Alec Coppel (17 September 1907 – 22 January 1972) was an Australian-born screenwriter, novelist and playwright. He spent the majority of his career in London and Hollywood, specialising in light thrillers, mysteries and sex comedies. He is best known for the films Vertigo (1958), The Captain's Paradise (1953), Mr Denning Drives North (1951) and Obsession (1949), and the plays I Killed the Count and The Gazebo.
Biography
Early life
Coppel was born in Melbourne and attended Wesley College. He moved to England in the 1920s to study medicine at Cambridge University, but dropped out before graduating and went to work in advertising, writing in his spare time. Coppel's first stage plays were Short Circuit (1935) and The Stars Foretell (1936).
I Killed the Count
His first big success was his play I Killed the Count (1937), which had a successful run in the West End. Coppel turned it into a novel (1939), screenplay and radio play. It also led to him receiving screenwriting offers.[1][2]
His script credits include Over the Moon (1939), the film version of I Killed the Count (1939), and Just like a Woman (1939). Coppel contributed to the book of a revue, Let's Pretend (1940), and wrote a new play, Believe It or Not (1940).
The first play they presented there was the world premiere of Coppel's Mr Smart Guy (1941). The huge theatre was seldom full but they staged two plays every night.[6] Coppel also wrote for radio and contributed to the script of Smithy (1946), one of the few feature films made in Australia during this time.
Return to London
Coppel moved back to London in 1944 after he and Robinson disagreed. He was replaced by Roland Walton.[6] Coppel continued to alternate between novels, plays and screenplays.
His plays included My Friend Lester (1947) and A Man About a Dog (1949). His scripts included Brass Monkey (1948), Woman Hater (1948), Obsession (1949) (based on A Man About a Dog), Two on the Tiles (1951), and Smart Alec (1951) (based on Mr Smart Guy).
He became the first Australian to receive an Academy Award nomination for screenwriting with The Captain's Paradise, which was nominated for Best Story in 1953. That year he published a novel The Last Parable (1953).
Coppel was used by Warwick Pictures on Hell Below Zero (1954) and The Black Knight (1954); like No Highway and Captain's Paradise they were British films with American stars and Coppel wanted to work in Hollywood.
He wrote the plays The Genius and the Goddess (1957) and The Joshua Tree (1958), and saw The Captain's Paradise adapted into a musical as Oh, Captain! (1958). He had a big hit with The Gazebo (1959), based on a story by Coppel and his wife; this was later filmed although someone else did the screenplay. Coppel adapted The Captain's Paradise (1961) for stage and did a swashbuckler for MGM Swordsman of Siena (1962).
Later career
He spent the 1960s mostly working in Europe and London. He adapted his own story "Laughs with a Stranger" into Moment to Moment (1966). Coppel did some uncredited work on the script for Taste of Excitement to make it more of a comedy; director Don Sharp, who knew Coppel from Australia, said the writer's work was unhelpful.[7]
^"Across the Stage". The Daily Telegraph. Vol. I, no. 47. New South Wales, Australia. 6 October 1940. p. 23. Retrieved 22 March 2019 – via National Library of Australia.
^The bulletin, John Haynes and J.F. Archibald, 1880, retrieved 22 March 2019
^"AusStage". www.ausstage.edu.au. Retrieved 2 June 2020.
^ abcLees, Jennie, "Kathleen Mary Robinson (1901–1983)", Australian Dictionary of Biography, Canberra: National Centre of Biography, Australian National University, retrieved 4 August 2024
^Sharp, Don (2 November 1993). "Don Sharp Side 5" (Interview). Interviewed by Teddy Darvas and Alan Lawson. London: History Project. Retrieved 14 July 2021.