AllMusic's Scott Yanow gives the album five stars and states that "Pianist Hampton Hawes' 1950s recordings for the Contemporary label are at such a high level that they could all be given five stars. This outing with bassist Red Mitchell, drummer Shelly Manne, and guitarist Barney Kessel (who is a slight wild card) is also quite successful."[1]The Penguin Guide to Jazz rates the album three and a half stars and states that "Hampton was always trying to broker a style which combined the strengths of old and new, and this was one of the places where the synthesis worked and showed the joins."[2]