You can help expand this article with text translated from the corresponding article in Japanese. (September 2020) Click [show] for important translation instructions.
View a machine-translated version of the Japanese article.
Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia.
Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing Japanese Wikipedia article at [[:ja:小松未歩]]; see its history for attribution.
You may also add the template {{Translated|ja|小松未歩}} to the talk page.
Miho Komatsu (小松 未歩, Komatsu Miho, born March 30, 1974) is a former Japanese singer and songwriter. Born and raised in Kobe, Japan, Komatsu began her career as a songwriter, writing "Kono Machi de Kimi to Kurashitai" for Field of View. In May 1997, she released her debut single "Nazo", which served as the theme song to the Japanese anime series Case Closed. The song peaked at number nine on the Oricon Weekly Singles Chart in Japan and was certified gold by the Recording Industry Association of Japan (RIAJ).[2] Her debut album of the same title (1997) peaked at number five on the Oricon Weekly Albums Chart in Japan. After releasing a compilation album Miho Komatsu Best: Once More (2006), which peaked at number 21 in Japan, she retired from the music industry with no announcement.
As of May 2022, Komatsu has released eleven albums including eight studio albums, 26 singles, and two essay books. During her ten year career, she never made any television appearances and performed live. As a singer, Komatsu is perhaps best-known for writing and singing four theme songs for Case Closed, such as "Nazo", "Negai goto Hitotsu dake", "Kōri no ue ni Tatsu yō ni", and "Anata ga Iru kara".
When Miho Komatsu was 3 years old, she was influenced by her brother to start playing the electone (electronic organ). Starting in junior high school, she became interested in Western and Japanese music. Her music career then started by the 8th grade when she began making and writing songs on her own and participated in a band as keyboardist around this time as well. When she became a senior in high school, Miho then became a vocalist of a band that played regularly in a Keihanshin live house. In 1996, she recorded her first demo tape, which soon fell into the hands of a producer for Giza Studio.[3] She was signed to the label by the end of 1996.
1997–1999
On 7 April 1997, the on-air version of her debut single Nazo was broadcast as an opening theme for the anime television series Detective Conan.
On 23 April 1997, the band Field of View released single Kono Machi de Kimi to Kurashitai where Miho was credited as a writer. In the media, it was broadcast as an ending theme for TV Asahi's television program Chou Jigen Time Bomber. It was Miho's first song written for another artist. Later, she self-cover this song in her debut album.
On 28 May 1997, Nazo was officially released under the Zain Records label. The single reached into Top 10 of Oricon Weekly Charts and charted more than 32 weeks.
On 18 June 1997, Miho wrote Japanese singer Arisa Tsujio's debut single Aoi Sora ni Deata. In the media, it was promoted as a first ending theme for anime television series Chūka Ichiban!, the on-air version broadcast on April 27. Miho self-covered this song in her debut album.
On 13 August 1997, she released first LP Record Double Front Project Remix Feat. Miho Komatsu "Nazo" which includes four remixes of debut single Nazo.
On 28 August 1997, the band Deen released twelfth single Kimi ga Inai Natsu where Miho was credited as a writer. The on-air version of the song started to be broadcast on 11 August by Yomiuri TV as an ending theme for Anime television series Detective Conan. Miho self-covered this song in her debut album.
On 3 September 1997, the band Wands released twelfth single Sabitsuita Machine Gun de Ima wo Uchi Nukou and Miho was credited as a writer. In the media it was broadcast on Fuji TV as an ending theme for Anime television series Dragon Ball GT. Miho self-cover this song in her debut album. On 25 September, Miho released a second single Kagayakeru Hoshi under Amemura-O-Town Record label.
On 8 October 1997, the band Field of View released their first compilation album Singles Collection +4 and in track Oozora he was Miho credited as a writer. Originally, Oozora he was planned be released as a single (with CD code ZADL-1072) however due to unknown reason it was canceled. Miho self-cover this song in her sixth album in 2003.
