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Perspective of anatomy from De prospectiva Pingendi.An icosahedron in perspective from De prospectiva pingendi
De prospectiva pingendi (On the Perspective of Painting) is the earliest and only pre-1500 Renaissance treatise solely devoted to the subject of perspective.[1] It was written by the Italian master Piero della Francesca in the mid-1470s to 1480s,[2] and possibly by about 1474.[3] Despite its Latin title, the opus is written in Italian.
Much of Piero's work was later absorbed into the writing of others, notably Luca Pacioli, whose Divina proportione (1509) discusses Piero's use of perspective, as well featuring an uncredited translation of Piero's entire work on solid geometry, De quinque corporibus regularibus.
In 1899 the work was first published in book form.[8]
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