Lucrezia was much appreciated by the famous Italian musicologistAndrea Della Corte, who considered this opera as one of the best stage works of Respighi, thanks to the accomplished balance of expressivity and musical skill.[2] One of the distinctive features of Lucrezia is the presence of the Voice, a character that sings from within the orchestra and describes what is happening on the stage and the emotions of the other characters.
Sesto Tarquinio (son of Tarquin the Proud, the last king of Rome), Bruto and Collatino are in the tent of Tarquinio and discuss about the faithfulness of their wives; Bruto seems the most sceptical. Later they decide to return to Rome and verify directly the uprightness of their women.
Lucrezia, the wife of Collatino, tells her women a story that highlights the importance of living with honour and honesty. But during the night Tarquinio, who has become infatuated with Lucrezia, gets into the house of Collatino and rapes her.
The following day Lucrezia, overwhelmed with shame, asks Collatino to be revenged, then takes her own life. Bruto becomes one of the leaders of the rebellion against Tarquinio and his father, that leads to the overthrow of the monarchy.
Recordings
1958: Oliviero De Fabritiis, Orchestra sinfonica e Coro di Milano della RAI, LP Golden Age of Opera EJS 535[4]
The Voice: Miti Truccato Pace
Lucrezia: Anna di Cavalieri
Servia: Franca Marghinotti
Venilia: Adelide Montano
Collatino: Walter Brunelli
Bruto: Renato Gavarini