On 3 December 1997, Miho released her debut album Nazo. The album includes two released singles and four self-covers from artists she wrote songs for throughout 1997. Album tracks Dream'in in Love was promoted as a theme song for MBS radio's program Sport Dom and Alive for commercial film's image song Astel Kansai Corporation. The debut album reached No. 5 on Oricon Weekly Charts and charted 40 weeks. The album was rewarded with RIAJ's Platina and Gold disc.[4] The album also won 12th Japan Gold Disc Award title Best Artist of the Year.[5] In 1998, the album was 63rd biggest selling album of the year.[6]
On 8 December 1997, the on-air version of Negai Goto Hitotsu Dake start broadcast on YomiuriTV as an ending theme for Anime television series Detective Conan.
On 14 January 1998, she released third single Negai Goto Hitotsu Dake. It reached into Top 10 of Oricon Weekly Charts and charted for 17 weeks. The b-side track Ginga was promoted as an ending theme for ABC television program Wide ABCDE~su. It was 81st best sold single in year 1998.[7] On February the single received reward from RIAJ Gold Disc.[8]
On 18 February 1998, the band Deen released fourteenth single Tooi Sora de and Miho was credited as a writer. In the media it was broadcast as an commercial song for SoftBank Telecom's Least-cost routing. Miho self-cover this song in 20th single Tsubasa wa Nakutemo in 2003.
On 18 March 1998, she released fourth single Anybody's game. In the media it received three broadcasts promotions, as an ending theme Fuji TV program SF, theme song for NHK drama series Ojisan Kaizou Kouza and KBS music program J-rock Artists Best 50. B-side track Ichiman Meter no Keshiki also received three broadcasts promotions, as a theme song for Yomiuri TV program Japan International Birdman Rally, as an ending theme for Shizuoka Asahi Television informational program Sport Paradise and commercial song for Iwaki Meisei University's radio. on 30 March, the on-air version of Chance broadcast on Fuji TV as an theme song for Mezamashi TV.
On 20 May 1998, the band Field of View released eighth single Kawaita Sakebi where Miho was credited as a writer. In the media it was broadcast in April on TV Asahi as an opening theme for Anime television series Yu-Gi-Oh!. Miho self-cover this song in her sixth album in 2003.
On 27 May 1998, the band Deen released fifteenth single Kimi Sae Ireba where Miho was credited as a writer. In the media it was broadcast on 5 May on Fuji TV as a third opening theme for Anime television series Chuuka Ichiban. Miho self-cover this song in her sixth album in 2003.
On 13 July 1998, the on-air version of "Koori no ue ni Tatsu yo ni" broadcasts on Yomiuri TV as an ending theme for Anime television series Detective Conan.
On 19 August 1998, Miho released fifth single Chance. It was Miho's first single to reach into Top 5 Oricon Weekly Charts and charted for 7 weeks. The single has been rewarded in September by RIAJ with a golden disk.[9]
On 14 October 1998, Miho released sixth single "Koori no Ue ni Tatsu you ni". The single reached into Top 5 Oricon weekly charts and charted 14 weeks. On the same month the single was rewarded by RIAJ with a golden disk.[10] In 1998 it was 162nd best sold single in the year.
On 18 November 1998, the band Deen released sixteenth single Tegotae no nai Ai where Miho was credited as a writer. In the media it was broadcast as an ending theme for TBS program Muscle Ranking. Miho self-cover this song in her second album. Miho's self-cover was used as an opening theme for PlayStation game L no Kisetsu ~a piece of memories~.
On 19 December 1998, she released second album Miho Komatsu 2nd : Mirai. The album includes one self-cover and four singles. The singles Koori no Ue ni Tatsu you ni and Anybody's Game had received new album mix. The album track Mirai was promoted as a radio commercial song for Kyushu Electric Power. The album reached into Top 5 of Oricon Weekly charts and charted for 12 weeks. It sold more than 800,000 copies, making it her highest selling album. The album has been rewarded by RIAJ with a platina disk.[11] In 1999 it was best 47th sold album in the year.[12]
In January 1999, the on-air version of Sayonara no Kakera broadcast as an ending theme for TV Asahi program Paku2 Gurumenbo.
On 3 March 1999, Miho released her seventh single Sayonara no Kakera. It is Miho's first maxi single and first single which Miho self-produced.
On 1 April 1999, Miho transferred from Amemura Studio to Giza Studio recording label. In 3 April, the on-air version of Saitan Kyori de broadcast on TBS television program Rank Oukoku as an ending theme. On 17 April, the on-air version of Kaze ga Soyogu Basho broadcast on TBS Anime television series Monster Rancher as an opening theme.
