Bara no Seidou

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Bara no Seidou
Studio album by Malice Mizer
Released	August 23, 2000
Studio	On Air Azabu Studio Hitokuchizaka Studio Warner Music Recording Studio Onkio Haus
Genre	Neoclassical dark wave gothic rock
Length	50:34
Label	Midi:Nette, Trisol Music Group (2007 re-release)
Producer	Malice Mizer
Malice Mizer chronology
Shinwa (2000) Bara no Seidou (2000)
Singles from Bara no Seidou
"Saikai no Chi to Bara" Released: November 3, 1999 "Kyomu no Naka de no Yuugi" Released: May 31, 2000 "Shiroi Hada ni Kuruu Ai to Kanashimi no Rondo" Released: July 26, 2000 "Mayonaka ni Kawashita Yakusoku" Released: October 30, 2001

Bara no Seidou (薔薇の聖堂) is the fourth and final album by the Japanese visual kei rock band Malice Mizer, released on August 23, 2000. The title roughly translates as "Church of Roses" or "Sanctuary of Roses". In February 2007, Bara no Seidou was re-released by German record label Trisol Music Group, packaged in both jewel case and limited slipcase versions, both including the Cardinal music video collection DVD.^[1]

Bara no Seidou is a major change from Malice Mizer's previous albums with less of a focus on the twin guitar sound that was present in their previous discography, but retaining a chameleon trait like artists such as Genesis and Roxy Music. The band's sound switched from an ordinary art rock sound into a dark, gothic metal one; however, they still continued to use the violins, harpsichords and other instruments present in their older works and also added in a pipe organ and a choir for a haunting, melancholic, and religious feel to the album. For example, the song "Seinaru Toki Eien no Inori" is based around an organ and choir but still includes dual guitars and drums, which gives it a gothic metal feel. Fan favorite "Kyomu no Naka de no Yuugi" is a track that uses an organ and harpsichord mixed with a synthesizer and drum machine for more of a dark wave element. This song is influenced by gothic rock/industrial music and features a different image in its video, but still retains the dark themes of the album.^[2]

After the death of Kami, it could be argued that the "funeral goth" element present in their attire is because of his death, and the song "Saikai no Chi to Bara" is a reference, and tribute, to him.^{[original research?][3]}

The band released the DVD Bara ni Irodorareta Akui to Higeki no Makuake of their two-day live concert at the Nippon Budokan. Like their previous tour, "Merveilles L'Espace", this tour was very theatrical, having a Gothic cathedral on the cover of the album as a stage prop and a moon that changed colors several times during the performance. However, unlike the previous tours, it did not completely consist of the members playing their instruments and relied more on the theatrics.

• Mana – guitar on 2, 4, 8, and 9, synthesizer, drum machine on 3–7
• Közi – guitar on 2, 4, 8, and 9, synthesizer, vocals on 3 (distorted), 6 (backing and distorted) and 10 (whispered), drum machine on 3–7
• Yu~ki – bass guitar, vocals on 3 (distorted) and 10 (whispered), drum machine on 3–7
• Shu – drums
• Klaha – vocals on 2, 4, 5, 6, 8 and 9
• Maki Okada – vocals on 2
• Youko Takai – vocals on 7
• Yuichiro Goto – strings on 2, violin on 4, 9 and 10
• Motohide Tanaka – director
• Masao Nakazato – mastering
• Teruhisa Abe – art direction, design
• Kenji Tsukagoshi – photography
• Taqueya Yamashita – cover art
• Yukie Itoh – executive producer
• Kami – "eternal blood relative"