The conte cruel is, as The A to Z of Fantasy Literature by Brian Stableford states, a "short-story genre that takes its name from an 1883 collection by Villiers de l'Isle-Adam", although previous examples had been provided by such writers as Edgar Allan Poe. Some critics use the label to refer only to non-supernatural horror stories, especially those that have nasty climactic twists, but it is applicable to any story whose conclusion exploits the cruel aspects of the 'irony of fate.'[1] The collection from which the short-story genre of the conte cruel takes its name is Contes cruels (1883, tr. Sardonic Tales, 1927) by Villiers de l'Isle-Adam. Also taking its name from this collection is Contes cruels (Cruel Tales), a two-volume set of about 150 tales and short stories by the 19th-century French writer Octave Mirbeau, collected and edited by Pierre Michel and Jean-François Nivet and published in two volumes in 1990 by Librairie Séguier.
Some noted writers in the conte cruel genre are Charles Birkin, Maurice Level, Patricia Highsmith[2] and Roald Dahl, the latter of whom wrote Tales of the Unexpected. H. P. Lovecraft observed of Level's fiction in his essay "Supernatural Horror in Literature" (1927): "This type, however, is less a part of the weird tradition than a class peculiar to itself—the so-called conte cruel, in which the wrenching of the emotions is accomplished through dramatic tantalizations, frustrations, and gruesome physical horrors".[3]
Brian M. Stableford has observed that, by the 1980s, the conte cruel was the standard narrative form of soft science fiction,[4] in particular the works of Thomas M. Disch and John Sladek.[4]
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