In 1811, Lord Byron and Hobhouse leave the Greek-speaking parts of the Ottoman Caliphate; they return to England where Byron meets with John Murray to sell his poems.
Notwithstanding his marriage to Annabella Millbanke, Byron still wants to carry on his romance with his half-sister Augusta Leigh. Faced with public scorn, Byron goes aboad aand meets Percy Bysshe Shelley in 1816 in Venice in the Kingdom of Lombardy–Venetia.
Later grieving the death of his illegitimate daughter Allegra, Byron sails to the Ottoman Empire to help the Greeks break off their Muslim rulers.
Production
The drama was announced in November 2002 by BBC Controller of Drama Commissioning Jane Tranter, written by Nick Dear and to be directed by Julian Farino.[2][3] Writing about the announcement for The Daily Telegraph, Tom Leonard said that the production "is the latest example of the corporation's fixation with producing period dramas that are 'relevant to a modern audience'".[4] It was produced by Ruth Baumgarten with executive producers Laura Mackie, Hilary Salmon and Andrea Miller.[5]
Miller said that as a result of his portrayal, his opinion of Byron was that: "He had the ability to be an extraordinarily nice, kind man but he could also be really quite cruel when he made his mind up about somebody. I certainly don't like the way he treated some people."[6]
Lady Caroline Lamb was seen by Power as a "child woman, incredibly vulnerable and one of those people with a huge life force".[6]
Reception
According to overnight figures, 2.1 million viewers (12% audience share) saw the first part with 1.8 million viewers (11% share) watching the second following the BBC Two broadcast.[1]
In a preview ahead of its airing on BBC America in 2005, The New York Times said that the film "paints a sympathetic, at times serious-minded portrait without glossing over his vanity and artful affectations", and that Miller "skillfully blends his restless passion and moments of sour self-awareness".[7] Writing for British Film Institute'sScreenonline website, Alexander Larman also praised Miller's performance, saying in a profile of the actor that his portrayal of Byron was "sensitive and nuanced".[8] Peter Chochran, writing about Byron portrayal on screen, described Miller as "outstanding in the lead: the most successful screen Byron there is".[9]
Jenny Bevan won the Costume Design (Drama) award at the Royal Television Society Craft and Design Awards in 2004 for her work on the production.[10] The awards also saw John Paul Kelly nominated in the Production Design (Drama) category.[11]