Donna Summer is the tenth studio album by American songwriter Donna Summer, released on July 19, 1982, by Geffen Records. It featured the Top 10, Grammy-nominated "Love Is in Control (Finger on the Trigger)" single. The album itself saw a drop in chart position from her previous album, peaking at No.20, but ultimately outsold it by remaining on the Billboard 200 for 37 weeks - nearly 20 weeks more. Its longevity was aided by follow-up singles "State of Independence" and "The Woman in Me", which charted at 41 and 33 respectively.
The album marked a departure for Summer as it was produced by hit-making producer Quincy Jones, something that the record company had insisted on to ensure success, albeit falling below expectations. The recording proved a less than happy experience for Summer in part because she was pregnant with her daughter Amanda Grace at the time.
On its 40th anniversary in 2022, Donna Summer's estate announced a re-issue of the album with one unreleased track, which was originally a B-side on the lead single.
Background
Having left Casablanca Records, with whom she had had some of the biggest selling and most popular hits of the disco era in the 1970s, Summer had signed to Geffen Records in 1980 and had continued working with Giorgio Moroder and Pete Bellotte, with whom she had written the vast majority of her hits. However, label owner David Geffen had been disappointed with the chart performance of Summer's previous studio album The Wanderer (1980), Summer's debut studio album for Geffen and rather than release the follow-up I'm a Rainbow, which Summer had recorded with Moroder and Bellotte in 1981, Geffen had Summer record a new studio album with Quincy Jones from whom a production credit – given Jones' track record, particularly his work with Michael Jackson – Geffen felt would guarantee a commercial smash. The resultant Donna Summer album was the first time that Summer had worked with a producer other than Moroder and Bellotte since 1974 save for the one-off track "Down Deep Inside" which was produced by John Barry for the film The Deep (1977), and the "No More Tears (Enough Is Enough)" duet with Barbra Streisand which was co-produced by Gary Klein.
Writing and recording
Since the disco era, Summer's work had covered a variety of musical genres and this album was no exception. It had quite a strong soul influence, and featured a couple of gospel-styled tracks, namely "(If It) Hurts Just a Little" and a cover version of Jon and Vangelis' "State of Independence", which featured an all-star choir. Rock music was also found in the form of the Bruce Springsteen-penned "Protection"; the track had been planned as a Donna Summer and Bruce Springsteen duet but that concept was abandoned as unworkable. The album concluded with Summer's take on the Billy Strayhorntorch standard "Lush Life". The song "Mystery of Love" used the opening material from Bach's "The Well-Tempered Clavier", Book 1: Prelude and Fugue No. 2 in C minor for the keyboard part in the introduction and verse.
A period of six months elapsed between the first session for the Donna Summer album and the completion of the tracks. Summer has since stated that this was one of the hardest albums ever to record – some of the songs were quite challenging, plus she was pregnant with her daughter Amanda Grace at the time. It has also been reported that she found producer Quincy Jones to be rather boisterous and controlling and soon after the album's release she opened up to the Los Angeles Times: "Sometimes I feel it's a Quincy Jones album that I sang on".
Release
The Donna Summer album was released July 19, 1982, with the advance single: "Love Is in Control (Finger on the Trigger)" having been issued six weeks previous. "Love Is in Control" would peak at No. 10 on the Billboard Hot 100 in September 1982 when the Donna Summer album would reach No. 20 in Billboard; the album's subsequent single releases: "State of Independence" and "The Woman in Me", which respectively peaked on the Hot 100 at Nos. 41 and 33, kept the album within the Billboard 200.
Ultimately the Donna Summer album would fall short of its goal to restore Summer to the level of stardom she'd enjoyed in the 1970s: "Love Is in Control" would have the lowest Hot 100 peak of a lead single from an album of new material by Summer since 1977 and the No. 20 peak of the Donna Summer album evidenced a further drop in popularity from Summer's debut studio album of the 1980s: The Wanderer, whose No. 13 peak had disappointed David Geffen to the point where he'd suppressed the follow-up album Summer had prepared with Giorgio Moroder and Pete Bellotte instigating the Quincy Jones-produced Donna Summer album project (see I'm a Rainbow).
"Love Is in Control" did represent a considerable comeback for Summer on the R&B charts with a No. 4 peak affording Summer her fifth Top 5 R&B hit. Summer also reached the UK Top 20 with both "Love Is in Control" and "State of Independence" with these tracks both reaching the Top Ten in the Netherlands – at respectively Nos. 6 and 1 – where "The Woman in Me" reached No. 7.
The aforementioned advance single "Love Is in Control" featured a non-album track on its B-side: "Sometimes Like Butterflies", a song that Summer penned with Bruce Roberts. This song would later be covered by Dusty Springfield, and Summer's original version was included on the CD, A Different Love by Canadian singer, Mark Tara, as a benefit for Canadian Foundation for AIDS Research (CANFAR. Quincy Jones is credited as producer for this song as well, although the minimalistic approach to this song was very different from the tracks included on the Donna Summer album.
French electronic duo Cassius sampled "(If It) Hurts Just a Little" on their 1999 single "Cassius 99 Remix".
On April 23, 2022 “Donna Summer” was re-released as a 40th anniversary picture disc as a Record Store Day exclusive. Only 3500 copies were released.
Dara Lynn Bernard, Patrick Crotty Jr., Deirdre Dantzler Ribeiro, Michael Davis, Tonya DeWalt, Debra Green, James Ingram, Kidada Jones, Rashida Jones, Shanté Lewis, Heather Mason, Greg Phillinganes, Dina Rich, Cynthia Spears, Deirdre Spears, Bernard Walton, Pamela Quinlan, Lynn T. Walton and Faith D. Wong – singers
^
Henderson, Eric (October 18, 2003). "Review: Michael Jackson, Thriller". Slant. Retrieved April 19, 2023. Take Donna Summer's self-titled 1982 album, which is composed of almost the very same ingredients as Thriller. Both are built on a foundation of smooth, L.A. dance-R&B, an uncharacteristic dalliance with the rock idiom ("Protection" for Summer, "Beat It" for Jackson), and a side-one-closing expansive (no, make that cinematic) blockbuster. And of course, both albums are filled with what can be best described as flawless, melodic pop.
