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Yves Balmer, Thomas Lacôte, Jean-Claire Vançon (eds.): Résonances polyphoniques. Hommage à Michaël Levinas (Paris: Centre d'édition et de recherche du Conservatoire, 2015), ISBN2-912541-22-0.
Pierre Albert Castanet, Muriel Joubert (eds.): La Musique de Michaël Lévinas. Vers de contrepoints irréels (Château-Gontier: Éditions Aedam musicae, 2020), ISBN978-2-919046-65-2.
^Célestin Deliège: Cinquante ans de modernité musicale: de Darmstadt à l'IRCAM (Sprimont: Mardaga, 2003), p. 902.
^Composer un opéra aujourd'hui: Actes de la journée d'étude du 13 ... - Page 86 Béatrice Ramaut-Chevassus - 2003 "À présent, les synthétiseurs et les effets acousmatiques sont rois: dans Go-gol (1995-1996) - écrit d'après deux nouvelles de Gogol18 -, le compositeur Michaël Lévinas a synthétisé à loisir diverses classes de modèles de résonance afin que ..."
