This album was mostly recorded in Villa Nellcôte, France,[2] as well as at Olympic Studios in 1970, with vocal overdubs added in early 1972 at Sunset Sound Studios. The song features a harmonica solo by Jagger and a saxophone solo by Bobby Keys. Drummer Charlie Watts plays a country shuffle rhythm.[3] An alternate version without the backing singers was released on bootlegs. The song was also released as the B-side of the Stones' "Rocks Off" single in Japan.[4]
"Sweet Virginia" is an acoustic song that is thought to have been influenced by Gram Parsons and by the drug-fueled atmosphere of Nellcôte, where the album was mostly recorded during a series of chaotic recording sessions.[6][2] The lyrics allude to drug use and pills and low-grade heroin (“drop your reds, drop your greens and blues”, "I hid the speed inside my shoe", and "got to scrape that shit right off your shoes").[6].
In a 1973 Crawdaddy interview, Parsons modestly confessed that he 'didn't work with the Stones that much. I did a few things with them...like with "Wild Horses", "Dead Flowers", and "Sweet Virginia"...I sang on "Sweet Virginia". Gram thought that he 'sort of did' turn the Stones on to a more basic consideration of country. [7]
Reception
Classic Rock History critic Matthew Pollard rated "Sweet Virginia" as the Rolling Stones' 4th best deep cut, calling it "a pretty little Country-inspired work of genius that’s thought-provoking and inspiring as it is a real crowd-pleasing sing-along."[8]
Legal problems
After the release of Exile on Main St., Allen Klein sued the Rolling Stones for breach of settlement because "Sweet Virginia" and four other songs on the album were composed while Jagger and Richards were under contract with Klein's company ABKCO Records. ABKCO acquired publishing rights to these songs, giving it a share of the royalties from Exile on Main St.. Additionally, ABKCO was able to publish another album consisting of previously released Rolling Stones songs, More Hot Rocks (Big Hits & Fazed Cookies).[9]
^Goodman, Fred (2015). Allen Klein: The Man Who Bailed Out the Beatles, Made the Stones, and Transformed Rock & Roll. Boston, New York: Houghton Mifflin Harcourt. pp. 235–236. ISBN978-0-547-89686-1.
^While it was later rumored that American musician Gram Parsons contributed backing vocals to the track, Taylor stated in 2002 that he, and not Parsons, was the one singing.[11]
Sources
Babiuk, Andy; Prevost, Greg (2013). Rolling Stones Gear: All the Stones' Instruments from Stage to Studio. Milwaukee: Backbeat Books. ISBN978-1-61713-092-2.