The film was released in the United States on November 30, 1990, by Columbia Pictures. It received highly positive reviews and was a box office success. Bates' performance drew widespread praise from critics and won her the Academy Award for Best Actress at the 63rd Academy Awards, making Misery the only film based on a Stephen King novel to win an Oscar.[5] King himself has stated that Misery is one of his top ten favorite film adaptations.[6]
Plot
Famed novelist Paul Sheldon is the author of a successful series of Victorianromance novels featuring a character named Misery Chastain. Wanting to focus on more serious stories, he writes a manuscript that he hopes will launch his post-Misery career. While traveling from Silver Creek, Colorado, to his home in New York City, Paul is caught in a blizzard and crashes his car. A nurse named Annie Wilkes finds him and brings him to her remote home.
Paul regains consciousness and finds himself bedridden with broken legs and a dislocated shoulder. Annie says she is his "number one fan" and offers to care for him until the telephone lines are re-connected and local roads re-open following the blizzard. Annie's somewhat disturbing behavior comes to a hilt when she reads the latest Misery novel and discovers that Misery dies at the end. She flies into a rage, revealing that she had never informed anyone she'd rescued Paul, effectively holding him prisoner.
Annie forces him to burn the only copy of his new manuscript, provides a typewriter, and orders him to write a new novel in which he brings Misery back to life. Paul uses a bobby pin to unlock his door and leave his room. He begins stockpiling his painkillers and tries drugging Annie but his plan is foiled. He finds a scrapbook of newspaper clippings about her past and learns that she was tried for the deaths of several infants in the hospital where she worked; the trial collapsed due to lack of evidence. She had quoted lines from his Misery novels during the trial. Annie discovers that Paul has been sneaking out of his room and breaks his ankles with a sledgehammer.
The local sheriff, Buster, is investigating Paul's disappearance. Clues lead him to pay Annie a visit, but she murders him with a shotgun when he finds Paul drugged in the basement; she then attempts to kill Paul in a murder-suicide, but he convinces her to let him live long enough to finish the novel. When she goes to grab his wheelchair, he hides a can of lighter fluid inside his pants.
When the manuscript is done, Paul uses the lighter fluid to set it on fire so Annie can never read it, stating to a horrified Annie that he learned it from her. With the manuscript destroyed, Annie breaks down into a rage and attempts to kill Paul, but Paul manages to fight back. They engage in a violent struggle, with Paul suffering a gunshot wound and Annie briefly getting knocked out when she falls head-first onto the typewriter. The struggle ends when Paul bashes Annie in the face with a metal doorstop shaped like her pig Misery, finally killing her.
Eighteen months later, Paul, now walking with a cane, meets his agent in a restaurant in New York City. The two discuss his first post-Misery novel. Paul says he wrote it as a way to deal with the horrors of his captivity. His agent asks if he would consider a nonfiction book about his ordeal, but Paul—who suffers psychological trauma from the experience—declines. A waitress approaches him and he momentarily hallucinates that she is Annie, commenting that he still thinks about her once in a while. The waitress then says that she is his number one fan, causing Paul to meekly reply, "That's very sweet of you."
In the novel, Annie Wilkes severs one of Paul Sheldon's feet with an ax. Goldman loved the scene and argued for it to be included, but Reiner insisted that it be changed so that she only breaks his ankles. Goldman subsequently wrote that this was the correct decision as the visual depiction of an amputation would cause the audience to hate Annie instead of sympathizing with her madness.[10]
The part of Paul Sheldon was originally offered to William Hurt (twice), then Kevin Kline, Michael Douglas, Harrison Ford, Dustin Hoffman, Robert De Niro, Al Pacino, Richard Dreyfuss, Gene Hackman, and Robert Redford, but they all turned it down.[11]Warren Beatty was interested in the role, wanting to turn him into a less passive character,[12] but eventually had to drop out as post-production of Dick Tracy extended. Eventually someone suggested James Caan, who agreed to play the part. Caan commented that he was attracted by how Sheldon was a role unlike any of his others, and that "being a totally reactionary character is really much tougher."[13]Anjelica Huston and Bette Midler were both offered the role of Annie Wilkes, but both of them turned it down.[14][15] Midler would later say that she deeply regretted this decision.[16] According to Reiner, it was Goldman who suggested that Kathy Bates, then unknown, should portray Annie Wilkes.[17]
Misery grossed $10,076,834 on its opening weekend, finishing second at the box office behind Home Alone.[19] It eventually finished with $61 million domestically.[2]
Critical response
Kathy Bates' performance received widespread acclaim and won her the Academy Award for Best Actress
On review aggregator website Rotten Tomatoes, Misery has an approval rating of 91% based on 74 reviews, with an average rating of 7.60/10. The site's critics consensus reads: "Elevated by standout performances from James Caan and Kathy Bates, this taut and frightening film is one of the best Stephen King adaptations to date."[20] At Metacritic, which assigns a weighted mean rating to reviews, the film has a score of 75 out of 100, based on 23 critics, indicating "generally favorable reviews".[21] Audiences polled by CinemaScore gave the film an average grade of "A−" on an A+ to F scale.[22]
Roger Ebert of the Chicago Sun-Times gave the film a rating of three stars out of four, stating that "it is a good story, a natural, and it grabs us."[23]Variety called it "a very obvious and very commercial gothic thriller, a functional adaptation of the Stephen King bestseller."[24]Derek Malcolm of The Guardian gave it a positive review, writing that it "plays enough tricks on us so that we don't ever treat anything quite seriously and Goldman's script has enough good lines and situations to keep one interested in exactly what is coming next", and praised the cast, especially Bates, writing that her "demented devotee in Misery is inspired casting."[25]Vincent Canby of The New York Times praised Kathy Bates' performance, calling it "a genuinely funny performance as the mad Annie, as gaudily written in Mr. Goldman's screenplay as it is in Mr. King's novel."[26]
In the early 1980s, my wife and I went to London on a combined business/pleasure trip. I fell asleep on the plane and had a dream about a popular writer (it may or may not have been me, but it sure to God wasn't James Caan)...[27]
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