. Retrieved 2011-04-23.
  82. ^ "ČNS IFPI" (in Slovak). Hitparáda – Radio Top 100 Oficiálna. IFPI Czech Republic. Note: insert 201103 into search. Retrieved 2011-03-01.
  83. ^ "Circle Chart". circlechart.kr. November 20, 2010. Retrieved July 23, 2022.
  84. ^ "Ke$ha – We R Who We R" Canciones Top 50. Retrieved 2011-01-16.
  85. ^ "Ke$ha – We R Who We R". Swiss Singles Chart. Retrieved 2011-01-16.
  86. ^ "Official Singles Chart Top 100". Official Charts Company. Retrieved 2011-01-29.
  87. ^ "Kesha Chart History (Hot 100)". Billboard. Retrieved July 23, 2022.
  88. ^ "Kesha Chart History (Adult Pop Songs)". Billboard. Retrieved July 23, 2022.
  89. ^ "Kesha Chart History (Dance Mix/Show Airplay)". Billboard. Retrieved July 23, 2022.
  90. ^ "Kesha Chart History (Rhythmic)". Billboard. Retrieved July 23, 2022.
  91. ^ "Annual Top 50 Singles Chart 2010". Recording Industry Association of New Zealand. Archived from the original on March 5, 2012. Retrieved November 28, 2011.
  92. ^ "Årslista Singlar – 2010". Sverigetopplistan (in Swedish). Grammofon Leverantörernas Förening. Archived from the original on July 19, 2011. Retrieved February 19, 2011.
  93. ^ "ARIA Top 100 Singles 2011". ARIA. Retrieved January 18, 2015.
  94. ^ "Annual 2011". Ultratop. Retrieved January 10, 2012.
  95. ^ "Brazilian Top 100 Year-End 2011". Crowley Broadcast Analysis. April 3, 2018. Retrieved January 30, 2022.
  96. ^ "Best Of 2011 - Canadian Hot 100 Songs". Billboard. Prometheus Global Media. Retrieved December 10, 2011.
  97. ^ "Year End Chart 2011" (PDF). OfficialChartsCompany. Archived from the original (PDF) on September 15, 2012. Retrieved April 10, 2012.
  98. ^ "Best Of 2011 - Hot 100 Songs". Billboard. Prometheus Global Media. Retrieved December 10, 2011.
  99. ^ "Dance/Mix Show Songs – Year-End 2011". Billboard. Retrieved September 3, 2019.
  100. ^ "Pop Songs – Year-End 2011". Billboard. Retrieved September 3, 2019.
  101. ^ "Rhythmic Songs – Year-End 2011". Billboard. Retrieved September 3, 2019.
  102. ^ "ARIA Charts – Accreditations – 2018 Singles" (PDF). Australian Recording Industry Association. Retrieved October 15, 2018.
  103. ^ "Gold-/Platin-Datenbank (Ke$ha; 'We R Who We R')" (in German). Bundesverband Musikindustrie. Retrieved February 17, 2023.
  104. ^ "Italian single certifications – Ke$ha – We R Who We R" (in Italian). Federazione Industria Musicale Italiana. Retrieved July 20, 2017. Select "2013" in the "Anno" drop-down menu. Type "We R Who We R" in the "Filtra" field. Select "Singoli" under "Sezione".
  105. ^ "Certificaciones" (in Spanish). Asociación Mexicana de Productores de Fonogramas y Videogramas. Retrieved July 20, 2017. Type Ke$ha in the box under the ARTISTA column heading and We R Who We R in the box under the TÍTULO column heading.
  106. ^ "Gaon - 2010 Year-end International Download Chart". Gaon Chart. Korea Music Content Industry Association. Archived from the original on February 11, 2024. Retrieved February 11, 2024.
  107. ^ "British single certifications – Kesha – We R Who We R". British Phonographic Industry. Retrieved August 21, 2023.
  108. ^ "We R Who We R – Single (Australia)". iTunes Store. Apple Inc. Archived from the original on November 11, 2010. Retrieved October 28, 2010.
  109. ^ "We R Who We R – Single (Austria)". iTunes Store (in German). Apple Inc. Archived from the original on November 12, 2012. Retrieved October 24, 2010.
  110. ^ "We R Who We R – Single (Belgium)". iTunes Store. Apple Inc. Archived from the original on November 12, 2012. Retrieved October 24, 2010.
  111. ^ "We R Who We R – Single (Canada)". iTunes Store. Apple Inc. Archived from the original on November 8, 2010. Retrieved October 26, 2010.
  112. ^ "We R Who We R: Ke$ha: Amazon.de: MP3–Downloads" (in German). German Amazon. Archived from the original on December 11, 2012. Retrieved October 31, 2010.
  113. ^ Kesha (October 22, 2010). "We R Who We R - Single by Ke$ha - Download We R Who We R - Single on iTunes". itunes.apple.com. Archived from the original on January 27, 2011. Retrieved July 23, 2022.
  114. ^ "We R Who We R – Single (Italy)". iTunes Store (in Italian). Apple Inc. Archived from the original on November 12, 2012. Retrieved October 24, 2010.
  115. ^ Kesha (October 22, 2010). "'We R Who We R - Single' van Ke$ha in iTunes". itunes.apple.com. Archived from the original on April 10, 2016. Retrieved July 23, 2022.
  116. ^ "We R Who We R – Single (New Zealand)". iTunes Store. Apple Inc. Archived from the original on November 12, 2012. Retrieved October 24, 2010.
  117. ^ "We R Who We R – Single (Sweden)". iTunes Store (in Swedish). Apple Inc. Archived from the original on June 19, 2014. Retrieved October 24, 2010.
  118. ^ "We R Who We R – Single (Switzerland)". iTunes Store (in German). Apple Inc. Archived from the original on November 12, 2012. Retrieved October 24, 2010.
  119. ^ "We R Who We R – Single (United States)". iTunes Store. Apple Inc. Archived from the original on October 29, 2010. Retrieved October 26, 2010.
  120. ^ "FMQB: Radio Industry News, Music Industry Updates, Arbitron Ratings, Music News and more!". FMQB. October 25, 2010. Archived from the original on October 21, 2010.
  121. ^ "We R Who We R (Single)". Sony Star (in Korean). Sony Music Entertainment Korea Inc. Archived from the original on December 24, 2013. Retrieved April 5, 2011.
  122. ^ "FMQB: Radio Industry News, Music Industry Updates, Arbitron Ratings, Music News and more!". FMQB. October 26, 2010. Archived from the original on October 21, 2010.

