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Mantovani
Mantovani in 1970
Background information
Birth name
Annunzio Paolo Mantovani
Also known as
Tulio Trapani
Born
(1905-11-15)15 November 1905 Venice, Veneto, Italy
The book British Hit Singles & Albums stated that he was "Britain's most successful album act before the Beatles ... the first act to sell over one million stereo albums and [have] six albums simultaneously in the US Top 30 in 1959".[2]
Biography
Mantovani was born in Venice, Italy, into a musical family.[1][3] His father, Benedetto Paolo "Bismarck" Mantovani, was a violinist and served as the concertmaster of La Scala opera house's orchestra in Milan, under the baton of Arturo Toscanini.[3] The family moved to England in 1912,[3] where young Annunzio studied at Trinity College of Music in London. After graduation, he formed his own orchestra, which played in and around Birmingham. He married Winifred Moss in 1934, having two children: Kenneth (born 12 July 1935) and Paula Irene (born 11 April 1939). By the time World War II broke out, his orchestra was one of the most popular British dance bands, both on BBC radio broadcasts and in live performances.[4]
He was also musical director for a large number of musicals and other plays, including Noël Coward's Pacific 1860 (1946) and Vivian Ellis's musical setting of J. B. Fagan's And So to Bed (1951).[5] After the war, he concentrated on recording, and eventually gave up live performance altogether. He worked with arranger and composer Ronald "Ronnie" Binge, who developed the "cascading strings" effect (also known as the "Mantovani sound").[6] His records were regularly used for demonstration purposes in stores selling hi-fistereo equipment, as they were produced and arranged for stereo reproduction. He became the first person to sell a million stereophonic records.[7] In 1952, Binge ceased to arrange for Mantovani but the distinctive sound of the orchestra remained.
Mantovani recorded for Decca and London Records the US arm of the Decca Record Company, exclusively.[3] He recorded in excess of 50 albums on that label, many of which were Top 40hits. His single tracks included "The Song from Moulin Rouge", which reached number one in the UK Singles Chart in 1953, the first instrumental track ever to do so;[2][8] "Cara Mia" (with him and his orchestra backing David Whitfield) in 1954; "Around the World" in 1957; and "Main Theme from Exodus (Ari's Theme)" in 1960.[3] In the United States, between 1955 and 1972, he released more than 40 albums with 27 reaching the "Top 40", and 11 in the "Top Ten". His biggest success came with the album Film Encores, which attained number one in 1957.[5]
Similarly, Mantovani Plays Music From 'Exodus' and Other Great Themes made it to the Top Ten in 1961, with over one million albums sold.[5]
Mantovani starred in his own syndicated television series, Mantovani, which was produced in England and which aired in the United States in 1959. Thirty-nine episodes were filmed.[9] Mantovani made his last recordings in the mid-1970s.[10]
The cascading strings technique developed by Binge became Mantovani's hallmark in such hits arranged by Binge as "Charmaine". Binge developed this technique to replicate the echo experienced in venues such as cathedrals and he achieved this goal through arranging skill alone.
Author Joseph Lanza describes Mantovani's string arrangements as the most "rich and mellifluous" of the emerging light music style during the early 1950s. He stated that Mantovani was a leader in the use of new studio technologies to "create sound tapestries with innumerable strings", and that "the sustained hum of Mantovani's reverberated violins produced a sonic vaporizer foreshadowing the synthesizer harmonics of space music."[11] His style survived through an ever-changing variety of musical styles prompting Variety to call him "the biggest musical phenomenon of the twentieth century".[12]
From 1961 to 1971, David McCallum Sr was leader of Mantovani's orchestra. At this time, his son David McCallum Jr was at the height of his fame, prompting Mantovani to introduce his leader to audiences with the quip, "We can afford the father but not the son!"[13]
During his lifetime, Mantovani did not always get respect from his fellow musicians. When George Martin first suggested overdubbing Paul McCartney's recording of "Yesterday" with strings, McCartney's initial reaction, according to Martin, was that he did not want it sounding like Mantovani.[15] Martin therefore used a more classical sound, employing a string quartet.
Posthumous publishing
Much of his catalogue has reappeared on CD. There are also many compilations. A large number of CDs are available containing unauthorised recordings,[citation needed] billed as Mantovani or Mantovani Orchestra; for example the CD titled "The Mantovani Orchestra" released in 1997[16] contained a track from the 1980s Andrew Lloyd Webber musical "Cats", which would have required posthumous conducting on the part of Mantovani. There have also been CDs released under the Mantovani name of recordings made by others while Mantovani was still alive.[citation needed]
Following Mantovani's death in 1980, the Mantovani Estate continues to authorise numerous concerts worldwide and recordings using original and newly commissioned arrangements.[citation needed]
Discography
Albums
External audio
You may hear Annunzio Montovani's recording Strauss Waltzes with the Montovani Orchestra in 1958 Here on archive.org
^Brooks, Tim & Marsh, Earle (1964). The Complete Directory to Prime Time Network TV Shows (3rd ed.). New York: Ballantine. ISBN0-345-31864-1
^"Annunzio Mantovani World-famous conductor was bridge to classics" (31 March 1980) The Globe and Mail, Toronto
^Lanza, Joseph (2004). Elevator Music: A Surreal History of Muzak, Easy-listening, and Other Moodsong. University of Michigan Press. p. 80. ISBN0-472-08942-0.
^"Mantovano Dies at 74" (31 March 1980) Altoona Mirror, Altoona, Pennsylvania
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