Allegory of Virtue and Vice or The Choice Between Virtue and Vice or The Choice of Hercules is a painting by Paolo Veronese, created circa 1565 in Venice, Italy and now located in the Frick Collection. It is a large-scale allegorical painting depicting Hercules' struggle between virtue and vice, personified here by the figures of the two women physically pulling him in different directions.
Subject
In the painting, Virtue appears to be winning the struggle over Hercules, but Vice has torn Hercules' stocking and still reaches out her hand toward him. Concealed behind her skirt is a dagger and a statue of a sphinx. On the stonework above the scene, an inscription reads "[HO]NOR ET VIRTUS/[P]OST MORTE FLORET (Honor and Virtue Flourish after Death)."[1] As an allegory, the job of this painting is to convey a moral message, that of the superiority of virtue over vice.
The genre of allegory contrasts with Veronese's well-known tableaus of historical and biblical scenes, such as the Marriage at Cana as well as with the less formal works of other Renaissance Venetian painters like Giorgione or Titian. This work, along with "Wisdom and Strength," also in the Frick Collection, is believed to be Veronese's first in this style. These two works are also thought by scholars to be his first to cross the Alps.[2]
Provenance
The Choice Between Virtue and Vice and Wisdom and Strength have traveled together since their creation, through many prestigious owners and collections. Because of this, many scholars assumed that Veronese painted them as a pair. In 1970, Edgar Munhall was the first scholar to suggest that they were simply made at the same time, not as pendants.[3] Work undertaken by scholars at the Metropolitan Museum of Art in the 2000s confirmed that the two were made individually.[4]
^Mundhall, Edgar, "Masterpieces of the Frick Collection", 66.
^Mahon; Centeno; Wypyski; Salomon; Bayer (2010). "Technical Study of Three Allegorical Paintings by Paolo Veronese: The Choice between Virtue and Vice, Wisdom and Strength, and Mars and Venus United by Love". Metropolitan Museum Studies in Art, Science, and Technology, Vol. 1. Metropolitan Museum of Art. pp. 83–108. ISBN9781588393654.