The commercial success of the film allowed the economic viability of Argentina Sono Film, which had failed with its second production Dancing in 1933.[4]
^España, Claudio (2000). "Formas de representación en la edad de oro". In España, Claudio (ed.). Cine argentino: industria y clasicismo, 1933-1956 (in Spanish). Vol. 1. Buenos Aires: Fondo Nacional de las Artes. pp. 22–150. ISBN978-950-980-759-4.