Read other articles:

Quách Tử Nghi

Quách Tử Nghi郭子儀Phần Dương quận vươngTên chữTử NghiThụy hiệuTrung VũThái úy ĐườngNhiệm kỳ764Tiền nhiệmLý Quang BậtKế nhiệmĐiền Thừa TựNhiệm kỳ779—781Tiền nhiệmĐiền Thừa TựKế nhiệmChu ThửTư đồ ĐườngNhiệm kỳ757—764Tiền nhiệmLý TôngKế nhiệmLý Bão NgọcNhiệm kỳ768—779Tiền nhiệmLý Bão NgọcKế nhiệmLý Chính KỷThượng thư lệnh ĐườngNhiệm kỳ764Tiền nhiệmLý Th...

 

Esgrima escénica

La esgrima escénica es el arte de crear, integrar y realizar coreografías de escenas de enfrentamientos con el uso de armas negras (espadas, dagas y navajas que no poseen filo, a diferencia de las denominadas armas blancas que sí lo tienen) para el medio del entretenimiento, es decir dentro de la actuación en una representación teatral, recreación histórica, espectáculo, escena televisiva o cinematográfica, también se la conoce como combate escénico donde ya no estaría limitada al...

 

Suck It and See (song)

For songs by others including Grim Reaper, Andy Scott and Glen Matlock, see Suck It and See (disambiguation). 2011 single by Arctic MonkeysSuck It and SeeSingle by Arctic Monkeysfrom the album Suck It and See Released31 October 2011Length3:45LabelDominoComposer(s) Jamie Cook Matt Helders Nick O'Malley Alex Turner[1] Lyricist(s)Alex TurnerProducer(s)James FordArctic Monkeys singles chronology The Hellcat Spangled Shalalala (2011) Suck It and See (2011) Black Treacle (2012) Music videoS...

Matius 26

Matius 26Lembaran Papirus 37 sisi recto yang memuat Injil Matius pasal 26:19-37 dalam bahasa Yunani dari tahun ~ 260 MKitabInjil MatiusKategoriInjilBagian Alkitab KristenPerjanjian BaruUrutan dalamKitab Kristen1← pasal 25 pasal 27 → Matius 26 (disingkat Mat 26) adalah bagian dari Injil Matius pada Perjanjian Baru dalam Alkitab Kristen, yang disusun menurut catatan Matius, salah seorang dari Keduabelas Rasul Yesus Kristus.[1][2][3][4] Teks Naskah asl...

