Ethnomuseology is the study of museums and museum curation in the context of the culture and cultural traditions of its collections. It is an interdisciplinary field combining museum studies, anthropology, ethnography, and often various fine arts.[1]
Overview
As stated by Moira Simpson, "Ethnomuseology is the field of scholarship concerning culturally appropriate museum curation and conservation of ethnographic materials using methods that reflect social, cultural, spiritual, or religious aspects of objects."[citation needed] A museum subscribing the principles of ethnomuseology will often maintain and present artifacts and collections in the traditional manner of their ethnological origins, combining the museum with the rituals and community of its theme.[2] This can be in addition to conventional Western museum practices, which often focuses on object materiality. As well, ethnomuseology often involves a continued dialog between museum administrators and members of represented cultures in collections. The Encyclopedia of Global Archaeology considers ethnomuseology to be a "more holistic" approach to heritage interpretation.[3]
History
The term "ethnomuseology" is first seen in Romania and Czechoslovakia in the 1980s, where it described the use of artifacts from rural life to "[provide] evidence of authentic forms of culture". A variant, "etnomuseologia", was used in 1994 by the Romanian anthropologist Bert G. Ribeiro to describe the work of the Museu Paraense Emílio Goeldi in Belem, Brazil.[4] In Belem, curators had been working directly with Amazonian Indians in a continued dialog to create exhibits informed by the very culture they documented.[5]