Ajoy Kar was born on 27 March 1914, in Calcutta, British India. He left college in 1931 to become a professional photographer, and took up cinematography a few years later.[3]
Career
After initially working as an assistant to Jatin Das, Kar became a cinematographer at Indrapuri Studios, Calcutta, in 1938. Over the next four decades, he shot more than 80 feature films.[3] He also shot a number of documentary films.
Kar's first film as director was Ananya (1949), made by the Sabyasachi collective launched by Kanan Devi. The first film for which he received individual directorial credit was Bamuner Meye (1949).[4] During the 1950s and early 1960s, he emerged as a key figure in mainstream Bengali cinema, with a string of commercially successful films such as Shyamali (1956), Harano Sur (1957), Saptapadi (1961) and Saat Pake Bandha (1963). Of these, Harano Sur and Saptapadi involved the popular romantic pair of Uttam Kumar and Suchitra Sen. These films also received critical acclaim.
From the late 1960s onwards, he made a number of films which were adaptations of well-known literary works, especially those by Rabindranath Tagore and Sarat Chandra Chatterjee. Some of these are Parineeta (1969), Malyadan, Datta (1976) and Naukadubi (1979). In all, he directed 26 films, the last being Bishabriksha (1983).[4] He was influenced by western literature and western Movie. His spectacular camera work created him a Different Personality than other Bengali Filmmakers.
