The Tarnished Angels

The Tarnished Angels
The Tarnished Angels
	Theatrical release poster
Directed by	Douglas Sirk
Screenplay by	George Zuckerman
Based on	the novel Pylon; by William Faulkner
Produced by	Albert Zugsmith
Starring	Rock Hudson; Robert Stack; Dorothy Malone; Jack Carson
Cinematography	Irving Glassberg
Edited by	Russell F. Schoengarth
Music by	Frank Skinner
Production; company	Universal-International
Distributed by	Universal-International
Release dates	November 21, 1957 (London); December 25, 1957 (Charlotte, North Carolina);
Running time	91 minutes
Country	United States
Language	English
Box office	$1.5 million

The Tarnished Angels is a 1957 black-and-white American CinemaScope drama film directed by Douglas Sirk and starring Rock Hudson, Robert Stack, Dorothy Malone, Jack Carson, and Robert Middleton.^[5]^[6] The screenplay by George Zuckerman is based on the 1935 novel Pylon by William Faulkner.

Plot

Disillusioned World War I flying ace Roger Shumann (Robert Stack) spends his days during the Great Depression making appearances as a barnstorming pilot at rural airshows with his parachutist wife LaVerne (Dorothy Malone), worshipful son Jack (Chris Olsen), and mechanic Jiggs (Jack Carson) in tow.

New Orleans reporter Burke Devlin (Rock Hudson) is intrigued by the gypsy-like lifestyle of the former war hero, but is dismayed by his cavalier treatment of his family and soon finds himself attracted to the neglected LaVerne. Meanwhile, Roger barters with aging business magnate Matt Ord (Robert Middleton) for a plane in exchange for a few hours with his wife. Tragedy ensues when Jiggs' anger about his employer's refusal to face family responsibilities causes him to make a rash and fatal decision. He manages, with some difficulty, to get Shumann's aircraft to start, but the plane crashes and Shumann is killed. After rejecting and then reconciling with Devlin, LaVerne returns to Iowa with Jack.

Cast

Rock Hudson as Burke Devlin
Robert Stack as Roger Shumann
Dorothy Malone as LaVerne Shumann
Jack Carson as Jiggs
Robert Middleton as Matt Ord
Alan Reed as Colonel Fineman
Alexander Lockwood as Sam Hagood
Chris Olsen as Jack Shumann
Robert J. Wilke as Hank
Troy Donahue as Frank Burnham
William Schallert as Ted Baker
Betty Utey as Dancing Girl
Phil Harvey as Telegraph Editor
Steve Drexel as Young Man
Eugene Borden as Claude Mollet
Stephen Ellis as Mechanic

Production

This Universal-International film reunited director Douglas Sirk with Robert Stack, Dorothy Malone, and Rock Hudson, with whom he had collaborated on Written on the Wind the previous year. In contrast to this film, in the earlier film Stack and Malone played brother and sister and Malone's character was infatuated with Hudson's character.

Sirk chose to shoot Angels in black-and-white to help capture the despondent mood of the era in which it is set. William Faulkner considered this film to be the best screen adaptation of his work.^[7]

Release and reception

The Tarnished Angels premiered in London in November 1957 and got its first American booking on Christmas Day 1957 in Charlotte, North Carolina, before going into general release.^[8]^[9]

In his review in The New York Times, Bosley Crowther said the film "was badly, cheaply written by George Zuckerman and is abominably played by a hand-picked cast. The sentiments are inflated — blown out of all proportions to the values involved. And the acting, under Douglas Sirk's direction, is elaborate and absurd."^[10] Variety called the film "a stumbling entry. Characters are mostly colorless, given static reading in drawn-out situations, and story line is lacking in punch."^[11]

More recent reviews, penned after a resurgence of interest and respect for Sirk's directing, are almost uniformly positive. In 1998, Jonathan Rosenbaum of the Chicago Reader included the film in his unranked list of the best American films not included on the AFI Top 100.^[12] Dave Kehr wrote in The New York Times: "The Tarnished Angels is among Sirk’s most self-conscious and artistically ambitious creations. ... This is bravura filmmaking in the service of a haunting vision. Yet there are moments of almost microscopic subtlety: the camera movement that expresses the moral reversal of the Hudson and Stack characters, one growing larger than the other; the infinite tenderness with which Hudson strokes Ms. Malone’s hair, helplessly trying to comfort her after a shock."^[13]

TV Guide rated the film four out of a possible four stars and called it "the best-ever adaptation of a Faulkner novel for the screen, directed with passion and perception by Sirk ... The acting is first-rate here, and the script is outstanding, full of wit, black humor, and occasional fine poetic monologues."^[14]