Filming began in the fall of 1994 in Toronto and was completed by the end of 1995. Produced by Paramount Pictures, Nickelodeon Movies and Rastar, it was the first film produced under the Nickelodeon Movies banner and the first of two film adaptations of the Harriet the Spy books. In theaters, the pilot episode of Hey Arnold! called Arnold was shown before the film.
The film was released in theaters on July 10, 1996, to mixed reviews from critics. It made $26.6 million worldwide on a production budget of $12 million.[2] The film was released on home video on February 25, 1997, with an orange clamshell packaging.
Plot
Eleven-year-old aspiring spy and writer Harriet M. Welsch lives a privileged life in New York City with her parents, Violetta and Ben, and her nanny, Catherine "Ole Golly", in whom she confides. Harriet and her best friends, Simon "Sport" Rocque and Janie Gibbs, are enemies with a snobby classmate, editor of the sixth-gradenewspaper, bully, and class president Marion Hawthorne.
One night, as Harriet's parents are out, Golly invites her friend George to dinner, which she burns; the three instead go out for dinner and a movie. Upon returning home late at night, Violetta becomes enraged at Golly for having Harriet stay out past her curfew, and fires her. Golly concedes that it is time Harriet were "on her own". Before leaving, Golly encourages Harriet not to give up on her love of "spying" and observing people, promising to be the first to buy a signed copy of Harriet's first novel. Depressed and withdrawn, Harriet breaks into the mansion of Agatha Plummer and is caught hiding in her dumbwaiter.
After school, rival Marion discovers Harriet's private spy notebook. She begins reading-aloud Harriet's comments about friends and peers, such as how she suspects Janie will grow up to be "a total nutcase" and criticizing Sport's father's low earnings. Sport and Janie shun Harriet; classmates create a "spy-catcher" club to torment her.
When Harriet begins skipping her homework, her parents confiscate her notebooks and ask her teacher, Miss Elson, to search her for new notebooks, daily. During art class, Marion and co. pour blue paint over Harriet, as revenge for writing things about them in her notebook. Harriet responds, slapping Marion in the face, and flees from the school. She exacts revenge in several ways: by exposing that Marion's father left their family for his secretary, by cutting off a chunk of Laura's hair, by sabotaging Janie's science experiment, and humiliating Sport with a picture of him in a maid’s outfit. This just causes her classmates to further alienate her.
Harriet's parents send her for a psychological evaluation; the doctor assures them that Harriet is fine. Harriet gets her notebook back, and, in a surprise visit, Golly tells her that in order to make things right again, she must do two things which she will not like: apologize and lie. Harriet says it is not worth it, to which Golly disagrees, saying Harriet is worth it as an individual, and her individuality will make others nervous. She adds: "Good friends are one of life's blessings. Don't give them up without a fight."
Harriet tries to apologize to Sport and Janie, who initially rejected her before accepting her apology after finally coming to their senses and consequently quit Marion's bully group as a result of being treated unfairly by her, much to Marion's dismay. Harriet opines to Miss Elson that Marion's appointment as editor was done unfairly, and Miss Elson opens it up for a vote. Harriet is voted in to replace Marion as editor. She writes an article apologizing to the class, all of whom (except Marion) accept her apology. At the opening of the 6th grade pageant, Janie, Sport, and Harriet set off a stink bomb as all the students, teachers, and audience dance to James Brown's "Get Up Offa That Thing".
The screenplay was adapted from Louise Fitzhugh's 1964 novel of the same name.[3] Director Bronwen Hughes commented on the adaptation: "Certain things about the '60s story, especially the relationship between kids and their parents, had to be adjusted to make sense because you don't have that same kind of formality that you had in the book in the '60s between parents and kids. So those things needed to be made more natural for the 1990s kids audience. But it was very important to me that the things that really affected Harriet in the book would be the things that really affected Harriet in the movie."[3] The result mixed elements from various decades, but Hughes aspired to create a "timeless" film that featured little technology.[3]
Filming
Harriet the Spy was filmed in Toronto during the fall of 1994 and winter of 1995.[4] Director Bronwen Hughes recalled: "It was Paramount's financial decision to make Toronto look like New York, although to tell you the truth, nothing looks like a row of brownstones and stoops like New York, so we just started choosing great locations to create a visual experience."[4]
Michelle Trachtenberg recalled the shoot beginning on October 11, 1994, her ninth birthday.[3] She and co-star Vanessa Lee Chester had known each other prior, having filmed a commercial together in New York City when they were five years old.[3] Charlotte Sullivan recalled of the shoot: "When [Bronwen] would direct us, if we were walking she's like, 'Okay, you'll go bop-bop this way then bop-bop this way', she was always dancing. I don't remember her not dancing on set. And music was always playing. It was very cool and in terms of performance art she was pretty ahead of her time. It was a great way also to direct children. It was a way to keep things alive."[3]
Release
Box office
The film was released in U.S. theaters on July 10, 1996, and the film grossed $6,601,651 on its opening weekend, averaging about $3,615 per each of the 1,826 screens it was shown on.[2] The film went on to gross a total of $26,570,048 by November 10, 1996, and is considered a modest box office success, earning back more than double its $12 million budget.
Home media
Harriet the Spy was released on VHS by Paramount Home Video on February 25, 1997. The cassette also contained two Rugrats music videos, and customers were able to receive $5 rebate if they bought the movie in an orange clamshell case plus two eligible Rugrats videos.
The film was later released on DVD on May 27, 2003.
Reception
Critical response
The film received mixed reviews from critics. On Rotten Tomatoes it has an approval rating of 48% based on reviews from 31 critics. The site's consensus: "Harriet the Spy is a rapid-fire mystery movie that doesn't have much to offer beyond the two decent lead performances."[5] Audiences surveyed by CinemaScore gave it a grade B+.[6]
Rita Kempley of The Washington Post was critical of the film, deeming it a "tedious" adaptation of the source novel, adding: "Harriet the Spy isn't really a story, but a dark slice of this ruminative child's inner life. Like the more clearly comic Welcome to the Dollhouse, this film finds more wrong than wonder in these terrible, tenderfoot years."[7]Roger Ebert praised the performance of Trachtenberg, but conceded: "It is not a very technically accomplished movie--the pacing is slow and there are scenes that seem amateurish--but since Harriet doesn't intend to inspire anyone to become a movie critic, perhaps it will work a certain charm for its target audience."[8]Owen Gleiberman of Entertainment Weekly, a self-proclaimed fan of the novel, wrote that the film "has its sticky, Afterschool Special side (the ending is way too pat), but at its best it’s like a Welcome to the Dollhouse for preadolescents. What Fitzhugh’s book had, and what the movie gets, is the glee and neurotic terror of a kid lurching into adult consciousness, learning just how dangerous that notebook we all carry around in our heads really is."[9]
John Anderson of the Los Angeles Times also commented on the film's darker elements, writing that it is "fun, yes, but [it] isn't afraid to expose the nastiness of youth or the offhanded cruelty of one girl's ego. This is not a happy little movie about the sweetness of childhood."[10] Barbara Shulgasser of The San Francisco Examiner dismissed the film, describing the protagonist as "the kind of kid I'm not looking forward to meeting as a grownup... While the well-loved novel was apparently about the admirable battle a kid must wage in order to become an artist in the face of peer disapproval, the movie seems to be about a mean-spirited tyke who has no scruples. If that kind of person wants to become an artist, it's OK by me, but I don't have to root for her."[11]
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