Glasgow Empire Theatre, known as the Glasgow Palace Empire until the early 1900s, was a major theatre in Glasgow, Scotland, which opened in 1897 on the site of the Gaiety Theatre at 31–35 Sauchiehall Street.
It was one of the leading theatres in the UK chain of theatres owned and developed by Moss Empires under the chairmanship of Sir Edward Moss, who served his apprenticeship in Greenock[1]
and elsewhere.
Beginning and reopening
The Empire Theatre[2] was designed by the renowned theatre architect Frank Matcham for the Moss Empires theatre chain. Vesta Tilley topped the opening bill. Its predecessor the Gaiety Theatre[3] had opened in 1874 under Charles Bernard, staging pantomime, opera, musicals and plays but changed to variety, which Moss Empires developed further.
Expanding westwards towards Renfield Street and after a major Art Deco redesign by Sunderland-based architects W & TR Milburn,[4] the Empire re-opened in 1931 with a seating capacity of 2,100. The main attraction on the re-opening was Jack Payne and the BBCDance Band.[5][6]
Welsh singer Dame Shirley Bassey made her debut at the theatre in 1959 and was initially given a hard time before asking the audience to give her a chance, whereupon the singer finished her set and was warmly applauded.[9]
The Empire was notorious within showbiz circles as "The English comic's grave", if their act was slow or thin. Among those judged this way were Bob Monkhouse, Tommy Cooper, Bernie Winters and Morecambe and Wise. Des O'Connor pretended to faint when the Glasgow audience started jeering his act and was duly dragged off stage. Roy Castle survived because of his versatility.[10]
Comedian Ken Dodd famously disparaged attempts to psychoanalyse humour with the rebuttal, "The trouble with Sigmund Freud is that he never played second house at the Glasgow Empire after both halves of the Old Firm had just lost!"[11]
The record for the longest running shows is held by The Andy Stewart Show, twice-nightly with a change of programme each six weeks, for 26 weeks in 1961 and again in 1962, with 400,000 tickets sold each year.[12]