Miho's third album Miho Komatsu 3rd was planned to release sometime in August (with cd code GZCA-1011) however due to unknown reason the release has been delayed for four months.
2000–2002
On 16 February 2000, Miho released third studio album Miho Komatsu 3rd : everywhere. The single "Saitan Kyori de" has received album mix. The album track "Beautiful Life" was promoted on TV Asahi program Yajiuma Wide as an ending theme. The album reached into Top 5 of Oricon Weekly charts and charted for five weeks.
On 21 June 2000, Miho released tenth single "Anata ga Iru Kara" was released. It became the last Miho single to enter the Top 10 Oricon Weekly Charts.
On 18 October 2000, Miho released eleventh single "Kimi no Me ni wa Utsuranai". In the media it was broadcast as an ending theme for TV Osaka music program Amerock. B-side track "Anata wo Aishiteku Koto" was broadcast as a theme song for Jaits project Kaze ni Notte Suteki ni.
On 24 January 2001, Japanese singer-songwriter Rina Aiuchi released her debut album Be Happy where in track "Her Lament: Dare ni mo Kikoenai Kanojo no Sakebi" Miho was credited as writer for the first time after three years. Miho never self-cover this song.
On 31 January 2001, she released twelfth single "Love Gone". In the media it was broadcast as an ending theme for TBS program Kokoro TV and opening theme for Nichion radio music program P.S. Pop Shake.
On 7 March 2001, she released fourth studio album Miho Komatsu 4 : A thousand feelings. It was Miho last album which reached into Top 10 of Oricon Weekly Charts. The single "Love Gone" has received album mix. The album tracks "Hold me tight" was used as an opening theme for PlayStation 2 game Missing Blue and "I don't know the truth" as an ending theme for same PlayStation 2 game Missing Blue.
On 8 August 2001, she released fourteenth single "Saigo no Toride". B-side track includes remix version of "Kagayakeru Hoshi" by Yoshinobu Ohga.
In October 2001, an official website was launched.
On 5 December 2001, she released fifteenth single "Aishiteru". On 19 December, two of Miho's singles "Love Gone" and "Todomaru Koto no nai Ai" were included in the compilation album Giza Studio Masterpiece Blend 2001.
On 29 May 2002, one day after Miho crossed fifth debut anniversary she released sixteenth single "Dance". In the media it was broadcast as an ending theme for NTV show CW Love. It became her first media song after year.
On 17 July 2002, the Giza Studio has released cover album GIZA studio MAI-K & FRIENDS HOTROD BEACH PARTY where Miho was credited as guest vocal in track "Surfin' U.S.A." by The Beach Boys.
On 25 September 2002, she released fifth studio album Miho Komatsu 5 : source. The album includes 4 singles.
In December 2002, Miho's singles "Dance" and album track "Gift" were included in the compilation album Giza Studio Masterpiece Blend 2002.
2003–2004
On 19 March 2003, she released eighteenth single Futari no Negai. In the media it was broadcast as an opening theme for NTV music program AX Music T.V
On 25 June 2003, she released nineteenth single Watashi Sagashi.
On 11 August 2003, Miho launched on her website Diary section.
On 25 September 2003, she released sixth album Miho Komatsu 6th : Hanano. The album includes 3 singles and 3 self-covers. Her fifth single Chance has received new remix with subtitle Rechance by Hiroshi Asai from The★tambourines.
On 26 November 2003, she released multiple releases: twentieth single Tsubasa wa Nakutemo which B-side track includes self-cover of Deen's Tooi Sora de, ballad compilation album Lyrics and first essay book Henna Monosashi.
In December 2003, Miho's singles Watashi Sagashi and album track Futari no Negai were included in the compilation album Giza Studio Masterpiece Blend 2003.
On 28 July 2004, she released twenty-second single Suna no Shiro.
On 20 October 2004, she released twenty-third single I: Dareka.... In the media it was broadcast as a theme song for the NTV show Music Fighter. It became her first media song after year and half.
On 17 November 2004, the band U-ka Saegusa in dB released second album U-ka saegusa IN db II where in track Watashi wo Yurusanaide Miho was credited as a writer for the first time in three years. Miho never self-cover this song.
