This article is about the salute and symbol. For the Swedish band, see Raised Fist.
The raised fist, or the clenched fist, is a long-standing image of mixed meaning, often a symbol of solidarity, especially with a political movement. It is a common symbol representing a wide range of political ideologies, most notably socialism, communism, anarchism, and trade unionism, and can also be used as a salute expressing unity, strength, or resistance.
History
The origin of the raised fist as either a symbol or gesture is unclear. Its use in trade unionism, anarchism, and the labor movement had begun by the 1910s. William "Big Bill" Haywood, a founding member of the Industrial Workers of the World, used the metaphor of a fist as something greater than the sum of its parts during a speech at the 1913 Paterson silk strike.[2] Journalist and socialist activist John Reed described hearing a similar description from a participant in the strike.[3] A large raised fist rising from a crowd of striking workers was used to promote a mass strike in Budapest in 1912.[4] In the United States, clenched fist was described by the magazine Mother Earth as "symbolical of the social revolution" in 1914.[5]
The raised right fist was frequently used in posters produced during the May 1968 revolt in France, such as La Lutte continue, depicting a factory chimney topped with a clenched fist.[12][13][14]
A raised right fist icon appears prominently as a feminist symbol on the covers of two major books by Robin Morgan, Sisterhood is Powerful, published in 1970,[15] and Sisterhood Is Forever, in 2003.[16] The symbol had been popularised in the feminist movement during the Miss America protest in 1968 which Morgan co-organised.[8]
A raised fist incorporates the outline of the state of Wisconsin, as designed in 2011, for union protests against the state rescinding collective bargaining.[17]
Logo
The raised fist logo generally carries the same symbolism as a hand gesture. It was an important symbol of workers rights and labor movements, as well as specific labor actions, such as strikes, boycotts, and walk-outs.
White power fist, used by white nationalists and white supremacists, popularised by the band Skrewdriver.
Salute
Different movements sometimes use different terms to describe the raised fist salute: amongst communists and socialists, raised right fist is sometimes called the red salute, whereas in the United States it is widely known as the Black Power salute due to use by many African-American activists. The Rotfrontkämpferbundparamilitary organization of Communist Party of Germany used the right hand fist salute as early as 1924.[23] By this time, the Soviet Union had already established the use of a traditional Russian military salute. During the Spanish Civil War, it was sometimes known as the anti-fascist salute. A letter from the Spanish Civil War stated: "...the raised fist which greets you in Salud is not just a gesture—it means life and liberty being fought for and a greeting of solidarity with the democratic peoples of the world."[24]
At the 1968 Summer Olympics in Mexico City, medal winners John Carlos and Tommie Smithgave the raised fist salute during the American national anthem as a sign of black power, and as a protest on behalf of the Olympic Project for Human Rights. They were banned from further Olympic activities by the IOC, as the rules then in place prohibited any political statements at the Olympics. The event was one of the most overtly political statements[25] in the history of the modern Olympic Games. Tommie Smith stated in his autobiography, "Silent Gesture", that the salute was not a Black Power salute, but in fact a human rights salute.[26]
Psychologist Oliver James has suggested that the appeal of the salute is that it allows the individual to indicate that they "intend to meet malevolent, massive institutional force with force of (their) own", and that they are bound in struggle with others against common oppression.[8]
The raised fist was the official salute of communist partisan armies throughout the Balkans during World War II, as performed by this Yugoslav partisan.
^Korff, Gottfried (Fall 1992). "From Brotherly Handshake to Militant Clenched Fist: On Political Metaphors for the Worker's Hand". International Labor and Working-Class History. 42: 77. doi:10.1017/S0147547900011236. JSTOR27672022. S2CID144046575.
^Calleja, Eduardo Gonzále (2005). "The symbolism of violence during the Second Republic in Spain, 1931–1936". In Ealham, Chris; Richards, Michael (eds.). The Splintering of Spain. pp. 23–44. doi:10.1017/CBO9780511497025.005. ISBN978-0-511-49702-5. The Roman salute characteristic of Italian fascism was first adopted by the PNE and the JONS, later spreading to the Falange and other extreme right groups, before it became the official salute in Franco's Spain. The JAP salute, which consisted of stretching the right arm horizontally to touch the left shoulder enjoyed only relatively little acceptance. The gesture of the raised right fist, so widespread among left-wing workers' groups, gave rise to more regimented variations, such as the salute with the fist on one's temple, characteristic of the German Rotfront, which was adopted by the republican Popular Army.
^Korff, Gottfried: "Symbolgeschichte als Sozialgeschichte? Zehn vorläufige Notizen zu den Bild- und Zeichensystemen sozialer Bewegungen in Deutschland", in: Warneken, Bernd Jürgen (Hg.): "Massenmedium Strasse. Zur Kulturgeschichte der Demonstrationen." Frankfurt/Main 1991. S. 27–28. Cited in: Schulte-Rummel, Sven "Die politische Symbolik der Kommunistischen Partei Deutschlands in der Weimarer Republlik" [1].
"Im Gegensatz zu den meisten anderen Symbolen der Kommunisten beginnt die Geschichte der geballten Faust in der Ära der Weimarer Republik. Sie war prägendes Symbol bei Straßenaufmärschen, Spiegel der gewaltbereiten Demonstranten, die voller Frust über das System dem Staat die geballte Faust zeigten." Translation: "Unlikely the most of other Communists symbols, the history of Raised right fist started in the era of Weimar Republic. It was a definitive symbol of street marches, reflection of the marchers who were ready for violence, who were disappointed by the whole system of the state and showed their clenched fists to it."
^Rolfe, Mary. Letter to Leo Hurwitz and Janey Dudley, 25 November 1938. Reprinted in Cary Nelson and Jefferson Hendricks, eds. "Madrid 1937: Letters of the Abraham Lincoln Brigade from the Spanish Civil War," Routledge: 1996. [2]