Stand! is the fourth album by soul/funk band Sly and the Family Stone, released in April 1969. Written and produced by lead singer and multi-instrumentalist Sly Stone, Stand! is considered an artistic high-point of the band's career. Released by Epic Records, just before the group's celebrated performance at the Woodstock festival, it became the band's most commercially successful album to date.[7] It includes several well-known songs, among them hit singles, such as "Sing a Simple Song", "I Want to Take You Higher", "Stand!", and "Everyday People". The album was reissued in 1990 on compact disc and vinyl, and again in 2007 as a remastered numbered edition digipack CD with bonus tracks and, in the UK, as only a CD with bonus tracks.
The album sold 500,000 copies in 1969 and was certified gold in sales by the RIAA on December 4 of that year. It peaked at number 13 on the Billboard 200 and stayed on the chart for nearly two years.[8] By 1986 it had sold well over 1 million copies and was certified platinum in sales by the RIAA on November 21 of that same year.[9] It then went on to sell over three million copies, becoming one of the most successful albums of the 1960s.[10] In 2003, the album was ranked number 118 on Rolling Stone magazine's list of the 500 greatest albums of all time,[11] 121 in a 2012 revised list,[12] and number 119 in a 2020 reboot of the list.[13] In 2015, the album was deemed "culturally, historically, or aesthetically significant" by the Library of Congress and selected for inclusion in the National Recording Registry.[14]
Much of the album was recorded at Pacific High Recording Studios in San Francisco. The band's A&R director and photographer Stephen Paley recalled how "together" Sly Stone was while working on Stand!, constantly referring to Walter Piston's Orchestration textbook,[15] unlike his erratic behavior and work after he became dependent upon cocaine within a year of the album's success.[16]
Songs
Stand! begins with the title track on which Sly sings lead, a mid-tempo number launching into a gospel break for its final forty-nine seconds.[15] Most of the Family Stone was unavailable for the session at which this coda was recorded: Sly, drummer Gregg Errico and horn players Cynthia Robinson and Jerry Martini were augmented by session players instead. Errico recalls that many liked the gospel extension more than they did the song proper, and that; "People would always ask, 'why didn't you go there and let that be the song?'"[15] The second track, titled "Don't Call Me Nigger, Whitey", has few lyrics save for the chorus Don't call me "nigger", whitey/Don't call me "whitey", nigger and a single verse sung by Rose Stone. On "I Want to Take You Higher" Freddie Stone, Larry Graham, Rose Stone, and Sly Stone take turns delivering the lead vocal and all seven band-members deliver the shouted backing vocals. Sly Stone, Robinson, Freddie Stone, Graham, and Martini all play instrumental solos.
"Everyday People", already a number-one hit single in the United States by the time of the album's release, opens Side B. The most familiar song on the album, "Everyday People" popularized the expression "different strokes for different folks".[19] Sly Stone, Rose Stone and Cynthia Robinson sing lead and Larry Graham introduces the slap-pop style of bass he expanded on "Thank You (Falettinme Be Mice Elf Agin)". "Sex Machine" is a thirteen-minute jam that features Sly scatting through amplified distortion and allows each band member a solo. Gregg Errico's drum solo closes the song and the band members are heard bursting into laughter during the final seconds. Stand! concludes with "You Can Make It If You Try", sung by Sly Stone, Freddie Stone, and Larry Graham. Sly Stone instead of Larry Graham played the bass.[20] It was, at one point, planned for a single release in mid-1969, following up "Stand!", but this was dropped in favor of the non-album track "Hot Fun in the Summertime". The unused mono single mix was later included on the 2007 CD reissue.
Reviewing for Rolling Stone in July 1969, Alec Dubro observed a "very evident sense of moral purpose" in the content and a rawness in its brand of soul music, which he said "depends on sheer energy more than anything else". Overall, he found the album provocative and "effective", recommended "for anyone who can groove on a bunch of very raucous kids charging through a record, telling you exactly what they think whether you want to hear it that way or not."[30] In the same magazine, covering Epic/Legacy's 2007 reissue of the band's catalogue, Robert Christgau said that "Stand! revealed the magnificence of which this band would all too briefly be capable. 'Sex Machine,' which precipitated James Brown's, wah-wahs on a bit, but everything else is etched in Stone, from the equally precipitous 'Don't Call Me Nigger, Whitey' to the Chaka Khan fave 'Somebody's Watching You' to, yes you can, 'You Can Make It If You Try.'"[27] Also appraising the reissue campaign, Peter Shapiro wrote in Uncut that Stand! was "the group’s true breakthrough" as its "seamless blend of rock, funk and soul, and the soaring mix of black and white voices, made crossover seem like Utopia." Commenting on the music's historical context, Shapiro added:
At a time when the civil rights coalition was breaking apart, when flower power was mutating into armed struggle, the Family Stone clung desperately to the belief that 'You Can Make it If You Try' and had the gall to deliver the decade's most powerful message of unity as a singsong nursery rhyme. Of course, maybe 'Everyday People' was believable as a nursery rhyme because, on songs like 'Don’t Call Me Nigger, Whitey' and 'Somebody’s Watching You', Sly watches the '60s dream disintegrate before his eyes.[29]
The Jackson 5 covered both "Stand!" and "Want to Take You Higher" on their album Goin' Back to Indiana.