2005–2006
On 25 January 2005, she released seventh studio album Miho Komatsu 7 : prime number. The album includes four singles.
On 3 April 2005, the on-air version of I just wanna hold you tight was broadcast on TV Tokyo as an ending theme for Anime television series MÄR. It became her anime theme song for the first time after six years.
On 11 May 2005, Japanese singer-songwriter Aiko Kitahara released second studio album Message where in album track Message was Miho credited as a writer. Miho never self-cover this song.
On 27 July 2005, Japanese singer Sayuri Iwata released second single Fukigen ni Naru Watashi where Miho was credited as a writer. In the media it was broadcast as an ending theme for Anime television series MÄR. Miho self-covered this song in her final studio album.
On 17 August 2005, she released twenty-fifteenth single Anata Iro. In the media it was broadcast as an opening theme Nihon TV movie program Eiga Tengoku Chine★Para.
On the same day, Japanese singer Sayuri Iwata releases studio album Thank You for... where in album track Hitori Janai was Miho credited as a writer. Miho never self-cover this song.
On 29 March 2006, Japanese singer-songwriter Rina Aiuchi released 26th single Glorious/Precious Place, in Glorious she was credited as a writer for the last time. Miho never self-cover this song.
On 22 November 2006, she released first compilation album Miho Komatsu Best ~once more~ and second essay book Hen na Monosashi 2. The album includes new unreleased song Happy ending.
Afterwards
Until January 2009, she kept her blog active.
In 7 April, 2011, Sai Saida (斉田才), a producer in Giza Studio, confirmed that Komatsu is "very close to her retirement" on his Twitter. [13] In June, she was moved on the official Beinggiza website into the Other Artist category.
On OLDIES GOODIES hosted by FM Shiga (FM滋賀) in April 10, 2021, when Hirofumi Banba (ばんばひろふみ) mentioned Komatsu, he said, "It was very unfortunate to Komatsu. I wonder if only she had tried harder."[14]Daiko Nagato then replied the reason of Komatsu's quit is because she "wanted to disappear from the public eye" to Banba. [15]
In May 2022, all the songs and albums Komatsu has released were made available on streaming services, in celebration of 25 years anniversary since her debut in May 1997.
^"Back Number 2001 March". Official Website of J-Groove Magazine (WebArchive) (in Japanese). Archived from the original on 13 February 2003. Retrieved 3 April 2020.
^"Back Groove 2001 Vol.6". Official Website of J-Groove Magazine (WebArchive) (in Japanese). Archived from the original on 27 December 2002. Retrieved 3 April 2020.
^"Back Number 2001 July". Official Website of J-Groove Magazine (WebArchive) (in Japanese). Archived from the original on 13 February 2003. Retrieved 3 April 2020.
^"Back Number 2001 September". Official Website of J-Groove Magazine (WebArchive) (in Japanese). Archived from the original on 13 February 2003. Retrieved 3 April 2020.
^"Back Number 2002 January". Official Website of J-Groove Magazine (WebArchive) (in Japanese). Archived from the original on 13 February 2003. Retrieved 3 April 2020.
^"Back Number 2002 July". Official Website of J-Groove Magazine (WebArchive) (in Japanese). Archived from the original on 20 February 2003. Retrieved 3 April 2020.
^"Back Number 2002 November". Official Website of J-Groove Magazine (WebArchive) (in Japanese). Archived from the original on 20 February 2003. Retrieved 3 April 2020.
^"Back Number 2003 January". Official Website of J-Groove Magazine (WebArchive) (in Japanese). Archived from the original on 20 February 2003. Retrieved 3 April 2020.
^"Back Number 2003 May". Official Website of J-Groove Magazine (WebArchive) (in Japanese). Archived from the original on 27 July 2003. Retrieved 3 April 2020.
^"Back Number 2003 August". Official Website of J-Groove Magazine (WebArchive) (in Japanese). Archived from the original on 27 July 2003. Retrieved 3 April 2020.
^"Back Number 2003 November". Official Website of J-Groove Magazine (WebArchive) (in Japanese). Archived from the original on 19 December 2003. Retrieved 3 April 2020.
