Sulla tua bocca lo dirò is a studio album by Italian singer Mina released on 20 February 2009 by PDU. The title of the album is taken from a line in the aria Nessun dorma Sulla tua bocca lo dirò fremente, ed il mio bacio scioglierà il silenzio che ti fa mia...[2]
Production
"The disc that Mina had always wanted to do" were the words of Massimiliano Pani at the presentation of this album, in which Mina sings interpretations of classical music. There are many pop singers who have sung or interpreted classical music. On the international scene two particular albums stand out: the album Classical Barbra released in 1976, where Barbra Streisand addresses an essentially lieder repertoire with music by Debussy, Fauré, Orff, Schumann, Händel.[3] The second album is by Sarah Vaughan with the album Sarah Slightly Classical of 1963 where she interprets Debussy, Tchaikovsky, Chopin, Saint-Saëns.[4] In Italy, however, the most significant pop-classical albums were released by Alice with Mélodie passagère in 1988,[5]Giuni Russo with A casa di Ida Rubinstein in 1988[6] and the two albums of Albano Carrisi, Anthology in 1974 and classical Concert in 1997.[7]
This was not the first time that Mina ventured into the classical repertoire. On television shows there are various examples, such as the one in Musica da sera in 1967, where she, with flutist Severino Gazzelloni, interprets the "Seconda fuga in do minore" by Bach.[8] Even in her discography there are examples of the merging between classical and light pop: "Chopin cha cha" in 1962 and "Ridi pagliaccio" in 1988.[9] This album does not pretend to be an anthology overview of opera. The choice of songs is centred on the figure of Giacomo Puccini, present with four works (Manon Lescaut, La Bohème, Tosca and Turandot). These songs act as a link between the glorious tradition of Italian opera (Giuseppe Giordani and Albinoni) and the twentieth century (Leonard Bernstein, George and Ira Gershwin, Francesco Cilea, Astor Piazzolla).[10] All songs are reworked and arranged by Gianni Ferrio. The aim of this album is to turn the classic music pieces in the songs, in the modern sense of the term.
Songs
The opening track is "Mi chiamano Mimì" an soprano aria from the opera La bohème written by Giacomo Puccini. The interpretation is essentially identical to the one presented in Teatro 10 in 1972 (available on the album Gentlemen ... Mina! Vol. 4). Even though Mina has a wide soprano range, Ferrio reworked the piece so that it is sung in a much lower tone.[11]
The interpretation of the second song, "Ideale", a romance for voice and piano by Francesco Paolo Tosti, is almost identical to the one presented on the television program Milleluci in 1974.[12]
"I Have a Love" is an excerpt from the famous musical West Side Story, written by Stephen Sondheim music by Leonard Bernstein. Mina has always loved this piece of music and in an episode of "Johnny Sera" in 1966 she sang a medley with Johnny Dorelli, dedicated to the American musical that ended with "Tonight", another famous song of West Side Story.[13]
Baroque music is represented by "Caro mio ben", a famous aria composed in the eighteenth century and attributed to Giuseppe Giordani[14] There is also a version by Sting included on his live album The art of the heart[15]
The meeting between Astor Piazzolla and Mina dates back to 1972 "Teatro 10" where they presented their duet "Balada para mi muerte",[16][17] found on the album Signori ... Mina! Vol. 3, 1993. The current album includes the track "Oblivion"[18] with the unpublished lyrics of Alba Fossati.
Other unpublished lyrics of Giorgio Calabrese is the prelude to the third act of Manon Lescaut by Giacomo Puccini (Manon is locked up in the prison of Le Havre waiting to be embarked for America). In this interlude, originally only an instrumental, lyrics were added with respect to the original score.,[21][22]
"È la solita storia…," is a famous aria taken from act II of the operaL'arlesiana by Francesco Cilea.[25] It is sung by Federico, who is deeply in love with a girl from Arles, the Arlesiana of the title, but his family has arranged his marriage with Vivetta. Vivetta has always loved Federico since childhood and is disappointed to know of his love for l'Arlesiana. When he has been left alone, Federico reads the letters of l'Arlesiana and ponders them with his broken heart.[10]
A first album cover was designed by Gianni Ronco, reworking the poster of the historic Turandot of 1926 style Liberty, then set aside, but the image still appears in the album sleeve.[38] For the final cover was chosen a photographic version performed by Mauro Balletti used the same photo shoot for the album Salomè. Balletti used the same internal images of the libretto inspired by the works of the painter bohemian Tamara de Lempicka.[39]
^Puccini, Giacomo; Adami, G.; Simoni, R. (1978). "Act III, Scene I". Turandot. Opera Vocal Score Series (in English and Italian). Milano, Italy: Ricordi. p. 291. OCLC84595094. None shall sleep tonight!
