Michael Zulli (December 20, 1952 – July 8, 2024) was an American artist known for his work as an animal and wildlife illustrator and as a comic book illustrator. Best known for his work on the Sandman.
Career
Michael Zulli's career in the comics industry began in October 1986 with The Puma Blues,[1] on which he collaborated with writer Stephen Murphy.[2] The monthly title was published by Dave Sim's Aardvark One International and later by Mirage Studios. Zulli illustrated the characters, wildlife and natural landscapes in the polluted post-industrial environment of the story's not-too-distant future. The ecological warnings of the series put forward an argument for natural conservation and against the abuse and pollution of the natural environment.[3] The series was published for 23 issues and a mini-comic half issue, ending in 1989.
Between 1990 and 1991, Zulli created three issues of the Teenage Mutant Ninja Turtles: #31 ("Soul's Winter") #35 ("Soul's Withering"), and #36 ("Soul's End"). His dark and uniquely realistic interpretation of the TMNT entitled the "Soul's Trilogy" was a polarizing one among fans of the series.[4] Zulli wrote, drew, and painted the covers for the 3 issues. The work has been viewed as a classic series in hindsight and collected by IDW as "Soul's Winter."[5]
He drew a never-published issue of DC Comics' Swamp Thing in which the title character meets Jesus Christ.[6][7] In the 1990s another unfinished and unpublished story, Sweeney Todd, written by Neil Gaiman and illustrated by Zulli for Stephen R. Bissette's publication Taboo was stopped when the anthology itself was discontinued.[8] By this time, Zulli had received the attention of many writers, editors and artists in the comics industry. In 1990 he guest pencilled issue #13 of DC Comics' nascent Vertigo series The Sandman written by Gaiman. This story introduced the Hob Gadling character.[9][10] Zulli would illustrate seven Sandman issues[11] including the final Sandman story arc "The Wake". Zulli and Gaiman collaborated on a comics adaptation of Alice Cooper's The Last Temptation in 1994.[12] After The Sandman series ended, he had a gallery show called "Visions of the Wake" in New York City. He also began illustrating for several newer Vertigo imprint titles including Winter's Edge, Witchcraft: La Terreur and Sandman Presents: Love Street.[2] He was one of the artists on the Shade limited series which spun off from the Starman series.[13]
2015: The Puma Blues: The Complete Saga in One Volume collects The Puma Blues #1–23 with a new 40-page conclusion – penciller/inker (Dover Publications)[15]
^Manning, Matthew K.; Dolan, Hannah (2010). "1980s". DC Comics Year By Year A Visual Chronicle. London, United Kingdom: Dorling Kindersley. p. 238. ISBN978-0-7566-6742-9. The Sandman saw a variety of artists grace its pages. Sam Kieth drew the first few issues, followed by Mike Dringenberg, Chris Bachalo, Michael Zulli, Kelley Jones, Charles Vess, Colleen Doran, and Shawn McManus, among others.
^Manning "1990s" in Dolan, p. 281: "The Shade...nabbed his first miniseries in April [1997], courtesy of writer James Robinson and artist Gene Ha, J. H. Williams III, Bret Blevins, and Michael Zulli."