 

Reinhard Jirgl

Reinhard Jirgl (2013) Reinhard Jirgl auf der Leipziger Buchmesse 2013 Reinhard Jirgl (* 16. Januar 1953 in Ost-Berlin) ist ein deutscher Schriftsteller. 2010 wurde ihm von der Deutschen Akademie für Sprache und Dichtung der Georg-Büchner-Preis verliehen.[1] Inhaltsverzeichnis 1 Leben 2 Werk 3 Charakterisierung des Werkes 4 Stipendien und Preise 5 Werke 6 Literatur 7 Weblinks 8 Einzelnachweise Leben Seine Kindheit verbrachte Reinhard Jirgl bei der Großmutter in Salzwedel, bis er 196...

 

What You Hear Is What You Get: The Best of Bad Company

This article includes a list of general references, but it lacks sufficient corresponding inline citations. Please help to improve this article by introducing more precise citations. (June 2020) (Learn how and when to remove this template message) 1993 live album by Bad CompanyWhat You Hear Is What You Get: The Best of Bad Company LiveLive album by Bad CompanyReleased16 November 1993GenreHard rockLength71:24LabelAtlanticProducerSimon KirkeBad Company chronology Here Comes Trouble(1992...

Pinky and the Brain

American animated television series Pinky and the BrainAlso known asSteven Spielberg Presents Pinky and the BrainGenreAnimated sitcomScience fictionCreated byTom RueggerVoices ofRob PaulsenMaurice LaMarcheTheme music composerRichard StoneOpening themePinky and the Brain Theme by Jess Harnell, Rob Paulsen, Dorian Harewood, & Jim Cummings[1]ComposersRichard StoneSteven BernsteinJulie BernsteinGordon GoodwinCarl JohnsonCountry of originUnited StatesNo. of seasons4No. of episodes65 (9...

 

Duet (The Flash)

17th episode of the 3rd season of The Flash DuetThe Flash episodePromotional posterEpisode no.Season 3Episode 17Directed byDermott Daniel DownsStory by Greg Berlanti Andrew Kreisberg Teleplay by Aaron Helbing Todd Helbing Featured musicBlake NeelyProduction codeT27.13117Original air dateMarch 21, 2017 (2017-03-21)Guest appearances Melissa Benoist as Kara Danvers / Supergirl (special guest star) Victor Garber as Digsy Foss's husband (special guest star) John Barrowman as Cu...

 

Chantelle Barry

Australian musician and actress from Perth Chantelle BarryChantelle Barry in 2015Born (1980-03-18) 18 March 1980 (age 43)Perth, Western Australia, AustraliaNationalityAustralianOccupationsMusicianactressYears active1999–presentSpouseScott Whyte (m. 2018)Musical careerGenresPopYears active1999–2000, 2005–presentLabelsMercury FranceJOTU Collective Musical artistWebsitewww.chantellebarry.com Chantelle Barry (born 18 March 1980) is an Australian musician and actress from Perth, be...

Jeet filmography

List of performances by Indian actor Jeet Jeet Jeet is an Indian Bengali actor, producer and television presenter. Jeet started his modeling career in 1993. His first acting assignment was Bishabriksha (1994–95), a Bengali TV series directed by Bishnu Palchaudhuri. He made his big screen debut with Chandu (2001), a Telugu film.[1] His first success came in 2002, opposite Priyanka Trivedi, through Sathi, a highly successful romantic drama, directed by Haranath Chakraborty, for which ...

 

Liberation of Rennes

Liberation of Rennes, WW2Part of Liberation of FranceUS advancement into Brittany in WW2Date4 August 1944Location Rennes, FranceResult Allied victory. City is liberated and denazifiedBelligerents United States Free France Nazi Germany Bezen PerrotCommanders and leaders George Patton John Shirley Wood Pierre Herbart Yves Milon Eugen König Paul HausserUnits involved 8th Infantry Division French Forces of the Interior XXV Army CorpsCasualties and losses At least 50 killed 20 captured At least 6...

 

Barbary Coast Gent

1944 film by Roy Del Ruth Barbary Coast GentTheatrical release posterDirected byRoy Del RuthWritten byWilliam R. LipmanProduced byOrville O. Dull Harry RuskinStarringWallace BeeryCinematographyCharles Salerno Jr.Edited byAdrienne FazanMusic byDavid SnellProductioncompanyMetro-Goldwyn-MayerDistributed byMetro-Goldwyn-MayerRelease date September 1944 (1944-09) Running time87 minutesCountryUnited StatesLanguageEnglish Barbary Coast Gent is a 1944 American Western comedy film set in 188...

