Morrow was born in Chicago and raised in Des Moines, Iowa by parents who were both classical singers. As a teenager, she heard recordings by actress/singer Susan Johnson, which inspired her to try musical theater, beginning with the role of Meg in Brigadoon.[2]
After graduating from St. Joseph Academy (Des Moines, Iowa) in 1954, she graduated from Clarke College in 1958.[2] She then moved to Milwaukee, Wisconsin, where she taught and performed on the side, and then moved to Manhattan. Her career began with an appearance in the Off-Broadway show Sing, Muse! in 1961; she won a 1962 Theatre World Award for her performance.[3] She played Luce in a 1963 Off-Broadway revival of Rodgers & Hart's The Boys from Syracuse[4] and a number of roles in City Center over the next five years, including The Most Happy Fella in 1966 as Cleo.[5]
I Had a Ball, Morrow's first Broadway production, opened in December 1964, and folded six months later amid lackluster reviews. Most of Morrow's later Broadway productions had short runs despite some impressive casts. Two years later, she appeared as Mary Texas in A Joyful Noise, a misconceived effort to incorporate country music into a Broadway show. It closed after four previews and 12 performances. Next she played Na'Ama in 1968's I'm Solomon, which closed after nine previews and seven performances. In November 1971, she appeared as Babylove in The Grass Harp (co-starring Barbara Cook, based on Truman Capote's novel of the same name), which lasted one week at the Martin Beck Theatre, but brought her good notices, especially for her rendition of "Babylove Miracle Show". In 1972, Morrow appeared as Irene Jantzen in another short-lived Broadway production, The Selling of the President, which had 5 regular performances.[6] Her last Broadway performance was as The Princess Puffer/Miss Angela Prysock in The Mystery of Edwin Drood , as a replacement, in December 1986.
[7]
Asked why so many of the Broadway shows that she appeared in were flops, Morrow said "I've analyzed this, trying to think of why I've had so many flops. I keep coming back to my contemporaries...it was always the ones who could sing but also had something extra, something interesting about themselves...I think with me, I was just a singer with a big voice and I was pleasant, and that can only take you so far."[8]
She can be heard on the 2002 concept album Miss Spectacular, a studio recording of an unproduced work by Jerry Herman, with whom she has worked and recorded extensively.[12] Other albums include An Evening with Jerry Herman (1998).
Morrow taught musical theatre performance at UCLA and continues to teach master classes in performance and audition skills. She is a member of the faculty of the American Musical and Dramatic Academy.[13][14]
^Dietz, Dan. Sing, Muse!Off Broadway Musicals, 1910–2007: Casts, Credits, Songs, Critical Reception and Performance Data of More Than 1,800 Shows, McFarland, 2010, ISBN978-0786457311, p. 411