The Shigir Sculpture, or Shigir Idol (Russian: Шигирский идол), is the oldest known wooden sculpture.[1][2] It is estimated to have been carved c. 11,500 years ago, or during the early Holocene period, and is twice as old as Egypt's Great Pyramid.[3] The wood it was carved from is approximately 12,000 years old.[4]
The sculpture was discovered on January 24, 1890 at a depth of 4 m (13 ft) in the peat bog of Shigir,[6] on the eastern slope of the Middle Urals, near the village of Kalata (modern Kirovgrad) and approximately 100 km (62 mi) from Yekaterinburg. Investigations in this area had begun 40 years earlier, after the discovery of a variety of prehistoric objects in an open-cast gold mine.
It was extracted in ten parts. Professor D. I. Lobanov combined the main fragments to reconstitute a sculpture 2.8 m (9.2 ft) high.[7]
In 1914, archaeologist Vladimir Tolmachev [ru] proposed a variant of this reconstruction by integrating the unused fragments. His reconstruction suggested that the original height of the statue was 5.3 m (17.4 ft).[7]
Later, some of these fragments were lost, so only Tolmachev's drawings of them remain.[8]
A later German analysis gave an age of 11,500 years.[11][10] It is the most ancient wooden sculpture of its kind known in the world. Typically, wood degrades in most environments and does not endure for archaeological discovery so readily as other materials such as stone and metal - unless in peat. A decorated antler was found near the Shigir Idol and dated to the same period, giving credence to the estimated age of 11,500 years.[8]
In 2021, in the journal Quaternary International, researchers from the University of Göttingen, and the Institute of Archeology of the Russian Academy of Sciences published the results of a series of recent AMS-results dating the Idol close to the beginning of the Holocene (c. 10,000 years ago). This dating makes it the oldest known monumental wooden sculpture in the world.[4] Researchers note that, while any direct parallel to this find is not yet known, nevertheless, the contextualization can be assisted by some very limited evidence of wooden objects from the Palaeolithic and Mesolithic.[6][12]
The geometric decorations, such as simple lines and zigzags of the Idol are commonly found in Late Palaeolithic and Early Mesolithic decorations. Thus, various elements of the Shigir sculpture are consistent with the record of Late Glacial to Early Mesolithic art in Eurasia.[4]
Description
Some of the lower faces on the sculpture are visible in this image
The sculpture is carved from larch. As identified from the annual rings, the tree was at least 159 years old when felled. Stone tools were used for carving the markings. The top portion is a head with a face with eyes, nose, and mouth. The body is flat and rectangular. Geometrical motifs decorate its surface, including zigzag lines and depictions of human faces and hands.[10] Horizontal lines at the level of the thorax may represent ribs, and lines broken in chevrons cover the rest of what often is described as the body;[11] however, along with the face at the top, several faces are visible at various points along the sculpture.[13] The arrangement resembles a totem pole.[14]
Scholars have proposed various theories about the carvings' meaning. Svetlana Savchenko, a researcher at the Sverdlovsk Regional Museum, suggested that the decoration tells the creation myth those who carved it believed in.[7] Other researchers at the museum have suggested that the markings could have served as a navigational aid or map.[7] Mikhail Zhilin, an archaeologist at the Institute of Archaeology in Moscow, guessed that the statue could depict mythological creatures such as forest spirits.[15] Archeologist Peter Vang Peterson, of the National Museum of Denmark, speculated that the idol could serve as a warning not to enter a dangerous area.[14]
Scholars noted that the Shigir Idol's decoration was similar to that of the oldest known monumental stone ruins, at Göbekli Tepe in Turkey.[3]
The ornamentation on the sculpture was carved using three different sizes of chisels. In addition, following his 2014 examination of the sculpture,[16] Zhilin discovered another face in the sculpture and asserted that the faces were carved last of all, using tools made from the lower jaw bones of a beaver, with sharpened incisor teeth. A beaver jaw tool from the same period was found at the Beregovaya 2 site.[17]
The discovery upended scholars' views on when humans began making ritual art, as opposed to the kind of realistic art seen in the Lascaux caves.[10] Scientists had previously believed that complex art comparable to the Shigir Idol began in sedentary farming populations in the Middle East around 8,000 years ago.[10]
Preservation
Zhilin stated that the sculpture was made from the larch, which is naturally phytoncidic, then preserved in a bog that had an acid, anaerobic environment, which kills microorganisms and also has a tanning effect.[7] Scientists suspect that many more statues like the Shigir Idol existed, but that they did not benefit from the same unusual conditions and therefore were not preserved.[15]
Zhilin, Mikhail; Savchenko, Svetlana; Hansen, Svend; Heussner, Karl-Uwe; Terberger, Thomas (April 2018), "Early art in the Urals: new research on the wooden sculpture from Shigir", Antiquity, 92 (362): 334–350, doi:10.15184/aqy.2018.48