Medal „Za nienaganną służbę”

Medal „Za nienaganną służbę”Медаль За безупречную службу Awers medalu I klasy Awers medalu II klasy Awers medalu III klasy Ustanowiono 14 września 1957 Wielkość średnica – 32 mm Kruszec srebro, nowe srebro, mosiądz Powyżej Medal „W upamiętnieniu 1500-lecia Kijowa” Poniżej brak Multimedia w Wikimedia Commons Medal „Za nienaganną służbę” (ros. Медаль За безупречную службу) – najniższy radziecki medal wojskow...

 

Anti-Vietnamese sentiment

Aspect of culture Part of a series onDiscrimination Forms Institutional Structural Attributes Age Caste Class Dialect Disability Genetic Hair texture Height Language Looks Mental disorder Race / Ethnicity Skin color Scientific racism Rank Sex Sexual orientation Species Size Viewpoint Social Arophobia Acephobia Adultism Anti-albinism Anti-autism Anti-homelessness Anti-drug addicts Anti-intellectualism Anti-intersex Anti-left handedness Anti-Masonry Antisemitism Aporophobia Audism Biph...

 

Church of SS Peter & Paul, Aston

ChurchSt Peter & Paul, Aston juxta Birmingham52°30′25″N 1°52′47″W / 52.5070°N 1.8797°W / 52.5070; -1.8797DenominationChurch of EnglandChurchmanshipEvangelicalWebsitewww.astonnechellscofe.org.ukHistoryDedicationSt Peter & St PaulSpecificationsHeight198 feet (60 m)AdministrationProvinceCanterburyDioceseBirminghamParishAston and NechellsClergyVicar(s)Rev Dr Fiona GregsonBuildingBuilding detailsRecord heightTallest in Birmingham from 1838 to 1855[I...

Reader-response criticism

School of literary theory focused on writings' readersTwo Girls Reading by Pierre-Auguste Renoir Reader-response criticism is a school of literary theory that focuses on the reader (or audience) and their experience of a literary work, in contrast to other schools and theories that focus attention primarily on the author or the content and form of the work. Development Although literary theory has long paid some attention to the reader's role in creating the meaning and experience of a litera...

 

Kantor Perserikatan Bangsa-Bangsa Urusan Narkoba dan Kejahatan

United Nations Office on Drugs and CrimeUNODC headquarters in ViennaTanggal pendirian1997StatusActiveTipeAgencySitus webwww.unodc.org Kantor Perserikatan Bangsa-Bangsa Urusan Obat-obatan dan Kejahatan (bahasa Inggris: United Nations Office on Drugs and Crime, UNODC; Prancis: Office des Nations unies contre la drogue et le crime, ONUDC) adalah sebuah kantor Perserikatan Bangsa-Bangsa yang dibentuk pada tahun 1997 sebagai kantor yang mengurusi kontrol obat-obatan (terutama narkoba) dan ...

 

Бессарабсько-Таврійський земельний банк

Бессарабсько-Таврійський земельний банк Будівля колишнього Бессарабсько-Таврійського земельного банку. Вулиця Пастера (Одеса), 25 Країна  Російська імперія Розташування штаб-квартири Одеса Час/дата початку 1872 Час/дата закінчення 1920 Акція у 250 рублів на пред'явника Бес...

IBM System z10

мейнфреймы IBMМейнфрейм 700/7000 series System/360 System/370 System/390 zSeries System z9[en] zEnterprise 196 Архитектура System/370 S/370-XA ESA/370 ESA/390 (ARCHLVL 1) z/Architecture 1 (ARCHLVL 2) System z10 z/Architecture 2 (ARCHLVL 3) IBM System z10 BC IBM System z10 — серия мейнфреймов компании IBM. Анонсирована 26 февраля 2008 года. IBM Z10 имеет 5 конфигурационных моделей...

 

Rumination (psychology)

Focused attention For other uses, see Rumination (disambiguation). Rumination appears closely related to worry. Rumination is the focused attention on the symptoms of one's mental distress, and on its possible causes and consequences, as opposed to its solutions, according to the Response Styles Theory proposed by Nolen-Hoeksema in 1998.[1][2] Because the Response Styles Theory has been empirically supported, this model of rumination is the most widely used conceptualization. ...

 
Kembali kehalaman sebelumnya